Walter Yarwood

Walter Yarwood (September 19, 1917 – December 22, 1996) was a Canadian abstract painter and a founding member of Painters Eleven. Yarwood became known for his painting beginning in the 1950s. During the 1960s he completed a number of public sculptures in Ontario, Quebec and Manitoba.

Walter Yarwood
Born
Walter Hawley Yarwood

(1917-09-19)September 19, 1917[1]
Toronto, Ontario
DiedDecember 22, 1996(1996-12-22) (aged 79)[2]
Hamilton, Ontario
NationalityCanadian
EducationWestern Technical School
Known forPainting and Sculpture
MovementPainters Eleven
Spouse(s)Helen Yarwood

Life and Work

After completing his studies at Western Technical School, Yarwood worked full-time as a commercial artist while painting on weekends. During these early years, he joined the Ontario Society of Artists and the Canadian Group of Painters. In the late 1940s, he painted landscape, and in the 1950s he evolved to abstract expressionism, often with architectonic shapes rather than the spontaneous splashes of painters such as Alexandra Luke. In 1952, he studied in Mexico and in 1953, joined Painters Eleven, the group with which he showed his abstract paintings until 1960. His work has a rich colour sense and sometimes it is compared by other members of the group such as Tom Hodgson with that of member Oscar Cahén.[3]

By 1960, unhappy with his painting, he had turned to sculpture using found materials, then with metals such as welded steel, bronze, and cast aluminum, allowing him to create surface effects using acid. Between 1963 and 1967 he created numerous public sculptures, now installed in Toronto, Montreal and Winnipeg.[4] An exhibition of his sculptures was shown at Hart House (now the Justina M. Barnicke Gallery, University of Toronto Art Centre), University of Toronto in 1967.[5]

Around 1970, he began teaching art and design at Humber College in Toronto.[6]

In 1979, he moved to Port Rowan, near Lake Erie and started to paint again in watercolour and oil.

Public artworks

In 1963 Yarwood installed the nine-metre tall piece Totem at the Winnipeg Airport.[7][8]

Five of Yarwood's public sculptures are installed in Toronto. The 1962 bronze sculpture Cedars is installed in front of at the University of Toronto's pharmacy building at 19 Russel St.[9][10] His 1964 work Horizons, also commissioned by the University of Toronto, is on the facade of Sidney Smith Hall.[11][12] The 1964 work Coca Cola was commissioned by the Coca-Cola company. Originally installed at the company's 46 Overlea boulevard head office, it was moved in 2015 to the company's Brampton bottling plant.[13][14] His 1965 cast aluminum work The Crest is installed on the facade of Founders College at York University, North York.[15] In 1968 he produced Pines, a large bronze work commissioned by the Government of Ontario and installed on the lawn of the Macdonald Block at 77 Wellesley street west.[16][17]

Yarwood's 1967 work sans qualification, original commissioned by the distiller Seagrams for Expo 67, is installed at Montreal's Place de la Laurentienne.[18][19]

Collections

Bibliography
  • Nasgaard, Roald (2008). Abstract Painting in Canada. Douglas & McIntyre. ISBN 978-1-55365-394-3.CS1 maint: ref=harv (link)
  • Nowell, Iris (2011). Painters Eleven:The Wild Ones of Canadian Art. Vancouver: Douglas & McIntyre. ISBN 9781553655909. Retrieved 2020-05-25.CS1 maint: ref=harv (link)
gollark: I think it's where they take your stuff *out* of hatcheries.
gollark: If you influence then hatch an egg, the hatchling will keep the influence upon teleportation.If you influence an egg and teleport it back, the influence will be lost.
gollark: As a hatchling, yes; as an egg, no.
gollark: It's probably good for getting UVs, given that modern autorefreshers can do quite a lot of views a second (4 on mine) anyway.
gollark: I mean, if you can get the same amount of views in 1m instead of 2m it could allow for shorter experiments. Do those work better? We need to empirically study NDs.

References
  1. Creative Canada: A Biographical Dictionary of Twentieth-century Creative and Performing Artists (Volume 2). 15 December 1972. ISBN 9781442637849.
  2. http://www.collectionscanada.gc.ca/eppp-archive/100/202/300/artbus/1997/artbus.b08/abnews.html
  3. Nowell 2011, p. 278.
  4. Nowell 2011, pp. 277-281.
  5. Permanent Collection. Oshawa: The Robert McLaughlin Gallery. 1978. p. 129. Retrieved 2020-05-25.
  6. Nowell 2011, p. 282.
  7. Nowell, Iris (May 26, 2011). "P11, Painters Eleven: The Wild Ones of Canadian Art". Douglas & McIntyre – via Google Books.
  8. "Arts/Canada". Society for Art Publications. May 26, 1964 – via Google Books.
  9. Richards, Larry Wayne (April 2, 2019). "University of Toronto: An Architectural Tour (The Campus Guide) 2nd Edition". Chronicle Books – via Google Books.
  10. Warkentin, John (May 26, 2010). "Creating Memory: A Guide to Outdoor Public Sculpture in Toronto". Becker Associates – via Google Books.
  11. "Hiding in plain sight". October 20, 2014.
  12. Warkentin, John (May 26, 2010). "Creating Memory: A Guide to Outdoor Public Sculpture in Toronto". Becker Associates – via Google Books.
  13. "Coca Cola moves Walter Yarwood statue to Brampton". July 31, 2015.
  14. Warkentin, John (May 26, 2010). "Creating Memory: A Guide to Outdoor Public Sculpture in Toronto". Becker Associates – via Google Books.
  15. Warkentin, John (May 26, 2010). "Creating Memory: A Guide to Outdoor Public Sculpture in Toronto". Becker Associates – via Google Books.
  16. "Art at Queen's Park: The Macdonald Block - Pines - Walter Yarwood". www.archives.gov.on.ca.
  17. Tippett, Maria (November 11, 2017). "Sculpture in Canada: A History". Douglas and McIntyre (2013) Limited – via Google Books.
  18. "Sans qualification".
  19. http://www.patrimoinebati.umontreal.ca/documents/Place_de_la_Laurentienne_BD.pdf
  20. Bradfield, Helen (1970). Art Gallery of Ontario: the canadian collection. Toronto: McGraw-Hill Company. pp. 525–526. ISBN 0070925046. Retrieved 2020-05-25.
  21. "Walter Yarwood". www.gallery.ca.
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