Willy Murphy

William "Willy" Murphy[1] (October 12, 1936[2]–March 2, 1976)[3] was an American underground cartoonist and editor. Murphy's humor focused on hippies and the counterculture. His signature character was Arnold Peck the Human Wreck, "a mid-30s beanpole with wry observations about his own life and the community around him."[4] Murphy's solo title was called Flamed-Out Funnies; in addition, he contributed to such seminal underground anthologies as Arcade, Bijou Funnies, and San Francisco Comic Book, as well as the National Lampoon.

Willy Murphy
Born(1936-10-12)October 12, 1936
New York City
DiedMarch 2, 1976(1976-03-02) (aged 39)
San Francisco
NationalityAmerican
Area(s)Editor, cartoonist
Notable works
Arnold Peck the Human Wreck
Flamed-Out Funnies

Murphy's work was of the "bigfoot" style of cartooning, with characters having long, droopy noses; and was characterized by strong, humorous writing.[5]

Biography

Murphy was born in New York City in 1936.[6] Before becoming a cartoonist, he worked for eight years as an advertising copywriter at J. Walter Thompson[6] in New York City.[7] The upheaval of the late 1960s, including experimenting with drug use and opposition to the Vietnam War, led Murphy to leave that world behind and dedicate himself to social commentary though his cartooning.[6] In 1969, Murphy contributed to the all-comics tabloid Gothic Blimp Works. Moving to San Francisco around 1970, he was a key contributor to San Francisco Comic Book, and illustrated the cover of the fourth issue.

Some time in the early 1970s, along with Larry Todd and Gary King, Murphy began hanging around the Air Pirates collective — Dan O'Neill, Shary Flenniken, Bobby London, Gary Hallgren, and Ted Richards — and contributing to their projects.

In early 1972, Murphy edited the comics section of Sunday Paper, the ambitious but brief-lived broadsheet section of underground comics published by John Bryan.

Murphy illustrated the convention program of Berkeleycon 73, the first comic convention that really highlighted underground comix.[8]

In 1973–1974, Murphy helped co-found the self-publishing venture Cartoonists Co-Op Press, with Jay Lynch, Kim Deitch, Bill Griffith, Jerry Lane, Diane Noomin, and Art Spiegelman.

Murphy illustrated three early stories by Harvey Pekar, which were published in Murphy's own Flamed-Out Funnies #1 (Keith Green, 1975) and later appeared in one of Pekar's American Splendor collections (although not in the actual comic book series American Splendor).

In 1976, Murphy and Gary Hallgren worked closely with Gilbert Shelton and Ted Richards on Give Me Liberty: a Revised History of the American Revolution, Rip Off Press' comic about the hoopla surrounding the American Bicentennial.[9]

Death

After developing a cold, Murphy died suddenly of pneumonia over the Washington's Birthday weekend in 1976.[9]

Cartoonists at Murphy's funeral included Ted Richards, Melinda Gebbie, and Justin Green.[10] Richards, who was Murphy's best friend, wrote a eulogy for him which was later published in Arcade #6 (Summer 1976).[11] That issue also featured a portfolio of Murphy's work.

Flamed-Out Funnies #2 was published posthumously by Rip Off Press in November 1976. Some of Murphy's comics were also posthumously published in San Francisco Comic Book issue #5 and #7, released in 1980 and 1983 respectively.

Legacy

Murphy's work inspired later cartoonists like Gilbert Shelton, Paul Mavrides,[7] and Wayno.[5]

Bibliography

  • Gothic Blimp Works #4 (East Village Other, 1969)
  • All Stars (San Francisco Comic Book Company, 1970)
  • San Francisco Comic Book #1–5, #7 (San Francisco Comic Book Company/Print Mint/Last Gasp, 1970–1983)
  • Air Pirates Funnies Tabloid (Air Pirates Collective, 1972) — contribution to the anthology
  • Dopin' Dan #1 (Last Gasp, May 1972) — contribution to Ted Richards' (mostly) solo title
  • Left-Field Funnies (Apex Novelties, late 1972) — contribution to anthology mostly by members of the Air Pirates collective
  • El Perfecto (Print Mint, 1973) — contribution to anthology raising money for the Timothy Leary Defense Fund
  • Bijou Funnies #8 (Kitchen Sink Press, Nov. 1973)
  • Short Order #2 (Family Fun, 1974) — contribution to anthology edited by Art Spiegelman
  • Apex Treasury of Underground Comics (Links Books/Quick Fox, 1974; reprinted by Quick Fox, 1981)[1] — reprints of material from other publications
  • Manhunt Comix #2 (Cartoonists Co-Op Press, Dec. 1974) — contributions to anthology edited by Terry Richards
  • Arcade #1–6 (Print Mint, 1975–1976)
  • Flamed-Out Funnies #1–2 (Keith Green/Rip Off Press, Summer 1975–Nov. 1976)
  • Two Fools (Saving Grace, a division of Keith Green Industrial Realities, 1976) — with Ted Richards

Further reading

  • Rosenkranz, Patrick & Hugo van Baren. Biographical entry in Artsy, Fartsy, Funnies (Paranoia, 1974), p. 56.
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References

  1. Murphy entry, Who's Who of American Comic Books, 1928–1999. Accessed Oct. 21, 2016.
  2. Rosenkranz, Patrick. "Willy Murphy," Rebel Visions: The Underground Comix Revolution 1963-1975 (Fantagraphics Books, 2002), p. 232.
  3. "Flamed Out Funnies," Grand Comics Database. Accessed Aug. 28, 2019.
  4. Fox, M. Steven."Flamed-Out Funnies," ComixJoint. Accessed Oct. 21, 2016.
  5. Forbis, Wil. "An Interview with Wayno!" Acid Logic (April 16th, 2003).
  6. Donahue, Don and Susan Goodrick. Murphy bio, The Apex Treasury of Underground Comics (Apex Novelties, 1974).
  7. Murphy entry, Lambiek Comiclopedia. Accessed Oct. 22, 2016.
  8. Beerbohm, Robert. "Update to Comics Dealer Extraordinaire Robert Beerbohm: In His Own Words," Comic-Convention Memories (June 24, 2010).
  9. Rip Off Press: Ted Richards
  10. Holland, Debbie. "A Death in the Family," Artists in Print (1976).
  11. Richards, Ted. "The Outline," Arcade, the Comics Revue #6 (Summer 1976).
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