Vietnam Combat Artists Program

In June 1966, the Army Vietnam Combat Artists Program was established as part of the United States Army Art Program, utilizing teams of soldier-artists to make pictorial records of U.S. Army activities in the course of the Vietnam War for the annals of military history. The concept of the Vietnam Combat Art Program had its roots in World War II when the U.S. Congress authorized the Army to use soldier-artists to record military operations in 1944.[1]

U.S. Army Vietnam Combat Artists Program
LOOKING DOWN THE TRAIL Watercolor James Pollock, CAT IV, 1967 Courtesy of the National Museum of the U.S. Army
Active(June 1966–1970)
CountryUnited States of America
AllegianceUnited States of America
BranchUnited States Army

During the Vietnam Era, the U.S. Army Chief of Military History asked Marian McNaughton, then Curator for the Army Art Collection, to develop a plan for a Vietnam soldier art program. The result was the creation in 1966 of the U. S. Army Vietnam Combat Art Program under the direction of the Office of Chief of Military History and McNaughton's office. Her plan included involving the U.S. Army Arts and Crafts Program, then headed by Eugenia Nowlin. McNaughton's office relied on Nowlin and her cadre of local Army Arts and Crafts directors to solicit applications from soldiers, which were forwarded to McNaughton's office at the U.S. Army Center of Military History, where selection and team assignments were made.[2] The U.S. Army provided logistics support as the teams of artists were sent to Vietnam and then to Hawaii.[3]

Artists interested in joining the program were asked to submit applications through the Army Arts and Crafts Program facilities nearest their unit.[4] Applications were to contain samples of drawings, photographs of paintings and a resume. Selections were made by a committee composed of designated representatives from the Office, Chief of Military History and the Adjutant General's Office. Supervised by Army Art Curator Marian McNaughton.[2] The program was the joint responsibility of the Office, Chief of Military History, and the Adjutant General's Office with support from the Office, Chief of information.[3]

History

Nine Combat Artist Teams (CATs) operated in Vietnam.[5] Typically, each team consisted of five soldier artists who spent 60 days of temporary duty (TDY) in Vietnam gathering information and making preliminary sketches of U.S. Army related activities. The teams then transferred to Hawaii for an additional 75 days to finish their work. Artists were given artistic freedom and encouraged to depict subjects in their own individual styles. Art created by soldier artists became a part of the U.S. Army Art Collection maintained by the U.S. Army Center of Military History (CMH), Washington, D.C.[3]

On 17 March 1969, due to the widespread interest shown by soldier artists and the impact of their work throughout the Army, the official name was changed from the VIETNAM COMBAT ART PROGRAM to the ARMY ARTIST PROGRAM. Coverage was expanded to include portraying the U.S. Army worldwide.[6]

U.S. Army soldier artist participants
Roger Blum, Vietnam Combat Artist Team I, discusses his painting "Attack at Twilight," completed with acrylic. The painting was inspired by Blum's first view of a burning "hooch," or hut, and he used dramatic lighting to emphasize the emotion of the painting.

List of U.S. Army Vietnam Combat Artist Team (CAT) members and supervisors from 15 August 1966 – 14 January 1970. (Cities listed reflect information on original applications which are currently in archives of U.S. Army Center of Military History).

NURSING by Robert C. Knight, CAT I, 1966, Courtesy of the National Museum of the U.S. Army

James Pollock, who in 1967 served as a soldier artist on U. S. Army Vietnam Combat Artist Team IV (CAT IV), chronicled his experience in an essay entitled "US Army Soldier-Artists in Vietnam" for "War, Literature & the Arts: An International Journal of the Humanities"[7] published by the department of English and Fine Arts, United States Air Force Academy. In the essay Pollock wrote: "The idea of rotating teams of young soldier-artists from a variety of backgrounds and experiences through Vietnam was innovative. Soldier-artists were encouraged to freely express and interpret their individual experience in their own distinct styles. The artists responded enthusiastically to their artistic free reign [sic], and the resulting products were wide-ranging and comprehensive. Styles and media used were as diverse as the artists themselves, some chose detailed literal images while others preferred expressive almost abstract explosions striving to replicate the horrors of war".[7]

Army artists after Vietnam

During the Vietnam War the army art program also used civilian artists. While the last team of soldier artists in Vietnam was Soldier Art Team 9 (CAT IX) the Army's interest in using artists to depict army activities continued. The 1991 book "Portrait of an Army", published by U. S. Army Center of Military History and edited by General Gordon R. Sullivan and Marylou Gjernes, states "Following the Vietnam War, the Army continued to use both soldier and civilian artists. They have covered such peacetime activities as summer training for Reserve Officers' Training Corps (ROTC) West Point cadets, Army National Guard annual training, and tank gunnery training in Europe. The Army Art Collection has also acquired depictions of the Army's operations in Panama and Operations DESERT SHIELD and DESERT STORM."[1]

In 2003, former Vietnam soldier-artist James Pollock gave a presentation entitled "U. S. Army Vietnam Combat Art Program" about Vietnam Era soldier artists at Mary Pickford Theater, U. S. Library of Congress[8] at which he said: "On January 14, 1970, the members of Vietnam Combat Art Team IX (CAT IX), the last U.S. Army art team to set foot in Vietnam, disbanded. Like members of eight other Army soldier-artist teams before them, they left their sketchbooks and paintings of war-torn Vietnam behind and quietly returned to their respective military units scattered throughout the world or were re-assigned. Talent and chance had brought 46 young soldiers together for a common purpose: To be artists day in and day out for 120 days and to translate their personal Vietnam experiences as soldiers into art. All of the artists were exposed to the inherent dangers of being in a war zone. While visiting units in the fields of Vietnam, they encountered difficult conditions and some had to deal with life-threatening incidents. None were wounded or killed. The post-Vietnam Era destiny of these soldier artists varied as they went on to establish and nurture families and careers. Some continued successfully as artists, some became art teachers, some laid down their paint brushes and found careers outside the field of art. Some have died, and the whereabouts of others is unknown".[5]

Public showings

From September 2010 to March 2011, the National Constitution Center in Philadelphia, PA hosted an exhibit entitled "Art of the American Soldier" featuring more than 300 works from the army art collection, one of the first times that the Army Art from the Army Art Program has been put on display en masse.[9]

In June 2015, South Dakota Public Broadcasting interviewed combat artist James Pollock about his experiences in the Vietnam Combat Art Program.[10]

In September 2017, South Dakota Public Broadcasting produced a video about the Vietnam Combat Artists Program entitled "The Art of War" as part of their SD Vietnam Stories project produced to accompany the broadcast of Ken Burns' "The Vietnam War" series.[11]

gollark: While I don't think "does evolution 'want' this" is the same thing as "is this good", if homosexuality was *really* bad for everyone it presumably would have been "evolved out" a while ago.
gollark: Just because something is *what evolution "wants"* or whatever doesn't mean it's actually a good thing in *other sets of values*.
gollark: Perhaps you just haven't evolved with discord-fast-reading genes.
gollark: Also Dirty Doctor Dan, apparently.
gollark: Okay, yes, theists believe that you were designed or something, but that's not evolution.

See also

CAT I 15 August to 15 December 1966
  • THE LOST OF WAR by Roger A. Blum, CAT I, 1966
  • ELEPHANT GRASS by Roger A. Blum, CAT I, 1966
  • GRENADE THROWER by Roger Blum, CAT I, 1966
  • SWAMP PATROL by Roger Blum, CAT I, 1966
  • WOUNDED by Robert C. Knight, CAT I, 1966
  • NURSING by Robert C. Knight, CAT I, 1966
  • PAGE FROM SKETCHBOOK by Robert C. Knight, CAT I, 1966
  • VIETNAMESE WOMAN by Paul Rickert, CAT I, 1966
  • RELIGIOUS SERVICES 1st CAV AKA THY ROD and THY STAFF, THEY COMFORT ME by Paul Rickert, CAT I, 1966
  • Combat Artist At Work by Paul Rickert, CAT I, 1966
  • BOG-DOWN by Felix R. Sanchez, CAT I, 1966
  • GUNSHIP by John O. Wehrle, CAT I, 1966
  • LANDING ZONE by John O. Wehrle, CAT I, 1966
  • RAPPELING by John O. Wehrle, CAT I, 1966
  • FDC BRAVO CO 25TH INFANTRY DIVISION by John O. Wehrle, CAT I, 1966
  • INTENSIVE CARE WARD 3RD FIELD HOSPITAL RVN by John O. Wehrle, CAT I, 1966
  • ATTACK AT TWILIGHT by Roger Blum, CAT I, 1966
  • INFANTRY SOLDIERS by Roger Blum, CAT I, 1966
  • CONVOY by Roger Blum, CAT I, 1966
  • CONVOY THROUGH SAIGON by Robert Knight, CAT I, 1966
  • REINFORCEMENTS LANDING by Ronald Pepin, CAT I, 1966
  • SEARCHING A VILLAGE by Robert Knight, CAT I, 1966
  • SWAMP PATROL by Felix Sanchez, CAT I, 1966
  • TANK IN HOBO WOODS by Ronald Pepin, CAT I, 1966
  • VIETNAMESE SOLDIERS BOARD HELICOPTER by Robert Knight, CAT I, 1966

CAT II 15 October 1966 to 15 February 1967
  • SCOUT DOG by Augustine G. Acuna, CAT II, 1966–67
  • BODY COUNT by Alexander A. Bogdanovich, CAT II, 1966–67
  • RECONNAISSANCE PATROL NEAR SOUTH CHINA SEA by David M. Lavender, CAT II, 1966–67
  • SECOND PLATOON ASSAULT by Gary W. Porter, CAT II, 1966–67
  • BEAT by Augustine G. Acuna, CAT II, 1966–67
  • BIRDS OF PREY by Augustine G. Acuna, CAT II, 1966–67
  • INTERROGATION by Augustine G. Acuna, CAT II, 1966–67
  • MEMBERS OF THE CIVILIAN IRREGULAR DEFENSE GROUP by Augustine G. Acuna, CAT II, 1966–67
  • SKETCH OF A SOLDIER I by Theodore E. Drendel, CAT II, 1966–67
  • SKETCH OF A SOLDIER II by Theodore E. Drendel, CAT II, 1966–67
  • STREET SCENE by David M. Lavender, CAT II, 1966–67
  • THE BARBER by Alexander A. Bogdanovitch, CAT II, 1966–67
  • THE RICE PADDIES by Augustine G. Acuna, CAT II, 1966–67
  • THE VETERAN by Augustine G. Acuna, CAT II, 1966–67
  • VIETCONG by Gary W. Porter, CAT II, 1966–67
  • WAITING by Gary W. Porter, CAT II, 1966–67

CAT III 16 February 1967 to 17 June 1967
  • MONTAGNARD NEAR PLEIDJERONG I by Michael R. Crook, CAT III, 1967
  • MED CAP by Dennis O. McGee, CAT III, 1967
  • PERIMETER OF ARTY PASS AT BEAR CAT by Robert T. Myers, CAT III, 1967
  • THE INNOCENT by Kenneth J. Scowcroft, CAT III, 1967
  • AFTER THE BATTLE by Stephen H. Sheldon CAT III 1967
  • CHAPLAIN MARTINS BIBLE Stephen H. Sheldon, CAT III, 1967
  • 9TH INFANTRY DIVISION GI by Michael R. Crook, CAT III, 1967
  • PERIMETER PATROL by Michael R. Crook, CAT III, 1967
  • ARMORED VEHICLE AT BONG SON by Dennis O. McGee, CAT III, 1967
  • CHIEU HOI OR DIE by Michael R. Crook, CAT III, 1967
  • DELTA DUST OFF by Robert T. Myers, CAT III, 1967
  • DELTA SUNRISE by Stephen H. Sheldon, CAT III, 1967
  • EASTER SUNRISE by Michael R. Crook, CAT III, 1967
  • GUNSHIP IN THE DELTA by Stephen H. Sheldon, CAT III, 1967
  • WELCOME RELIEF by Kenneth J. Scowcroft, CAT III, 1967

CAT IV 15 August to 31 December 1967
  • GI CONVOY-EASY TOUCH by Samuel E. Alexander, CAT IV, 1967
  • AMERICAN DOCTOR EXAMINES VIETNAMESE CHILD by Samuel E. Alexander, CAT IV, 1967
  • RECONNAISSANCE, LONG BINH by Daniel T. Lopez, CAT IV, 1967
  • CHARLIE SUBDUED by Burdell Moody, CAT IV, 1967
  • KILLED IN ACTION by Burdell Moody, CAT IV, 1967
  • NIGHT OPERATION by Burdell Moody, CAT IV, 1967
  • BIG AND LITTLE FIREPOWER by Burdell Moody, CAT IV, 1967
  • LOOKING DOWN THE TRAIL, Watercolor, by James Pollock, CAT IV, 1967
  • DOOR GUNNER, Pen and Ink, by James Pollock, CAT IV, 1967
  • GI CARD GAME, Watercolor, by James Pollock, CAT IV, 1967
  • LONESOME, Mixed Media, by James Pollock, CAT IV, 1967
  • WAITING INTERROGATION,199th LT INF BG, Watercolor, by James Pollock, CAT IV, 1967
  • WAITING TO LIFT OFF, Ink/Watercolor Wash, by James Pollock, CAT IV, 1967
  • MED EVACUATION (93rd EVACUATION), Oil, by James Pollock, CAT IV, 1967
  • FIELD HAIRCUT AT BIG RED ONE, Ink/Watercolor wash, by James Pollock, CAT IV, 1967
  • LOCALS, Oil, by James Pollock, CAT IV, 1967
  • 199th SOLDIERS WAIT, Gouache, by James Pollock, CAT IV, 1967
  • OLD VIETNAMESE MAN, Ink Wash, by James Pollock, CAT IV, 1967
  • BACK FROM PATROL, Oil, by James Pollock, CAT IV, 1967
  • TAKING A BREAK, Oil, by James Pollock, CAT IV, 1967
  • AIR CONTROLLER 196th LIB, Pen and Ink, by James Pollock, CAT IV, 1967
  • FIELD SERVICE, Oil (unfinished), by James Pollock, CAT IV, 1967
  • UNREAL by Ronald A. Wilson, CAT IV, 1967
  • LOADED by Ronald A. Wilson, CAT IV, 1967
  • SPOOKY Ronald A. Wilson, CAT IV, 1967
  • JUNGLE COLUMN by Samuel B. Alexander, CAT IV, 1967
  • TEN MINUTE BREAK by Samuel B Alexander, CAT IV, 1967
  • BETWEEN PATROLS 199TH NEAR CAT LAI by James Pollock, CAT IV, 1967
  • COBRAS by Ronald A. Wilson, CAT IV, 1967
  • JUNGLE by Ronald A. Wilson, CAT IV, 1967
  • LIFELINE by Ronald A. Wilson, CAT IV, 1967
  • MARKER by Ronald A. Wilson, CAT IV, 1967
  • STARLIGHT by Ronald A. Wilson, CAT IV, 1967
  • VC by Ronald A. Wilson, CAT IV, 1967
  • UNTITLED CHOPPERS by James Pollock, CAT IV, 1967

CAT V 1 November 1967 to 15 March 1968
  • LISTENING by Warren W. Buchanan, CAT V, 1967–68
  • HURT by Philip V. Garner, CAT V, 1967–68
  • LAST STAND by Phillip W. Jones, CAT V, 1967–68
  • THE ENEMY? by Don R. Schol, CAT V, 1967–68
  • 3 WAR MAN by John R. Strong, CAT V, 1967–68
  • A HAT FOR A LADY by Philip W. Jones, CAT V, 1967–68
  • DONG TAM SCENE by Don R. Schol, CAT V, 1967–68
  • REFUELING by Warren W. Buchanan, CAT V, 1967–68
  • REPLACEMENTS by John R. Strong, CAT V, 1967–68
  • UNTITLED by Philip W. Jones, CAT V, 1967–68
  • Vietnamese Woman by Philip V. Garner, CAT V, 1967–68

CAT VI 1 February 1968 to 15 June 1968
  • 5th SPECIAL FORCES PATROL by Robert T. Coleman, CAT VI, 1968
  • SEARCH FOR AMMO CACHE (11th CAV) by Robert T. Coleman, CAT VI, 1968
  • TROOP COMMAND POST by Robert T. Coleman, CAT VI, 1968
  • TIME OUT by David N. Fairrington, CAT VI, 1968
  • LONG BINH by David N. Fairrington, CAT VI, 1968
  • IN THE FIELD by David N. Fairrington, CAT VI, 1968
  • NAVY'S BEST by David N. Fairrington, CAT VI, 1968
  • WAITING by David N. Fairrington, CAT VI, 1968
  • YOUNG GIRLS by David N. Fairrington, CAT VI, 1968
  • BIG GUNS by David N. Fairrington, CAT VI, 1968
  • THE LADIES by David N. Fairrington, CAT VI, 1968
  • YEA VIETNAM by David N. Fairrington, CAT VI, 1968
  • CAVALRY TROOPER by John D. Kurtz IV, CAT VI, 1968
  • CHOPPERS by John D. Kurtz IV, CAT VI, 1968
  • UNTITLED by Kenneth T. McDaniel, CAT VI, 1968
  • POTABLE WATER by Michael P. Pala, CAT VI, 1968
  • BREAK TIME by Kenneth T. McDaniel, CAT VI, 1968
  • MEMBER OF AIR FORCE SPECIAL TROOPS by David N. Fairrington, CAT VI, 1968
  • SENTINEL by Michael P. Pala, CAT VI, 1968

CAT VII 15 August 1968 to 31 December 1968
  • CHOPPER PICK-UP by Brian H. Clark, CAT VII, 1968
  • SOLDIER RESTING by William E. Flaherty Jr., CAT VII, 1968
  • S & D MISSION by William E. Flaherty Jr., CAT VII, 1968
  • APC-RPG-1 by William C. Harrington, CAT VII, 1968
  • MEDCAP by Barry W. Johnston, CAT VII, 1968
  • 500 METERS TO THE FRONT by Barry W. Johnston, CAT VII, 1968
  • FIREFIGHT by Stephen H. Randall, CAT VII, 1968
  • LETTER TO HOME by Stephen H. Randall, CAT VII, 1968
  • COBRA by Stephen H. Randall, CAT VII, 1968
  • HARD LABOR by Stephen H. Randall, CAT VII, 1968
  • FLAMER by Stephen H. Randall, CAT VII, 1968
  • GET THEM OUT by Stephen H. Randall, CAT VII, 1968
  • I SEE IT by Stephen H. Randall, CAT VII, 1968
  • SOLDIERS by Stephen H. Randall, CAT VII, 1968
  • TANK by Stephen H. Randall, CAT VII, 1968
  • SILENT SWEAT by Stephen H. Randall, CAT VII, 1968
  • OVER THERE by Stephen H. Randall, CAT VII, 1968
  • FIGURE STUDY by Stephen H. Randall, CAT VII, 1968
  • EARLY MORNING by Stephen H. Randall, CAT VII, 1968
  • DOCK OF THE BAY by Stephen H. Randall, CAT VII, 1968
  • COMMUNICATION by Stephen H. Randall, CAT VII, 1968
  • MOUNTAIN CLIMBER by Stephen H. Randall, CAT VII, 1968
  • AMERICAN GOTHIC by William C. Harrington, CATVII, 1968
  • CAPTIVE by Barry W. Johnston, CAT VII, 1968
  • DUST OFF ALOFT by Brian H. Clark, CAT VII, 1968
  • HARD LABOR IN A RICE PADDY by Stephen H. Randall, CAT VII, 1968
  • LOADING DOCK by Unknown Artist, CAT VII, 1968

CAT VIII 1 February 1969 to 15 June 1969
  • CAMP IN AMERICAN DIVISION by Edward J. Bowen, CAT VIII, 1969
  • SATURDAY UPTOWN by James R. Drake, CAT VIII, 1969
  • LONG RANGE PATROL by James R. Drake, CAT VIII, 1969
  • BODY COUNT No. 5 by Roman Rakowskky, CAT VIII, 1969
  • PRISONER BLINDFOLDED by Roman Rakowsky, CAT VIII, 1969
  • COMBAT ENGINEER by Victory V. Reynolds, CAT VIII, 1969
  • BRIDGE BUNKER WITH GUARD by Thomas B. Schubert, CAT VIII, 1969
  • DAN TIENG OBSERVATION TOWER by Thomas B. Schubert, CAT VIII, 1969
  • APC by Edward J. Bowen, CATVIII, 1969
  • MARKET PLACE by Victory V. Reynolds, CAT VIII, 1969
  • ON A LONG RANGE PATROL by James R. Drake, CAT VIII, 1969
  • WAITING by Victory V. Reynolds, CAT VIII, 1969

CAT IX 1 September 1969 to 14 January 1970
  • APC by David E. Graves, CAT IX, 1969–70
  • RICE PADDY by James S. Hardy, CAT IX, 1969–70
  • RICE MILL, MY THO by William R. Hoettels, CAT IX, 1969–70
  • GROUND GUIDE by Bruce N. Rigby, CAT IX, 1969–70
  • CHIEU HOI MISSION by Craig L. Stewart, CAT IX, 1969–70
  • APC ON THE DMZ by James S. Hardy, CAT IX, 1969–70
  • BIEN DIEN BRIDGE by William R. Hoettels, CAT IX, 1969–70
  • DELTA VILLAGE by William R. Hoettels, CAT IX, 1969–70
  • FIREBASE RENDEZVOUS by Craig L. Stewart, CAT IX, 1969–70
  • M-48 TANK by David E. Graves, CAT IX, 1969–70
  • TANK by Bruce N. Rigby, CAT IX, 1969–70

References
  1. "Portrait of an Army" General Gordon R. Sullivan, Editor; Marylou Gjernes, Art Editor. (Center of Military History, United States Army, Washington, D.C. 1991), pp. 177-179.
  2. McNaughton, Marian R. Telephone Interview with James Pollock 10 August 2003. (During the Vietnam War era McNaughton was Curator of Paintings, Army Art Collection, Office Chief of Military History).
  3. "Announcement of US Army Vietnam Combat Artist Program for FY 1968 including overview and application instructions", U.S. Army CIRCULAR No. 28-30,(Publication from Headquarters Department of the Army, Washington, D.C., 20 July 1967).
  4. "US Army Vietnam Combat Artist Program Fact Sheet Dated 15 July 1967." U.S. Army Official Publication, (Prepared by United States Army in the Republic of Vietnam (USARV) Command Historian 15 July 1967).
  5. "United States Army Vietnam Combat Art Program", James Pollock, (2003 Lecture), (Presentation given at U. S. Library of Congress, Mary Pickford Theater, Tuesday, 15 July 2003, Presentation Sponsor, Library of Congress Professional Association (LCPA) Veterans Forum, Washington, D.C.). CD of presentation in PDF format and can be found in U.S. Library of Congress Archives. Presentation was also videotaped and in LOC archives.
  6. "Army Combat Artist Program. Soldier Art From Vietnam Presented by the Department of the Army." U. S. Department of the Army Pamphlet,(Pamphlet distributed by The Adjutant General, Department of the Army, Washington, D.C. 1969.
  7. "U. S. Army Soldier Artists in Vietnam," James Pollock,"War, Literature & the Arts", An International Journal of the Humanities, (Volume 21, 2009, ISSN 1046-6967 Published by the Department of English and Fine Arts, United States Air Force Academy, Colorado Springs, Colorado), pp. 247-272. (in public domain) essay: artwork: Archived 13 May 2011 at the Wayback Machine
  8. "Pictures Tell Story of U.S. Army Combat Art Program," Sarah Rouse, (Library of Congress THE GAZETTE, a Weekly Newspaper for the Library Staff, Volume 14, No 30, 5 September 2003 ISSN 1049-8184, James Madison Memorial Building LM5, Library of Congress, Washington, D.C.) p. 11.
  9. "Art of the American Soldier". National Constitution Center. Archived from the original on 12 June 2010. Retrieved 29 June 2010.
  10. "SDPB Radio MIDDAY with Karl Gehrke June 10, 2015". South Dakota Public Broadcasting. Retrieved 13 September 2017.
  11. "The Art of War". South Dakota Public Broadcasting. Retrieved 4 September 2017.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.