Gospel harmony

A gospel harmony is an attempt to compile the canonical gospels of the Christian New Testament into a single account.[1] This may take the form either of a single, merged narrative, or a tabular format with one column for each gospel, technically known as a synopsis, although the word harmony is often used for both.[1]

Harmonies are constructed for a variety of purposes: to provide a straightforward devotional text for parishioners, to create a readable and accessible piece of literature for the general public,[2] to establish a scholarly chronology of events in the life of Jesus as depicted in the canonical gospels, or to better understand how the accounts relate to each other.[3]

Among academics, the construction of harmonies has always been favoured by more conservative scholars. Students of higher criticism see the divergences between the gospel accounts as reflecting the construction of traditions by the early Christian communities.[4] Among modern academics, attempts to construct a single story have largely been abandoned in favour of laying out the accounts in parallel columns for comparison, to allow critical study of the differences between them.[5]

The earliest known harmony is the Diatessaron by Tatian in the 2nd century and variations based on the Diatessaron continued to appear in the Middle Ages.[6][7] The 16th century witnessed a major increase in the introduction of gospel harmonies and the parallel column structure became widespread.[8] At this time visual representations also started appearing, depicting the life of Christ in terms of a "pictorial gospel harmony", and the trend continued into the 19th–20th centuries.[9][10]

Overview

A gospel harmony is an attempt to collate the Christian canonical gospels into a single account.[1] Harmonies are constructed by some writers in order to make the gospel story available to a wider audience, both religious and secular.[2] Harmonies can be studied by scholars to establish a coherent chronology of the events depicted in the four canonical gospels in the life of Jesus, to better understand how the accounts relate to each other, and to critically evaluate their differences.[3][5]

The terms harmony and synopsis have been used to refer to several different approaches to consolidating the canonical gospels.[1] Technically, a "harmony" weaves together sections of scripture into a single narrative, merging the four gospels. There are four main types of harmony: radical, synthetic, sequential and parallel.[1] By contrast, a "synopsis", much like a parallel harmony, juxtaposes similar texts or accounts in parallel format, synchronized by time, while preserving their individual identity, usually in columns.[1] Harmonies may also take a visual form and be undertaken to create narratives for artistic purposes, as in the creation of picture compositions depicting the life of Christ.[9]

The oldest approach to harmonizing consists of merging the stories into a single narrative, producing a text longer than any individual gospel.[3] This creates the most straightforward and detailed account, and one that is likely to be most accessible to non-academic users, such as lay churchgoers or people who are reading the gospels as a work of literature or philosophy.

There are, however, difficulties in the creation of a consolidated narrative. As John Barton points out, it is impossible to construct a single account from the four gospels without changing at least some parts of the individual accounts.[11]

One challenge with any form of harmonizing is that events are sometimes described in a different order in different accounts – the Synoptic Gospels, for instance, describe Jesus overturning tables in the Temple at Jerusalem in the last week of his life, whereas the Gospel of John records a counterpart event only towards the beginning of Jesus's ministry. Harmonists must either choose which time they think is correct, or conclude that separate events are described. Lutheran theologian Andreas Osiander, for instance, proposed in Harmonia evangelica (1537) that Jesus must have been crowned with thorns twice, and that there were three separate episodes of cleansing of the Temple.[12] On the other hand, commentators have long noted that the individual gospels are not written in a rigorously chronological format.[13][14] This means that an event can be described as falling at two different times and still be the same event, so that the substantive details can be properly brought together in a harmony, although the harmonist will still have the task of deciding which of the two times is more probable.

A less common but more serious difficulty arises if the gospels diverge in their substantive description of an event. An example is the incident involving the centurion whose servant is healed at a distance. In the Gospel of Matthew the centurion comes to Jesus in person;[15] in the Luke version he sends Jewish elders.[16] Since these accounts are clearly describing the same event, the harmonist must decide which is the more accurate description or else devise a composite account.[17][18]

The modern academic view, based on the broadly accepted principle that Matthew and Luke were written using Mark as a source, seeks to explain the differences between the texts in terms of this process of composition. For example, Mark describes John the Baptist as preaching the forgiveness of sins, a detail which is dropped by Matthew, perhaps in the belief that the forgiveness of sins was exclusive to Jesus.[19]

The modern popularizing view, on the other hand, while acknowledging these difficulties, deemphasizes their importance. This view suggests that the divergences in the gospels are a relatively small part of the whole, and that the accounts show a great deal of overall similarity.[1] The divergences can therefore be sufficiently discussed in footnote in the course of a consolidated narrative, and need not stand in the way of conveying a better overall view of the life of Jesus[1] or of making this material more accessible to a wider readership.

To illustrate the concept of parallel harmony, a simple example of a "synopsis fragment" is shown here, consisting of just four episodes from the Passion.[20] A more comprehensive parallel harmony appears in a section below.

Event Matthew Mark Luke John
Crown of thornsMatthew 27:29Mark 15:17John 19:2–5
Blood curseMatthew 27:24–25
Carrying the crossMatthew 27:27–33Mark 15:20–22Luke 23:26–32John 19:16–17
Crucifixion of JesusMatthew 27:34–61Mark 15:23–47Luke 23:33–54John 19:18–38

Early Church and Middle Ages

A 6–7th-century use of the Eusebian Canons to organize the contents of the gospels in the London Canon Tables.

Tatian's influential Diatessaron, which dates to about AD 160, was perhaps the very first harmony.[1][6][21] The Diatessaron reduced the number of verses in the four gospels from 3,780 to 2,769 without missing any event of teaching in the life of Jesus from any of the gospels.[1] Some scholars believe Tatian may have drawn on one or more noncanonical gospels.[22] The Gospel of the Ebionites, composed about the same time, is believed to have been a gospel harmony.[23]

Variations based on the Diatessaron continued to appear in the Middle Ages, e.g. Codex Sangallensis (based on the 6th century Codex Fuldensis) dates to 830 and has a Latin column based on the Vulgate and an Old High German column that often resembles the Diatessaron, although errors frequently appear within it.[7] The Liege harmony in the Limburg dialect (Liege University library item 437) is a key Western source of the Diatessaron and dates to 1280, although published much later.[7][24] The two extant recensions of the Diatessaron in Medieval Italian are the single manuscript Venetian from the 13th or 14th century and the 26 manuscript Tuscan from the 14–15th century.[7][24]

In the 3rd century Ammonius of Alexandria developed the forerunner of modern synopsis (perhaps based on the Diatessaron) as the Ammonian Sections in which he started with the text of Matthew and copied along parallel events.[1][25] There are no extant copies of the harmony of Ammonius and it is only known from a single reference in the letter of Eusebius to Carpianus.[25] In the letter Eusebius also discusses his own approach, i.e. the Eusebian Canons in which the texts of the gospels are shown in parallel to help comparison among the four gospels.[25]

In the 5th century, Augustine of Hippo wrote extensively on the subject in his book Harmony of the Gospels.[26] Augustine viewed the variations in the gospel accounts in terms of the different focuses of the authors on Jesus: Matthew on royalty, Mark on humanity, Luke on priesthood and John on divinity.[27]

Clement of Llanthony's Unum ex Quatuor (One from Four) was considered an improvement on previous canons at the time,[28] although modern scholars sometimes opine that no major advances beyond Augustine emerged on the topic until the 15th century.[8] Throughout the Middle Ages harmonies based on the principles of the Diatessaron continued to appear, e.g. the Liege harmony by Plooij in Middle Dutch, and the Pepysian harmony in Middle English.[24][25] The Pepysian harmony (Magdalene college, Cambridge, item Pepys 2498) dates to about 1400 and its name derives from having been owned by Samuel Pepys.[24]

15th–20th centuries

The cover of Branteghem's 1537 visual gospel harmony, Antwerp.[29]

In the 15th and the 16th centuries some new approaches to harmony began to appear, e.g. Jean Gerson produced a harmony which gave priority to the Gospel of John.[25] Cornelius Jansen (Bishop of Ghent) also published his harmony (1549), focusing on the four gospels and even referring to the Acts of the Apostles.[30] On the other hand John Calvin's approach focused on the three synoptic Gospels, and excluded the Gospel of John. [31][32]

By this time visual representations had also started appearing, for instance, the 15th-century artist Lieven de Witte produced a set of about 200 woodcut images that depicted the Life of Christ in terms of a "pictorial gospel harmony" which then appeared in Willem van Branteghem's harmony published in Antwerp in 1537.[9][29] The importance of imagery is reflected in the title of Branteghem's well known work: The Life of Jesus Christ Skillfully Portrayed in Elegant Pictures Drawn from the Narratives of the Four Evangelists[29]

The 16th century witnessed a major increase in the introduction of gospel harmonies. In this period the parallel column structure became widespread, partly in response to the rise of biblical criticism.[8] This new format was used to emphasize the trustworthiness of the gospels. It is not clear who produced the very first parallel harmony, but Gerhard Mercator's 1569 system is a well-known example.[8][33] In terms of content and quality, Johann Jacob Griesbach's 1776 synopsis was a notable case.[8][33]

At the same time, the rise of modern biblical criticism was instrumental in the decline of the traditional apologetic gospel harmony. The Enlightenment writer, Gotthold Ephraim Lessing, observed:

Oh that most excellent Harmony, which can only reconcile two contradictory reports, both stemming from the evangelists, by inventing a third report, not a syllable of which is to be found in any individual evangelist![34]

W. G. Rushbrooke's 1880 Synopticon is at times considered a turning point in the history of the synopsis, as it was based on Markan priority, i.e. the assumption that the Gospel of Mark was the first to be written.[8] Thirteen years later, John Broadus used historical accounts to assign priorities in his harmony, while previous approaches had used feasts as the major milestones for dividing the life of Christ.[8]

Towards the end of the 19th century, after extensive travels and study in the Middle East, James Tissot produced a set of 350 watercolors which depicted the life of Christ as a visual gospel harmony.[10] Tissot synthesized the four gospels into a singular narrative with five chapters: "the Holy Childhood, the Ministry, Holy Week, the Passion, and the Resurrection". He also made portraits of each of the four evangelists to honor them.[35]

In the 20th century, the Synopsis of the Four Gospels by Kurt Aland[36] came to be seen by some as "perhaps the standard for an in-depth study of the Gospels."[8] A key feature of Aland's work is the incorporation of the full text of the Gospel of John.[8] John Bernard Orchard's synopsis (which has the same title)[37] was of note in that it took the unusual approach of abandoning Markan priority and assuming the synopics were written in this order: Matthew, Luke, Mark.[8]

A parallel harmony presentation

The following table is an example of a parallel harmony, based on the list of key episodes in the Canonical Gospels. The order of events, especially during the ministry period, has been the subject of speculation and scholarly debate. While this harmony compares the work of several scholars, other harmonies may differ substantially on the placement of some events. The episode structure within the table is based on Edward Robinson's A Harmony of the Gospels in Greek[38] as well as Steven L. Cox and Kendell H Easley's Harmony of the Gospels.[39] (The chapters making up Mark 16:9-20 are excluded, as it is virtually certain that these were a later addition to the gospel).[40]

Event Type Matthew Mark Luke John
1Pre-existence of ChristmiscellaneousJohn 01:01–18
2Genealogy of JesusnativityMatthew 01:0117Luke 03:23–38
3Birth of John the BaptistnativityLuke 01:05–25
4AnnunciationnativityLuke 01:26–38
5Visitation of MarynativityLuke 01:39–56
6Birth of JesusnativityMatthew 01:18–25Luke 02:01–07
7Annunciation to the shepherdsnativityLuke 02:08–15
8Adoration of the shepherdsnativityLuke 02:16–20
9Circumcision of JesusnativityLuke 02:21
10Infant Jesus at the TemplenativityLuke 02:22–38
11Star of BethlehemnativityMatthew 02:0102
12Visit of the MaginativityMatthew 02:01–12
13Flight into EgyptnativityMatthew 02:13–15
14Massacre of the InnocentsnativityMatthew 02:16–18
15Herod the Great's deathmiscellaneousMatthew 02:19–20
16Return of the family of Jesus to NazarethyouthMatthew 02:21–23 Luke 02:39–39
17Finding Jesus in the TempleyouthLuke 02:41–51
18Ministry of John the BaptistmiscellaneousMatthew 03:01–12Mark 01:01–08Luke 03:01–20John 01:19–34
19Baptism of JesusmiscellaneousMatthew 03:13–17Mark 01:09–11Luke 03:21–22John 01:29–39
20Temptation of JesusmiscellaneousMatthew 04:01–11Mark 01:12–13Luke 04:01–13
21Marriage at CanamiracleJohn 02:01–11
22First Temple CleansingministryJohn 02:13–25
23Jesus & NicodemusministryJohn 03:01–21
24Return of Jesus to GalileeministryMatthew 04:12–12Mark 01:14–14John 04:01–03
25Exorcism at the Synagogue in CapernaummiracleMark 01:21–28Luke 04:31–37
26The Growing SeedparableMark 04:26–29
27Rejection of JesusministryMatthew 13:53–58Mark 06:01–06Luke 04:16–30
28First disciples of JesusministryMatthew 04:18–22Mark 01:16–20Luke 05:1-11John 01:35–51
29Miraculous draught of fishesmiracleLuke 05:01–11
30BeatitudessermonMatthew 05:02–12Luke 06:20–23
31Young Man from NainmiracleLuke 07:11–17
32The Two DebtorsparableLuke 07:41–43
33The Lamp under a BushelparableMatthew 05:14–15Mark 04:21–25Luke 08:16–18
34Expounding of the LawsermonMatthew 05:17–48Luke 06:29–42
35Seventy DisciplesministryLuke 10:01–24
36Discourse on ostentationsermonMatthew 06:01–18
37Parable of the Good SamaritanparableLuke 10:30–37
38Jesus at the home of Martha and MaryministryLuke 10:38–42
39The Lord's PrayerministryMatthew 06:09–13Luke 11:02–04
40The Friend at NightparableLuke 11:05–08
41The Rich FoolparableLuke 12:16–21
42Samaritan Woman at the WellministryJohn 04:04–26
43The Birds of HeavenministryMatthew 06:25–34Luke 12:22–34
44Discourse on judgingsermonMatthew 07:01–05Luke 06:41–42
45Discourse on holinesssermonMatthew 07:13–27
46The Test of a Good PersonsermonMatthew 07:15–20Luke 06:43-45
47The Wise and the Foolish BuildersparableMatthew 07:24–27Luke 06:46–49
48Cleansing a lepermiracleMatthew 08:01–04Mark 01:40–45Luke 05:12–16
49The Centurion's ServantmiracleMatthew 08:05–13Luke 07:01–10John 04:46–54
50Healing the mother of Peter's wifemiracleMatthew 08:14–17Mark 01:29–34Luke 04:38–41
51Exorcising at sunsetmiracleMatthew 08:16–17Mark 01:32–34Luke 04:40–41
52Calming the stormmiracleMatthew 08:23–27Mark 04:35–41Luke 08:22–25
53Gerasenes demonicmiracleMatthew 08:28–34Mark 05:01–20Luke 08:26–39
54Paralytic at CapernaummiracleMatthew 09:01–08Mark 02:01–12Luke 05:17–26
55Calling of MatthewministryMatthew 09:09Mark 02:13–14Luke 05:27–28
56New Wine into Old WineskinsparableMatthew 09:17–17Mark 02:22–22Luke 05:37–39
57Daughter of JairusmiracleMatthew 09:18–26Mark 05:21–43Luke 08:40–56
58The Bleeding WomanmiracleMatthew 09:20–22Mark 05:24–34Luke 08:43–48
59Two Blind Men at GalileemiracleMatthew 09:27–31
60Exorcising a mutemiracleMatthew 09:32–34
61Commissioning the twelve ApostlesministryMatthew 10:02–04Mark 03:13–19Luke 06:12–16
62Not peace, but a swordministryMatthew 10:34–36Luke 12:49–53
63Messengers from John the BaptistministryMatthew 11:02–06Luke 07:18–23
64Paralytic at BethesdamiracleJohn 05:01–18
65Lord of the SabbathministryMatthew 12:01–08Mark 02:23–28Luke 06:01–05
66Man with withered HandmiracleMatthew 12:09–13Mark 03:01–06Luke 06:06–11
67Exorcising the blind and mute manmiracleMatthew 12:22–28Mark 03:20–30Luke 11:14–23
68Parable of the strong manparableMatthew 12:29–29Mark 03:27–27Luke 11:21–22
69Eternal sinministryMatthew 12:30–32Mark 03:28–29Luke 12:08–10
70Jesus' True RelativesministryMatthew 12:46–50Mark 03:31–35Luke 08:19–21
71Parable of the SowerparableMatthew 13:03–09Mark 04:03–09Luke 08:05–08
72The TaresparableMatthew 13:24–30
73The Barren Fig TreeparableLuke 13:06–09
74An Infirm WomanmiracleLuke 13:10–17
75Parable of the Mustard SeedparableMatthew 13:31–32Mark 04:30–32Luke 13:18–19
76The LeavenparableMatthew 13:33–33Luke 13:20–21
77Parable of the PearlparableMatthew 13:44–46
78Drawing in the NetparableMatthew 13:47–50
79The Hidden TreasureparableMatthew 13:52–52
80Beheading of John the BaptistministryMatthew 14:06–12Mark 06:21–29Luke 09:07–09
81Feeding the 5000miracleMatthew 14:13–21Mark 06:31–44Luke 09:10–17John 06:05–15
82Jesus' walk on watermiracleMatthew 14:22–33Mark 06:45–52John 06:16–21
83Healing in GennesaretmiracleMatthew 14:34–36Mark 06:53–56
84Discourse on DefilementsermonMatthew 15:01–11Mark 07:01–23
85Canaanite woman's daughtermiracleMatthew 15:21–28Mark 07:24–30
86Deaf mute of DecapolismiracleMark 07:31–37
87Feeding the 4000miracleMatthew 15:32–39Mark 08:01–09
88Blind Man of BethsaidamiracleMark 08:22–26
89Confession of PeterministryMatthew 16:13–20Mark 08:27–30Luke 09:18–21
90Transfiguration of JesusmiracleMatthew 17:01–13Mark 09:02–13Luke 09:28–36
91Boy possessed by a demonmiracleMatthew 17:14–21Mark 09:14–29Luke 09:37–49
92Coin in the fish's mouthmiracleMatthew 17:24–27
93Bread of Life DiscoursesermonJohn 06:22–59
94The Little ChildrenministryMatthew 18:01–06Mark 09:33–37Luke 09:46–48
95Man with dropsymiracleLuke 14:01–06
96Counting the CostparableLuke 14:25–33
97The Lost SheepparableMatthew 18:10–14Luke 15:04–06
98The Unforgiving ServantparableMatthew 18:23–35
99The Lost CoinparableLuke 15:08–09
100Parable of the Prodigal SonparableLuke 15:11–32
101The Unjust StewardparableLuke 16:01–13
102Rich man and LazarusparableLuke 16:19–31
103The Master and ServantparableLuke 17:07–10
104Cleansing ten lepersmiracleLuke 17:11–19
105The Unjust JudgeparableLuke 18:01–08
106Pharisee and the Tax CollectorparableLuke 18:09–14
107Divorce and celibacyministryMatthew 19:1-15
108Jesus and the rich young manministryMatthew 19:16–30Mark 10:17–31Luke 18:18–30
109Jesus and the woman taken in adulteryministryJohn 08:02–11
110The Workers in the VineyardparableMatthew 20:01–16
111Jesus predicts his deathministryMatthew 20:17–19Mark 10:32–34 (Mark 08:31 Mark 09:31)Luke 18:31–34
112The Blind at BirthmiracleJohn 09:01–12
113Son of man came to serveministryMatthew 20:20–28Mark 10:35–45
114The Good ShepherdministryJohn 10:01–21
115Blind near JerichomiracleMatthew 20:29–34Mark 10:46–52Luke 18:35–43
116Raising of LazarusmiracleJohn 11:01–44
117Jesus and ZacchaeusministryLuke 19:02–28
118Palm SundayministryMatthew 21:01–11Mark 11:01–11Luke 19:29–44John 12:12–19
119Second Temple CleansingministryMatthew 21:12–13Mark 11:15–18Luke 19:45–48
120Cursing the fig treemiracleMatthew 21:18–22Mark 11:12–14
121Authority of Jesus QuestionedministryMatthew 21:23–27Mark 11:27–33Luke 20:01–08
122The Two SonsparableMatthew 21:28–32
123The Wicked HusbandmenparableMatthew 21:33–41Mark 12:01–09Luke 20:09–16
124The Great BanquetparableMatthew 22:01–14Luke 14:16–24
125Render unto Caesar...ministryMatthew 22:15–22Mark 12:13–17Luke 20:20–26
126Woes of the PhariseesministryMatthew 23:01–39Mark 12:35–37Luke 20:45–47
127Widow's mitesermonMark 12:41–44Luke 21:01-04
128Second Coming ProphecyministryMatthew 24:01–31Mark 13:01–27Luke 21:05–36
129The Budding Fig TreeparableMatthew 24:32–35Mark 13:28–31Luke 21:29–33
130The Faithful ServantparableMatthew 24:42–51Mark 13:34–37Luke 12:35–48
131The Ten VirginsparableMatthew 25:01–13
132The Talents or MinasparableMatthew 25:14–30Luke 19:12–27
133The Sheep and the GoatsparableMatthew 25:31–46
134Anointing of JesusministryMatthew 26:01–13Mark 14:03-09Luke 07:36–50John 12:02-08
135Bargain of JudasmiscellaneousMatthew 26:14–16Mark 14:10–11Luke 22:01-06
136The Grain of WheatministryJohn 12:24–26
137Last SupperministryMatthew 26:26–29Mark 14:18–21Luke 22:17–20John 13:01–31
138Promising a ParacleteministryJohn 16:05–15
139GethsemanemiscellaneousMatthew 26:36–46Mark 14:32–42Luke 22:39–46
140The kiss of JudaspassionMatthew 26:47–49Mark 14:43–45Luke 22:47–48John 18:02-09
141Healing the ear of a servantmiracleLuke 22:49–51
142Arrest of JesuspassionMatthew 26:50–56Mark 14:46–49Luke 22:52–54John 18:10–12
143Sanhedrin Trial of JesuspassionMatthew 26:57–68Mark 14:53–65Luke 22:63–71John 18:12–24
144Blood cursepassionMatthew 27:24–25
145Carrying the crosspassionMatthew 27:27–33Mark 15:20–22Luke 23:26–32John 19:16–17
146Crucifixion of JesuspassionMatthew 27:34–61Mark 15:23–47Luke 23:33–54John 19:18–38
147Myrrhbearersresurrection appearanceMatthew 28:01Mark 16:01Luke 24:01
148Empty tombresurrection appearanceMatthew 28:02-08Mark 16:02-08Luke 24:02–12John 20:01–13
149Resurrection of Jesusresurrection appearanceMatthew 28:09–10Luke 24:01-08John 20:14–16
150Noli me tangereresurrection appearanceJohn 20:17–17
151Road to Emmaus appearanceresurrection appearanceLuke 24:13–32
152Resurrected Jesus appears to Apostlesresurrection appearanceLuke 24:36–43John 20:19–20
153Great Commissionresurrection appearanceMatthew 28:16–20
154Doubting Thomasresurrection appearanceJohn 20:24–29
155Catch of 153 fishmiracleJohn 21:01–24
156Ascension of Jesusresurrection appearanceLuke 24:50–53
157Dispersion of the ApostlesmiscellaneousMatthew 28:19-20

See also

References

Citations

  1. Steven L. Cox, 2007 Harmony of the Gospels B&H Publishing ISBN 0-8054-9444-8 pages 3–4
  2. Averitt, Neil (2015). The Single Gospel. Wipf and Stock. pp. xix–xx. ISBN 978-1-4982-2158-0.
  3. Steven L. Cox, 2007 Harmony of the Gospels B&H Publishing ISBN 0-8054-9444-8 page 18
  4. Cox, Steven L (2007), Harmony of the Gospels, B&H, pp. 1–2, ISBN 0-8054-9444-8.
  5. The Encyclopedia of Christianity, 4, Eerdmans, 2005, p. 39.
  6. Aune, David Edward (Nov 30, 2003), The Westminster Dictionary of New Testament and Early Christian Literature, p. 190, ISBN 0-66421917-9.
  7. Tatian and the Jewish Scriptures by Robert F. Shedinger (Jan 1, 2002) ISBN 9042910429 pages 28–32
  8. Steven L. Cox, Kendell H Easley, 2007 Harmony of the Gospels ISBN 0-8054-9444-8 pages 6–8
  9. Seeing Beyond the Word: Visual Arts and the Calvinist Tradition by Paul Corby Finney 1999 ISBN 080283860X page 398
  10. Tissot, James (2009), Dolkart, Judith F; Jacques, James (eds.), The Life of Christ : the complete set of 350 watercolors, pp. 70–71, ISBN 0-87273164-2
  11. John Barton, The Old Testament: Canon Literature and Theology Collected Essays of John Barton (Ashgate Publishing, 2013) page 59.
  12. Graham Stanton, Gospel Truth? New Light on Jesus and the Gospels (HarperCollins, 1995) page 8; John S. Kloppenborg Verbin, "Is There a New Paradigm?", in Horrell, Tuckett (eds), Christology, Controversy, and Community: New Testament Essays in Honour of David R. Catchpole (BRILL, 2000), page 39.
  13. Fitzmyer, Joseph A. (1991). A Christological Catechism (quoting Augustine). Paulist Press. p. 158.
  14. Carson, D.A. (1984). "Introduction to Matthew," in The Expositor's Bible Commentary vol. VIII. Zondervan. pp. 38–39.
  15. Matthew 8:8–9
  16. Luke 7:6–8
  17. Mark Allan Powell, Jesus as a Figure in History: How Modern Historians View the Man from Galilee (Westminster John Knox Press, 1998), page 12–13.
  18. Zegarelli, Gregg (2006). ONE: The Unified Gospel of Jesus. OUG Press. ISBN 978-0978990602.
  19. Francis Watson, "Must the Gospels Agree?" in Stuart G. Hall, Jesus Christ Today: Studies of Christology in Various Contexts (Walter de Gruyter, 2009) page 72–73.
  20. Steven L. Cox, Kendell H Easley, 2007 Harmony of the Gospels ISBN 0-8054-9444-8 pages 207–211
  21. The Westminster Dictionary of New Testament and Early Christian Literature by David Edward Aune (Nov 30, 2003) ISBN 0664219179 pages 127 and 211
  22. Bart Ehrman, Zlatko Plese, The Apocryphal Gospels: Texts and Translations (Oxford University Press, 2011) page 231.
  23. Ron Cameron, The Other Gospels: Non-canonical Gospel Texts (Westminster John Knox Press, 1982) page 103.
  24. Patristic and Text-Critical Studies by Jan Krans and Joseph Verheyden (Dec 31, 2011) ISBN 9004192891 pages 188–190
  25. Encyclopedia Christianity: v. 4 by Erwin Fahlbusch (1 Jul 2004) ISBN 0802824161 page 41
  26. Augustine through the ages: an encyclopedia by John C. Cavadini 1999 ISBN 0-8028-3843-X page 132
  27. Christology, Controversy and Community by David G. Horell and Christopher M. Tuckett (8 Aug 2000) ISBN 9004116796 pages 37–40
  28. Smalley (1981), p. 250.
  29. The Authority of the Word: Reflecting on Image and Text in Northern Europe, 1400–1700 by Celeste Brusati, Karl A. E. Enenkel and Walter S. Melion (Nov 2011) ISBN 9004215158 pages 2–6
  30. François, W. (2012). Augustine and the Golden Age of Biblical Scholarship in Louvain (1550-1650). In: Gordon B., McLean M. (Eds.), bookseries: Library of the Written Word, vol: 20, Shaping the Bible in the Reformation: Books, Scholars and Their Readers in the Sixteenth Century. Leiden: Brill, 235-289, on 252.
  31. John Calvin And the Printed Book by Jean François Gilmont (Nov 30, 2005) ISBN 1931112568 page 50
  32. A Harmony of the Gospels: Matthew, Mark, and Luke by John Calvin, David W. Torrance,(Jul 17, 1995) ISBN 0802808026
  33. What Have They Done to the Bible?: A History of Modern Biblical Interpretation by John Sandys-Wunsch (20 Aug 2005) ISBN 0814650287 page 35
  34. Gotthold Ephraim Lessing Werke, 8.51-52, cited in Francis Watson, Gospel Writing: A Canonical Perspective (Wm. B. Eerdmans Publishing, 2013), page 80.
  35. "James Tissot: Saint Luke (Saint Luc) (1886)". Brooklyn Museum. Retrieved 25 October 2014.
  36. Kurt Aland, 1982 Synopsis of the Four Gospels United Bible Societies ISBN 0-8267-0500-6
  37. John Bernard Orchard, 1983 Synopsis of the Four Gospels T&T Clark Publishers ISBN 0-567-09331-X
  38. William Newcome (1834), Edward Robinson (ed.), A harmony of the Gospels in Greek, in the general order of Le Clere & Newcome, with Newcome's notes: Printed from the text and with the various readings of Knapp, Gould and Newman
  39. Steven L. Cox; Kendell H. Easley (2006), "Analytical Outline of the Harmony", HCSB Harmony of the Gospels, B&H Publishing, p. xviii, ISBN 978-0805494440
  40. Edwards 2002, p. 497.

Bibliography

Further reading

  • Orville Daniel, A Harmony of the Four Gospels, 2nd Ed, Baker Books Pub.
  • R. Thomas & S. Gundry, The NIV Harmony of the Gospels, HarperCollins Pub.
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