Wawiriya Burton

Wawiriya Burton is an Australian Aboriginal artist. She is known for her acrylic paintings. Her paintings are representations of sacred stories from the Dreamtime. Like other Aboriginal artists, the representations are blurred (or encrypted) for cultural reasons. The full meaning of her artworks can only be understood or deciphered by people who have been initiated. Burton is a ngangkaṟi (traditional healer), so she has more knowledge about sacred traditions than most in her community.[1][2]

Wawiriya Burton
Born1920s
near Pipalyatjara, South Australia
NationalityAustralian
Other namesWawiya Burton
OccupationArtist
Years active2008–present
OrganizationTjala Arts
StyleWestern Desert art

Wawiriya belongs to the Pitjantjatjara.[2] She was born in outback central Australia some time during the 1920s.[5]. She grew up living a traditional, nomadic way of life.[6] Her family lived in her father's homeland, around what is now Pipalyatjara.[3]

Wawiriya lives in Amaṯa, where she began working at the Tjala Arts centre in 2008.[2] Tjala (originally Minymaku Arts) had been set up by the women of the community in 1999.[3] She made wood carvings and baskets from spinifex originally, but later learned to paint from the other women.[1][2]

Wawiriya's artworks have been displayed in exhibitions in Sydney, Canberra, Melbourne, Adelaide, Perth and Alice Springs.[2] Her work is held in the National Gallery of Victoria,[4] the Art Gallery of New South Wales,[3] and the Art Gallery of South Australia.[1]

References
  1. "Details of Wawiriya Burton". Shorts Street Gallery. Retrieved 3 November 2012.
  2. Ananguku Arts (ed.). Tjukurpa Pulkatjara: The Power of the Law. Wakefield Press. p. 68. ISBN 9781862548909.
  3. "Ngayuku Mamaku Ngura". Collection Online. Art Gallery of New South Wales. 2011. Retrieved 3 November 2012.
  4. "Wawiriya Burton". Collection Online. National Gallery of Victoria. Retrieved 3 November 2012.
  5. The exact year of Wawiriya's birth is not known. The Art Gallery of New South Wales estimates it to be 1925,[3] while the National Gallery of Victoria estimates puts it at 1928.[4]
  6. Rothwell, Nicolas (13 September 2011). "Visions of a changing topography". The Australian. Alice Springs. Retrieved 3 November 2012.


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