Đorđe Marjanović

Đorđe Marjanović (Serbian Cyrillic: Ђорђе Марјановић, born 30 October 1931) is a Serbian retired singer.

Đorđe Marjanović
Đorđe Marjanović in front of his summer home in Prčanj in 2012.
Background information
Born (1931-10-30) 30 October 1931
Kučevo, Morava Banovina, Kingdom of Yugoslavia
OriginBelgrade, Serbia
Genres
Occupation(s)Singer
InstrumentsVocals
Years active1954–present
LabelsJugoton, Electrorecord, PGP-RTB, Studio B, PGP-RTS, Hi-Fi Centar
Websitedjordjemarjanovic.com

Marjanović started his career in the mid-1950s, raising to fame in the late 1950s with his theatrical on-stage performance. During the 1960s he recorded a large number of hit songs and became the first superstar of the Yugoslav popular music,[1] but also achieved large popularity in Soviet Union. Due to his on-stage performance and inclusion of foreign rock and roll hits into his repertoire, Marjanović is often described as one of the pioneers of the Yugoslav rock scene.[1][2][3] During the 1970s and 1980s he managed to maintain a loyal fanbase. In 1990, he suffered a stroke on stage, from which he partially recovered, but decided to retire from the scene, to this day appearing live occasionally only.

Early biography

Đorđe Marjanović's father, Sveta Marjanović, was born in the village of Duboko, near the town Kučevo in Eastern Serbia.[4] He attended high school in Požarevac, and when he was fifteen, he was among the civilians who followed the Serbian Army on its retreat through Albania.[4] He was among the young men which the Serbian government in exile in Greece sent to the United Kingdom to receive education.[4] He graduated from George Heriot's School and started his studies on the Manchester Metropolitan University, but returned home without graduating.[4] He graduated from the Export Academy in Zagreb and returned to Kučevo, where he started working as a bank clerk.[5]

Đorđe Marjanović was born on 30 October 1931 in Kučevo.[1] His mother died when he was only nine months old.[6] After the death of his wife, Marjanović's father left the child with his wife's mother, who would raise him.[6] Marjanović had a sister, Ljiljana, and a half-brother from his father's second marriage, Vojislav.[6]

Marjanović attended high school in Požarevac.[1] During high school years, he showed interest in theatre, directing and acting in his own plays.[6] After graduating from high school, he moved to Belgrade, where he, in 1950, after grandmother's wish, started his studies of pharmacy.[6] However, his grandmother died, and Marjanović was left without any funds to continue his studies.[6] To earn money he did various jobs: he unloaded freight cars on railroad stations, worked as a subscription collector for Radio Belgrade, worked as a milkman, and appeared as a background actor in Yugoslav Drama Theatre and in several Yugoslav films: Svi na more (Everybody to the Seaside), Anikina vremena (Anika's Time), Sumnjivo lice (Suspicious Person), Pesma sa Kumbare (The Song from Kumbara).[1][6] Despite his efforts, he never finished his studies.[6]

Musical career

Early career

Marjanović started his musical career in 1954, when he appeared on an audition for amateur singers, organised by Association of Jazz Musicians of Serbia, singing the songs "Mulen ruž" ("Moulin Rouge") and "Usamljeni gaučo" ("The Lonely Gaucho").[1] Reputedly, wandering Belgrade streets, Marjanović met an acquaintance who was going to the audition and asked Marjanović to keep him company. When they arrived at the audition, it was almost at its end. Someone invited all the people waiting in, including Marjanović, who did not get a chance to say he did not come for the audition. He decided to try to sing.[7] After the audition, he was approached by Radio Belgrade host Dušan Vidak, who told him that he passed.[7]

During the following years, he would appear on pop concerts featuring him and other singers, usually performing songs originally recorded by Yugoslav schlager singers Duško Jakšić, Bruno Petrali and Ivo Robić.[1] At the end of 1957, he started performing the song "Zvižduk u 8" ("Whistle at 8 O'clock"), written by Darko Kraljić in the early 1950s, but not performed by any other singer before Marjanović.[1] This song would later become one of his biggest hits and trademark songs.[1]

During these years, Marjanović became the first Yugoslav pop singer to include theatrical moves into his performance and to dance on stage, the first Yugoslav pop singer to take the microphone off the stand and walk with it down from the stage and into the audience, and the first to take off his jacket and throw it into the audience.[1]

Late 1950s and 1960s: Rise to fame, nationwide popularity and success in Soviet Union

The crucial moment of Marjanović's career was his performance on a 1958 concert in Niš. He appeared as an outsider, but thrilled the audience with his theatrical performance. This event brought him attention of the media and audience across Yugoslavia.[1] He was gaining more fans across the country, but saw criticism by a part of the media, who criticized his lack of vocal skills and his "clownish behavior" with which he, as one of the papers wrote, "reminded of tasteless moves of some domestic singers in their pitiable imitation of the West".[1] The editors of Radio Belgrade refused to invite Marjanović to perform in their live program.[1] Despite all that, the primo uomo of Belgrade Opera Darko Pivnički, who worked with young talents, decided to give singing lessons to Marjanović for free.[1]

The large popularity Marjanović enjoyed enabled him to record his first release, the album Muzika za igru (Music for Dancing).[1] Marjanović recorded the album with the band Plavi Ansambl (The Blue Ensemble), which at the time consisted of Eduard Sađil (tenor saxophone), Petar Sam (accordion), Tripo Simonuti (violin), Đorđe Debač (piano), Vladimir Vitas (vibraphone), Sveta Jakovljević (guitar), Milan Mihajlović (double bass), Aleksandar Kosanović (drums) and Rade Jovanović (bongo drums).[1] At the time of the album release, Marjanović was serving his mandatory army stint in Ljubljana.[1] Released by PGP-RTB record label in 1959, Muzika za igru was the first popular music album released by the label and the first popular music solo album released in Serbia.[1][8] The album was released on Marjanović's birthday, 30 October.[1] The song "Zvižduk u 8" was the album's biggest hit.[1] The first printing of the record was sold in a month.[1]

After his return from the army, Marjanović appeared at the Opatija Music Festival with the songs "Prodavac novina" ("Newspaper Seller") and "Pesma raznosača mleka" ("The Milkman Song"), winning three awards.[1] In March 1961, his performance on a Zlatni mikrofon (Golden Microhone) festival in Belgrade's Trade Union Hall caused a media scandal and what is often described as the first post-WWII street protest in Belgrade.[1][9] The festival featured leading pop singers of Yugoslavia; Marjanović decided to appeare on the festival performing the songs "Zvižduk u 8" and "Milord" (a cover of Édith Piaf's "Milord").[9] However, he was soon instructed to pick another song instead of "Milord"; it was explained to him that "Milord" is "too dramatic" and that it would "hinder the jury in making an objective decision".[10] Marjanović decided to perform the song "Carolina, dai!", which was two months earlier performed at the eleventh Sanremo Music Festival.[10] The festival jury should have awarded five Golden Microphone Awards to five best singers, however, they decided there are not enough singers worthy of the award. Their decision was to award only three Golden Microphones, to Lola Novaković, Nada Knežević and Anica Zubović.[1] After the announcer Dušan Vidak red the jury's decision and the names of the awarded singers, the audience got enraged with the fact that Marjanović is not among them. The audience started booing, chanting Marjanović's name and leaving the Hall, while the confused announcer proclaimed that the radio and television transmission had to be interrupted due to technical problems.[1] This caused a large number of people to go out of their homes and go towards the Hall to see what is really happening.[1] About 7,000 people gathered in front of the Hall.[1] Some time after midnight, Marjanović tried to slip away through the back door of the Hall. After spotting him, the crowd carried him on their hands to an automobile parked in front of Hotel Moskva. There they placed him on the roof of the car, where he started singing. The audience sang with him for the next two hours, while the traffic stood still.[1]

After this event, screenwriters Ljubiša Kozomara, Gordan Mihić and Milan Milićević Lango and film director Sava Mrmak recorded the comedy film Zvižduk u 8, starring Marjanović.[1] The film was panned by the film critics, but had huge success with the audience.[1] Concurrently with the film release, Marjanović held eleven sold-out concerts in a row in the Trade Union Hall.[1] On his concerts he sang, danced and spoke poetry.[1] For one of the concerts he received a letter from the First Lady of Yugoslavia, Jovanka Broz, which stated: "Dear Đorđe, please excuse me for not being able to attend your concert."[1] He dedicated a part of one of the concerts to rock and roll. He appeared on the stage dressed in leather, inspired by the image of Gene Vincent, performing foreign rock and roll hits.[11] In this part of the concert he was accompanied by the members of the newly-formed beat band Siluete.[11]

In 1961, Marjanović released his second studio album, Mustafa, through PGP-RTB.[1] He recorded the album with Plavi Ansambl and Predrag Ivanović Quartet.[1] The album consisted of covers of foreign hits, with the title track being a cover of Bob Azzam's "Mustapha".[1] The Serbo-Croatian lyrics for the songs were written mostly by Marjanović himself.[1] In 1962 he appeared on the Belgrade Spring Festival, performing the song "Stjuardjesa" ("Stewardess"), which became another one of his hits.[1]

The new stage of his career started in 1963, when he went on his first Soviet Union tour. The Soviet audience, uncustomary with the stage performance resembling the performances of Western singers, accepted him immediately.[1] He soon achieved large popularity in Soviet Union and started regularly going on Soviet Union tours. At the peak of his popularity in the Soviet Union he held fifteen concerts in a row on the Lenin Stadium in Moscow, performing every evening in front of approximately 15,000 people.[1] During his tours in Soviet Union he performed French chansons, Italian canzones, but also covers of songs by Bob Dylan, The Beatles, The Mamas & the Papas, The Animals and other rock acts.[1] He was awarded for "empowerment of friendly relations between Soviet and Yugoslav youth" and in 1968 he was proclaimed the Honorary Member of Komsomol.[1]

During the 1960s, Marjanović remained one of the most popular singers in Yugoslavia, releasing hit songs "Potraži me u pregrađu" ("Search for Me in the Suburbs"), "Da čekić imam ja" ("If I Had a Hammer"), "Medison u Meksiko" ("Madison in Mexico"), "Romana" and others.[12] During the decade, he also had several appearances on the Sanremo Music Festival.[12]

1970s and 1980s, retirement

During the 1970s and 1980s, Marjanović's career moved in three main directions: he appeared on pop music festivals, held concerts in Trade Union Hall, where he performed for his faithful fans, nicknamed "Đokists" by the media, and held Soviet Union tours.[12] In 1972, he was awarded with Order of Labor with Silver Wreath by the President of Yugoslavia Josip Broz Tito.[12] In 1979 he released the album Hvala vam, prijatelji (Thank You, Friends), which featured songs written for Marjanović by various authors: "Zima u Budimpešti" ("Winter in Budapest"), written by Đorđe Balašević, "Moje ludo srce" ("My Crazy Heart"), written by Mladen Vranešević, "Maestro", written by Vojkan Borisavljević, "Gramatika srca" ("Grammar of the Heart"), composed by Aleksandar Korać and with lyrics written by Dušan Radović, "Aerodrom" ("Airport") and "Samo dugme na kaputu" ("Just a Button on the Coat"), both composed by Kornelije Kovač and with lyrics written by Bora Đorđević, and others.[12] On a 1982 concert in the Trade Union Hall the audience by voting chose the songs to be released on the 1982 album Dvadeset nikada više (Never Again Twenty).[13] In 1989, to mark the 30th anniversary of Marjanović's debut release, PGP-RTB released the songs from Muzika za igru and Mustafa on the compilation album Milord za sva vremena (Milord for Eternity).[12] During these two decades, he also performed in France, (Germany), Israel, Australia and United States of America.[12]

In 1990 Marjanović was awarded by the Order of Friendship of Peoples by Soviet head of state Mikhail Gorbachev.[12] Later that year, Marjanović made a guest appearance on Lepa Brena concert in Melbourne. While performing the song "Mene nema ko da žali" ("There's No One to Feel Sorry for Me"), he suffered a stroke.[12] After the stroke he had difficulty speaking. He partially recovered, but decided to retire from the scene.[12] During the following decades, Marjanović would not record new material and would appear live occasionally only, usually as a guest on other musicians' concerts.[12]

Awards and honors

Legacy
Đorđe Marjanović is a marvel that occurred in Yugoslav culture and deserves volumes and volumes of books. Đorđe was the first rocker of this region, maybe not by the content of his songs, but by his approach to every one of his performances, by his manners and by his attitude towards the people who came to listen to him. Everyone was both the performer and the member of the audience, there wasn't the fourth wall, there was only faith and immense love wherever Đorđe appeared. It is out of place to compare Đorđe to anyone, because he is unique.

-Bora Đorđević in 2003[15]

In 1994, a concert entitled Rokeri Đorđu Marjanoviću (Rockers to Đorđe Marjanović) was held in Trade Union Hall. The concert featured Dejan Cukić, Milan Delčić, Žika Milenković, Ruž, Rambo Amadeus and other acts performing Marjanović's songs.

Marjanović's song "Lutka koja kaže ne" ("The Doll Which Says No") was covered by Yugoslav rock supergroup Vlada, Gile, Piko & Švaba in 1991 on the album entitled Lutka koja kaže ne.[16] The song "Zvižduk u 8" was covered by Serbian and Yugoslav rock singer Toni Montano in 1991.[17] The same song was covered by Serbian and Yugoslav rock singer Dejan Cukić in 1996.[18] Marjanović's version of Dionysis Savvopoulos song "Dirlada" was covered by Serbian and Yugoslav rock musician Milan Delčić in 1994.[19] Marjanović's song "Đavoli" ("Devils") was covered in 1999 by Serbian alternative rock band Jarboli.[20] The song "Beograde" ("(Oh,) Belgrade") was covered by Croatian and Yugoslav alternative rock band Let 3 in 2005.[21]

In 2006, the song "Zvižduk u 8" was polled No.31 B92 Top 100 Domestic Songs list.[22]

In 1999, Radio Television of Serbia broadcast a documentary about Marjanović, entitled "K'o nekad u osam" ("Like Before at Eight O'clock") after a verse from "Zvižduk u 8".[12]

Discography

Studio albums
  • Muzika za igru (1959)
  • Mustafa (1961)
  • Prijatelji, zdravo! (1969)
  • A život teče dalje (1975)
  • Hvala vam, prijatelji (1979)
  • Dvadeset nikada više (1982)

Compilation albums
  • Milord za sva vremena (1989)
  • Prijatelji, zdravo! (1995)
  • Sećanja (1997)
  • K'o nekad (2005)
  • Prijatelji, zdravo! (2008)

EPs
  • Marko Polo (1961)
  • Đavoli (1962)
  • Ekspres-kafa (1962)
  • Igrajmo twist (1962)
  • Milord (1962)
  • Sam (1962)
  • Zvižduk u 8 (1962)
  • Četa bela strela (1963)
  • Gonzales (1963)
  • Ja plaćam ove noći (1963)
  • Drugovi iz mog dvorišta (1963)
  • Medison u Meksiku (1964)
  • Roberta (1964)
  • Natali (1965)
  • Devojke (1966)
  • Drugovi moji (1966)
  • Mene nema ko da žali (1967)
  • Romana (1968)
  • Ako ljubavi nema (1969)
  • Didu-lidu-dadu (1970)
  • Padajte kiše na naš grad (1970)

Singles
  • "Pesma raznosača mleka" / "Prodavac novina" (1961)
  • "Ljiljana" / "Ulicama sreće" (1963)
  • "Od ljubavi do mržnje" / "Na gori raste jorgovan" (1970)
  • "Za dane ljubavi" / "Ruže u tami" (1971)
  • "Grešnica" / "Ne želim da umrem sad" (1972)
  • "I tako ode Marija" / "Na tvoju ruku ja nemam više prava" (1972)
  • "Ta tužna muzika" / "Digi-digi-dajge" (1972)
  • "Živiš sama" / "Ona me ne voli više" (1974)
  • "A život teče dalje" / "Ema, Emili" (1974)
  • "Činge linge" / "Ako čovek živi sam" (1975)
  • "Poslednji voz" / "Pesma s planine" (1975)
  • "Bela dama – crni kralj" / "Nemoj nikad da me ostavljaš" (1977)
  • "Nikad nije kasno" / "Ružičasti sneg" (1978)
  • "Kabare" / "Moje ludo srce" (1979)

Personal life

Marjanović married twice. With his first wife, Zlata, he had no children, and with his second wife Eli Nikolajevna Borisenko, he had three children: daughters Natalija and Nevena and son Marko.[23] Both of his daughters graduated from the Belgrade Faculty of Music Arts.[23]

He lives in Belgrade, occasionally residing Kučevo.[23]

gollark: My thing provides different names for each.
gollark: They do in `ps ax` but not `ps -A` or `top`.
gollark: ```pythondef set_first_argv(name): libc = ctypes.CDLL(None) getenv = libc.getenv getenv.argtypes = [ctypes.c_char_p] getenv.restype = ctypes.c_void_p envloc = libc.getenv(b"USER") scan = b"python3" ssize = len(scan) buf = ctypes.create_string_buffer(ssize) for i in range(0, -2048, -1): ctypes.memmove(buf, envloc + i, ssize) res = b"".join(buf[j] for j in range(ssize)) if res == scan: argv0 = envloc + i break else: return del buf name += b"\x00" * 128 buf = ctypes.create_string_buffer(len(name)) buf.value = name ctypes.memmove(argv0, buf, len(name))```↑ GAZE upon it
gollark: My evil one does, but this is a non-evil one.
gollark: That requires root, octachoron.

References
  1. Janjatović, Petar (2007). EX YU ROCK enciklopedija 1960–2006. Belgrade: self-released. p. 141.
  2. Kajlovic, Vladimir (2003). Đorđe Marjanović. Čačak: Legenda. p. 40.
  3. "Rockovnik, Strana II, "Ljubav i moda" Beograd 1958–63", Rockovnik official YouTube channel
  4. Kajlovic, Vladimir (2003). Đorđe Marjanović. Čačak: Legenda. p. 62.
  5. Kajlovic, Vladimir (2003). Đorđe Marjanović. Čačak: Legenda. pp. 62–63.
  6. Kajlovic, Vladimir (2003). Đorđe Marjanović. Čačak: Legenda. p. 35.
  7. Kajlovic, Vladimir (2003). Đorđe Marjanović. Čačak: Legenda. pp. 35–36.
  8. "Istorijat PGP RTS", rts.rs
  9. Kajlovic, Vladimir (2003). Đorđe Marjanović. Čačak: Legenda. p. 51.
  10. Kajlovic, Vladimir (2003). Đorđe Marjanović. Čačak: Legenda. p. 52.
  11. Žikić, Aleksandar (1999). Fatalni ringišpil : Hronika beogradskog rokenrola 1959—1979. Belgrade: Geopoetika. p. 36.
  12. Janjatović, Petar (2007). EX YU ROCK enciklopedija 1960–2006. Belgrade: self-released. p. 142.
  13. Dvadeset nikada više at Discogs
  14. Đorđe Marjanović – Nagrade
  15. Kajlovic, Vladimir (2003). Đorđe Marjanović. Čačak: Legenda. p. 22-21.
  16. Vlada*, Gile*, Piko* & Švaba* – Lutka koja kaže ne
  17. Janjatović, Petar (2007). EX YU ROCK enciklopedija 1960–2006. Belgrade: self-released. p. 228.
  18. Janjatović, Petar (2007). EX YU ROCK enciklopedija 1960–2006. Belgrade: self-released. p. 50.
  19. Janjatović, Petar (2007). EX YU ROCK enciklopedija 1960–2006. Belgrade: self-released. p. 59.
  20. Janjatović, Petar (2007). EX YU ROCK enciklopedija 1960–2006. Belgrade: self-released. p. 268.
  21. Let 3 – Bombardiranje Srbije i Čačka
  22. The B92 Top 100 Domestic Songs list at B92 official site
  23. Kajlovic, Vladimir (2003). Đorđe Marjanović. Čačak: Legenda. p. 63.
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