Who (album)

Who is the twelfth studio album by the English rock band the Who, released on 6 December 2019.[4]

For the album by Tony! Toni! Toné!, see Who? (album).

Who
Studio album by
the Who
Released6 December 2019 (2019-12-06)[1][2]
Recorded3 February 2019 – August 2019
StudioBritish Grove[3] and Metropolis Studios, London, England
GenreRock
Length45:45
57:01 (including bonus tracks)
LabelPolydor, Interscope
ProducerPete Townshend, Dave Sardy, with Bob Pridden and Dave Eringa (Roger Daltrey's vocals only)[4][5]
The Who chronology
Live at the Fillmore East 1968
(2018)		 Who
(2019)
Singles from Who
  1. "Ball and Chain"
    Released: 13 September 2019
  2. "All This Music Must Fade"
    Released: 3 October 2019
  3. "I Don't Wanna Get Wise"
    Released: 22 November 2019
  4. "Beads on One String (remix)"
    Released: TBA[6]
Professional ratings
Aggregate scores
SourceRating
Metacritic79/100[7]
Review scores
SourceRating
AllMusic[8]
Consequence of SoundB–[9]
The Guardian[10]
The Independent[11]
NME[12]
Rolling Stone[13]
The Telegraph[14]
Tom HullB[15]
Variety(favorable)[16]

Recording and release

In January 2019, The Who confirmed that they were working on their first album of new material in 13 years (since their 2006 studio album Endless Wire), which would contain "dark ballads, heavy rock stuff, experimental electronica, sampled stuff and Who-ish tunes that began with a guitar that goes yanga-dang", as Townshend stated.[17] As with previous Who albums, vocalist Roger Daltrey and guitarist Pete Townshend recorded their parts of Who separately.[18]

"Ball and Chain", released as the first single on 13 September 2019, is a re-recording of a Pete Townshend solo song called "Guantanamo", which was released on his 2015 compilation Truancy: The Very Best of Pete Townshend. A second song, "All This Music Must Fade" was released as a single on 3 October 2019 and a third, "I Don't Wanna Get Wise" received a release on Spotify and iTunes in November 2019.

The album will be supported by their Moving On! Tour.[19] "Got Nothing to Prove", one of the Deluxe edition bonus tracks, was initially recorded as a demo in 1966, but was ultimately discarded by their manager and producer Kit Lambert due to lack of emotional resonance in the lyrics. "Sand" another early demo from 1966 is included on the Japan edition of the album as a bonus track.[20][21] "Got Nothing to Prove" was later offered to Jimmy James and the Vagabonds, (who supported the Who at their Marquee Club performances in 1965) who also declined it.[20][21]

The album debuted at number two on the U.S. Billboard 200 album chart for the week ending 21 December 2019.

Cover artwork

The album cover was designed by pop artist Peter Blake, whose work includes the band's Face Dances and The Beatles' Sgt. Pepper's Lonely Hearts Club Band album covers. It is a patchwork of 25 squares: 22 squares showing different coloured images placed around three squares forming the word "WHO" in the centre of the album cover. The 22 squares depict some of the band's influences and symbols of their career and culture:

Reception

WHO has received generally positive reviews from critics and fans alike. According to Metacritic scores, fans gave the album a 7.4/10 star rating, while critics gave the album a 79/100 score.[24] Praise for the band's performance also resonated with critics. In the Chicago Tribune, Pablo Gorondi complimented Daltrey for, "sing(ing) with power, sensitivity, range and conviction, just as he has done for decades," and called Townshend's voice a "highlight," while still "rip(ping) power chords and perform(ing) slinky riffs."[25] Gorondi continued his praise by stating that the dominant reasons why the album was "such a joy" were due to "Townshend's songwriting and guitar playing and Daltrey's superlative singing."[26]

Conceptually, the album tackles the struggles of being an elderly rock musician, as Guardian writer, Alexis Petridis noted. "Townshend seems more troubled than ever," Petridis stated, and this feeling overlaps into songs such as "I Don't Wanna Get Wise," which according to Petridis, "...views a rock career as one of inevitable decline."[27] Musically, the album sounds like a "traditional" Who record. Senior Rolling Stone writer, Kory Grow, called WHO,"classic rock comfort food" and commented on the its nostalgic feel: "...Townshend and Daltrey...can still summon their inner Who-ness in their mid 70s."[28] Likewise, Ultimate Classic Rock's senior editor, Michael Gallucci, reflected on how the band's newest album sounds more like a "conventional" Who record, despite the album being thematically different from any of their previous works: "It's a throwback record for the most part, with nods all over the place to their classic work. It's not a retread, but it sounds like a Who album, which is crucial for something like this, as well as an upgrade for the 21st century."[29]

Despite the praises for its 1970s rock sound and Daltrey and Townshend's performances, WHO has received criticism. According to Matthew Taub of Consequence of Sound, some tracks are "not particularly well conceived," citing songs such as "Detour" and "Hero Ground Zero," as "just sit(ting) there" or "feeling more like an intermission."[30] Taub also commented that the track "Break the News", which was written by Townshend's younger brother, Simon, sounded like it was, "plucked from some kind of factory for generic acoustic pop songs — somehow like 100 other songs you’ve heard, yet none you can actually name."[30] Another observation was the generational tone of the album. Chris Willman from Variety stated, "There are hints of mirth amid the crotchetiness. Right in the opening line, when Daltrey sings “I don’t care, I know you’re gonna hate this song,” followed later by “I don’t mind other guys ripping off my song.”"[31] New Musical Express journalist, Mark Beaumont, similarly noted this theme with the track, "I Don't Wanna Get Wise": "...(it) almost reads like a 75-year-old Daltrey talking to the drunk and tardy 20-year-old who sang 'My Generation.'"[32]

Track listing

All songs written by Pete Townshend except where noted.

No.TitleLength
1."All This Music Must Fade"3:20
2."Ball and Chain"4:29
3."I Don't Wanna Get Wise"3:54
4."Detour"3:46
5."Beads on One String" (Pete Townshend and Josh Hunsaker)3:40
6."Hero Ground Zero"4:52
7."Street Song"4:47
8."I'll Be Back"5:01
9."Break the News" (Simon Townshend)4:30
10."Rockin' in Rage"4:04
11."She Rocked My World"3:22
Deluxe edition bonus tracks
No.TitleLength
12."This Gun Will Misfire"3:36
13."Got Nothing to Prove"3:38
14."Danny and My Ponies"4:02
15."Sand" (Demo, Japan only)4:27

Personnel

Adapted from compact disc liner notes and online liner notes.[33]

The Who
  • Pete Townshend: guitars, backing vocals, lead vocals (tracks 8, 12–14), harmonicas, percussion, synthesizer tracks, violin, cello, hurdy-gurdy, effects, orchestration (6)
  • Roger Daltrey: lead vocals (except 8, 12–14)

Additional personnel
  • Pino Palladino: bass (1-2, 4-8, 11-12)
  • Zak Starkey: drums (1-2, 4, 7)
  • Simon Townshend: percussion
  • Dave Sardy: percussion, mellotron, synthesizer programming (5)
  • Joey Waronker: drums (5, 8, 11-12)
  • Benmont Tench: organ, mellotron
  • Gus Seyffert: bass (3, 9-10)
  • Carla Azar: drums (3, 10)
  • Matt Chamberlain: drums (6)
  • Josh Tyrrell: handclaps (4)
  • Rowan McIntosh: handclaps (4)
  • Martin Batchelar: programming (6), orchestration (6, 8), orchestra arrangement (8), orchestra conducting (6, 8, 13)
  • Rachel Fuller: orchestration (6)
  • Peter Rotter: orchestra fixer (6, 8, 13)
  • Bruce Dukov: orchestra leader (6, 8, 13)
  • Andrew Synowiec: acoustic guitar (9)
  • Gordon Giltrap: acoustic guitar (11)
  • Fergus Gerrand: percussion (11)

Charts

References
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  8. Who at AllMusic
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