Kurken Alemshah

Kurken M. Alemshah (Armenian: Գուրգէն Մ. Ալէմշահ; May 22, 1907 – December 14, 1947) was an Armenian composer and conductor.[1]

Kurken M. Alemshah
BornMay 22, 1907
Bardizag, Ottoman Empire (now Bahçecik, near İzmit, Turkey)
DiedDecember 14, 1947(1947-12-14) (aged 40)
Detroit, Michigan, U.S.
NationalityArmenian
Occupationcomposer and conductor

Biography

Alemshah was born in Bardizag [2] (now Bahçecik, near İzmit, Turkey). He began schooling in his own hometown, but during the 1915 Ottoman atrocities his parents sent the young boy to Italy to continue his education in the Murat-Raphaelian Armenian School[3] in Venice. In 1923, when his teachers there became aware of his striking musical gifts, they registered him at the Milan Conservatory to study music.

Following his graduation, Alemshah joined the faculty of the Paris branch of the Murat-Raphaelian school, where he organized the Giligia choir, performing not only in Paris, but also traveling to Venice, directing the choir in an all-Komitas program at St. Mark's Square. Alemshah continued to introduce the Armenian song to all music lovers: he presented Tchouhadjian's popular comic opera Leblebidji Hor-Hor Agha (The Chickpea Vendor), and Haygagan harsanik (The Armenian Wedding), a composition put together by combining Alemshah's own melodies with popular songs. In 1937, Haygagan harsanik received second prize in an international competition to which twenty nations participated.

Concurrently, Alemshah conducted the Alakyaz Choir on a number of occasions, initially to mark the establishment of the Soviet regime in Armenia, and later to benefit the Armenian War Relief efforts. In 1939, he was appointed conductor of the Sipan-Komitas Chorus.[4] He conducted Tigranian's opera Anush and performed the Armenian Divine Liturgy in a number of French cathedrals.

In the fall of 1947, Alemshah visited the United States for a series of appearances. In October, he conducted a concert at Town Hall, NY, devoted to Armenian orchestral and choral music. On December 14, 1947 he died in Detroit of a heart attack, a day before he was scheduled to perform in the city.[5]

Alemshah sang with an individual voice. His music exhibits fluid and elegant melodies, exquisite refinement and poise. His feeling for poetic atmosphere—and the craftsmanship he used to communicate it—was unique, giving his songs a rare musical substance and emotional intensity.

Some of his scores were published in Paris in 1947 and his manuscripts are reposited in the Charents Museum of Literature and Arts in Armenia. A CD of Alemshah's complete solo songs, performed by Elisabeth Pehlivanian, and some of his choral works rendered by Komitas Chamber Choir have been released.

Selected works

Solo vocal

  • Բուխուրիկ • Pukhurig (Stovepipe, 1934)
  • Իմ երգը • Im yerkı (My Song)
  • Ես սիրեցի • Yes siretsi (I Loved)
  • Իմ եարը • Im yarı (My Beloved)
  • Աղուորներուն • Aghvornerun (For the Lovely Maidens)
  • Նազեր • Nazer (Coyness)
  • Ծաղիկ էի • Dzaghig ei (I Was a Flower)
  • Իղձ • Ights (Desire)
  • Սիրելիս • Sirelis (My Love)
  • Պճինկօ • Bjingo (A gangbang)

Choral

  • Հայաստան • Hayasdan (Armenia)
  • Անուշիկ եար ճան • Anushig yar jan (Beautiful Sweatheart)
  • Մեր պարտիզում • Mer bardizum (In Our Garden)
  • Հունձք • Huntsk (Harvest)
  • Պլպուլն Աւարայրի • Blbuln Avarayri (The Nightingale of Avarayr)

Instrumental

  • Lamento et dance arménienne (Lament and Armenian Dance) for vn & pn

Orchestral

  • Արեւելեան գիշերներ • Arevelyan kisherner (Oriental Nights, 1931)
  • Հէքեաթ • Hekyat (A Tale)
  • Երկու պատմուածք հազար ու մէկ գիշերներէն • Yergu badmvadzk hazar u meg kisherneren (Two Stories from The Book of One Thousand and One Nights)

Vocal-Orchestral

  • Աւարայրի պատերազմը • Avarayri baderazmı (The Battle of Avarayr, 1934)

Incidental music

  • Վարդավառ • Vartavar (Transfiguration, 1932)
  • Ծովինար • Dzovinar
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gollark: That's actually how I found out the details of one potatospotatoexploit™.
gollark: Although you can, as it turns out, read printed pages held in other people's hands, which is neat.
gollark: Plethora doesn't let you access metadata sometimes even when it would be very !!FUN!!.]
gollark: If you have entity-sensor visibility on that player (unlikely given the range but OH WELL) you could make it try and track players, if it looks like the laser came from a specific one.

References

  1. Mize, John Townsend Hinton (1951). The International who is who in Music. Who is Who in Music, p. 13
  2. Lost Communities
  3. Ս. Թէոդորեան։Պատմութիւն Մուրատեան վարժարանի։ Paris, 1857, Vol. I.
  4. "Chorale Sipan Komitas - Choeur Mixte Arménien de Paris". Archived from the original on 2008-05-12. Retrieved 2008-08-02.
  5. Ewen, David (1948). The Year in American Music. Allen, Towne & Heath

CD Recordings

Further reading

  • Բրուտեան, Ցիցիլիա (1968). Սփյուռքի հայ երաժիշտները. «Հայաստան» հրատարակչություն, Երևան. pp. 55–60.
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