Adalbert Gyrowetz

Vojtěch Matyáš Jírovec (Adalbert Gyrowetz) (20 February 1763 – 19 March 1850) was a Bohemian composer. He mainly wrote instrumental works, with a great production of string quartets and symphonies; his operas and singspiele numbered more than 30, including Semiramide (1791), Der Augenarzt (1811), and Robert, oder Die Prüfung (1815).

Adalbert Gyrowetz

Biography

Gyrowetz was born 20 February 1763 in České Budějovice (Budweis). His father was the choirmaster in the cathedral there, and Adalbert first studied with him. He then travelled to Prague, where he studied law but continued to learn music.

At around this time Gyrowetz was in the employ of Count Franz von Fünfkirchen in Brno, whose employees were all musicians. Here he started composing (among other things) symphonies, of which he was eventually to write more than 60. In 1785 he moved to Vienna and met Wolfgang Amadeus Mozart, who performed one of Gyrowetz's symphonies in the same year.[1] From 1786 to around 1793, he travelled throughout Europe. He spent some time in Paris, where he established that some symphonies that had been published as the work of Joseph Haydn were in fact his work.[2] He spent three years in Italy, meeting Johann Wolfgang von Goethe in Rome and studying with Nicola Sala in Naples. In 1791 he met Haydn, whom he idolized, in London. While in London, he was commissioned by Johann Peter Salomon to compose symphonies to be performed at Salomon's Hanover Square Rooms concerts.

Gyrowetz moved back to Vienna and in 1804 was appointed Vice-kapellmeister of the Court Theatre. Gyrowetz was an important part of Viennese musical society well into the 1820s and even arranged the piano reduction of Rossini's Zelmira in 1822. He was one of the pallbearers at Beethoven's funeral in 1827. Gyrowetz died 19 March 1850 in Vienna.

Selected works

Operas (all composed in Vienna unless otherwise stated)

  • Semiramis (1791 - lost in a London Theatre fire)
  • Selico (1804)
  • Mirana, die Königin der Amazonen (1806)
  • Agnes Sorel (1806)
  • Ida, die büssende (1807)
  • Die Junggesellen-Wirtschaft (1807)
  • Emericke (1807)
  • Die Pagen des Herzogs von Vendôme (1808)
  • Der Sammtrock (1809)
  • Der betrogene Betrüger (1810)
  • Das zugemauerte Fenster (1810)
  • Der Augenarzt (1811)
  • Federica ed Adolfo (1812)
  • Das Winterquartier in America (1812)
  • Robert, oder Die Prüfung (1815)
  • Helene (1816)
  • Die beiden Eremiten (1816)
  • Der Gemahl von ungefähr (1816)
  • Die beiden Savoyarden (1817)
  • Il finto Stanislao (1818 Milano)
  • Aladin (1819)
  • Das Ständchen (1823)
  • Des Kaisers Genesung (1826)
  • Der blinde Harfner (1827)
  • Der Geburtstag (1828)
  • Der dreizehnte Mantel (1829)
  • Felix und Adele (1831)
  • Hans Sachs im vorgerückten Alter (1834 Dresden)

More than 60 symphonies, including:

  • Symphony in E-flat major, Op. 0, No. 1
  • Symphony in B-flat major, Op. 0, No. 2
  • Symphony in D major, Op. 0, No. 3
  • Symphony in E-flat major, Op. 6, No. 2, 'Jupiter'
  • Symphony in F major, Op. 6, No. 3
  • Symphony in E-flat major, Op. 8, 'Great'
  • Symphony in D major, Op. 9, No. 1
  • Symphony in F major, Op. 9, No. 3
  • Symphony in D major, Op. 13, No. 1
  • Symphony in C major, Op. 13, No. 3
  • Symphony in C major, Op. 23, No. 3
  • Symphony in D major, Op. 24, No. 1

About 60 string quartets, including:

  • Three String Quartets, Op. 1a: C major, G major, B-flat major
  • Six String Quartets, Op. 2
  • Three String Quartets, Op. 3: D major, G major, E-flat major
  • Six String Quartets, Op. 4
  • Three String Quartets, Op. 13: D major, C major, E-flat major
  • Three String Quartets, Op. 16
  • Six String Quartets, Op. 17: F major, G minor, G major
  • Three String Quartets, Op. 19: (No. 2 also for Flute Quartet)
  • Three String Quartets, Op. 25: D major,
  • Three String Quartets, Op. 29: E-flat major, G major,
  • Three String Quartets, Op. 30
  • Three String Quartets, Op. 42
  • Three String Quartets, Op. 44: G major, B-flat major, A-flat major
  • Three String Quartets, Op. 56: D major, F major, C minor

40 Piano Sonatas with Violin and Violoncello accompaniment, including:

  • Three Piano Trios, op. 10: A major, B-flat major, E-flat major
  • Three Piano Trios, op. 14: C major, F major, D major
  • Three Piano Trios, op. 15
  • Three Piano Trios, op. 18: G major, B-flat major, E-flat major
  • Three Piano Trios, op. 20: A major, F major, C minor
  • Three Piano Trios, op. 22: G major, B-flat major, E-flat major
  • Three Piano Trios, op. 23: D major, C major, E-flat major
  • Three Piano Trios, op. 34: F major
  • Three Piano Trios, op. 41: B-flat major, G major, D major (1800)
  • Two Piano Trios, op. 45: B-flat major, D minor (1800)
  • Divertimento for Piano Trio, op. 50
  • Three Piano Trios, op. 51: F major, C major, A major
  • Three Piano Trios, op. 55: D major, G major, F major
  • Divertimento for Piano Trio, op. 57

12 Nocturnes for Piano with violin and violoncello accompaniment

  • Nocturne for Piano, op. 21 in D major (1797)
  • Nocturne in B-flat major (no. 4), E-flat major (no. 5), C major (no. 7), G major (no. 9), F major (no. 10)

Other miscellaneous chamber music, including:

  • Six Flute Trios, Op. 4 or 6 or 11 (?)
  • Adagio for Oboe and Orchestra, Op. 9
  • Three Flute Quartets, Op. 11 (1795): D major, G major, C major
  • Dritte Nachtmusik/Nocturne for Flute Quartet, Op. 26
  • Flute Quintet in E minor, Op. 39 (1800)
  • Grand Trio Concertante in E-flat major for Clarinet, Cello and Piano, Op. 43
  • String Quintet in C major (2 violins, 2 violas, and cello), Op. 45
  • Variations faciles sur la marche de l'opéra Raoul Barbe-Bleue pour piano

Recordings
gollark: It would probably help to use less awful voting systems.
gollark: Well, I'm waiting for their explanation on 1, 2 sounds like the thing I said would be bad, 3... maybe?, 4 doesn't seem like a problem, and 5 might be something dislikeable but not right wing extremism.
gollark: mautam has other reasons, I mean.
gollark: I would agree with that - having the minimum standard be "immediately disavow anything some group decides they don't like" would be intensely problematic - but maybe they have other reasons.
gollark: Anyway, please answer my three questions.

References

Notes

  1. Černušák (1963), p. 613
  2. Černušák (1963), p. 614

Sources

  • Černušák, Gracián (ed.); Štědroň, Bohumír; Nováček, Zdenko (ed.) (1963). Československý hudební slovník I. A-L (in Czech). Prague: Státní hudební vydavatelství.CS1 maint: extra text: authors list (link)
  • Gyrowetz, Adalbert, "Autobiography", 1848, published by Alfred Einstein in 1915; Czech translation, Vlastní životopis Vojtěcha Jírovce, by František Bartoš published in 1940 by František Topič; English translation by Renee Anna Illa, Ph. D. dissertation, Kent State University, 2000.
  • Hettrick, William E., "The Autobiography of Adalbert Gyrowetz (1763 - 1850)." Studien zur Musikwissenschaft 40 (1991), pp. 41–74.
  • Kennedy, Michael and Bourne, Joyce, Eds. Oxford Concise Dictionary of Music, Fourth Edition, 1996 (2004 reprint with new information in some entries). Oxford, New York: Oxford University Press. ISBN 0-19-860884-5. p. 311.
  • Smith, Gary, Adalbert Gyrowetz (1763-1850), Mozart Forum, 2004.
  • Adalbert Gyrowetz: Divertissement for Piano, Violin/Flute, Cello, Op. 50, Lippstadt: Kistner & Siegel, 1950.
  • Eisen, Cliff, ed., Adalbert Gyrowetz: String Quintet in C, A-R Editions, 1998.
  • Mullerova, Vera, ed., Adalbert Gyrowetz: 12 Walzer, Prague: Edition Praga, 1969/1998.
  • November, Nancy, ed., Adalbert Gyrowetz: Three Quartets, Op. 29, Steglein, 2016.
  • Rice, John A., ed., Adalbert Gyrowetz: Four Symphonies (in C, F, Eb, D), New York: Garland, 1983.
  • Sutcliffe, W. Dean, ed., Adalbert Gyrowetz: Three Quartets, Op. 44, Steglein, 2004.
  • Sutcliffe, W. Dean, ed., Adalbert Gyrowetz: Three Quartets, Op. 42, Steglein, 2016.
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