Web of Passion
Web of Passion (also released as Leda, original French title: À double tour) is a 1959 French suspense thriller film directed by Claude Chabrol and based on the novel The Key to Nicholas Street by American writer Stanley Ellin. It was Chabrol's first film in the thriller genre, which would be his genre of choice for the rest of his career. The film had a total of 1,445,587 admissions in France.[2]
Web of Passion | |
---|---|
Directed by | Claude Chabrol |
Produced by | Robert and Raymond Hakim |
Written by | Claude Chabrol Paul Gégauff |
Based on | The Key to Nicholas Street by Stanley Ellin |
Starring | Antonella Lualdi Jean-Paul Belmondo Bernadette Lafont Madeleine Robinson |
Music by | Paul Misraki |
Cinematography | Henri Decaë |
Release date |
|
Running time | 110 minutes |
Country | France |
Language | French |
Box office | 1,446,479 admissions (France)[1] |
Plot
Leda (Antonella Lualdi), the mistress of the wealthy Henri Marcoux is murdered, and the family accuses the milkman of committing the crime. But Marcoux's daughter's fiance (Jean-Paul Belmondo) suspects that Leda may have been murdered by someone else.
Cast
- Madeleine Robinson as Thérèse Marcoux
- Antonella Lualdi as Léda
- Jean-Paul Belmondo as Laszlo Kovacs
- Jacques Dacqmine as Henri Marcoux
- Jeanne Valérie as Elisabeth
- Bernadette Lafont as Julie, the maid
- André Jocelyn as Richard Marcoux
- Mario David as Roger, the milkman
- László Szabó as Laszlo's friend
Production
Produced by Robert and Raymond Hakim, it was Chabrol's first big-budget color film. It was shot by cinematographer Henri Decaë on location in Aix-en-Provence.[3]
Notes
Belmondo plays a character named Laszlo Kovacs, which was the alias of his character Michel Poiccard in Breathless. (This character has nothing to do with the real-life cinematographer László Kovács, who was then unknown.)
Reception
Madeleine Robinson won the Volpi Cup for Best Actress in 1959 for her role in this film.[4] With 1,445,587 admissions in France, it was Chabrol's third most popular film in his career.[5]
The Film Quarterly reviewer wrote: "Chabrol here shows himself as a sort of cross between Hitchcock... and Minnelli", and praised the film's "flamboyant, glorious color" and "astonishing tours de force camerawork."[6] Time Out commented: "Chabrol's third film, greeted at the time as a Hitchcock pastiche,... has gained considerably in stature," and added that "the climactic murder of the mistress... reveals the first glimpses of the Fritz Lang influence later to flower in Chabrol's work."[7] Roy Armes was more critical, saying that "Chabrol's lack of feeling for his characters and love for overacting becomes evident in his handling of the minor characters, and the love scenes which should be moving are simply cinematic clichés."[8]
References
- Box office information for film at Box Office Story
- http://www.jpbox-office.com/fichfilm.php?id=9493
- Wakeman, John (1987–1988). World film directors: Volume Two 1945-1985. H.W. Wilson. ISBN 0824207572. OCLC 16925324.
- http://www.labiennale.org/en/cinema/history/volpi.html?back=true
- "Claude Chabrol - JPBox-Office". jpbox-office.com. Retrieved 2019-09-21.
- Callenbach, Ernest (1962-07-01). "Review: Web of Passion". Film Quarterly. 15 (4): 55–56. doi:10.2307/1211194. ISSN 0015-1386. JSTOR 1211194.
- "A Double Tour 1959, directed by Claude Chabrol". Time Out London. Retrieved 2019-09-21.
- Armes, Roy. (1985). French cinema. New York: Oxford University Press. p. 177. OCLC 456494962.