Václav Vích
Václav Vích (18 January 1898 – 14 September 1966) was a Czech cinematographer, who worked on over a hundred films in a variety of different countries during his career. in the 1930s Vích was one of the top technicians in the Italian film industry.[1] He often worked with the director Max Neufeld.[2]
Václav Vích | |
|---|---|
 Alessandro Blasetti and Vích on set | |
| Born | 18 January 1898 |
| Died | 14 September 1966 |
| Occupation | Cinematographer |
| Years active | 1923 – 1962 |
Selected filmography
- The May Fairy (1926)
- Call of the Blood (1929)
- Volga in Flames (1934)
- Grand Hotel Nevada (1935)
- Cavalry (1936)
- The Castiglioni Brothers, (1937)
- It Was I! (1937)
- Queen of the Scala (1937)
- The Black Corsair (1937)
- Ettore Fieramosca (1938)
- The Count of Brechard (1938)
- Tonight at Eleven (1938)
- The Castle Ball (1939)
- Backstage (1939)
- Unjustified Absence (1939)
- The Sinner (1940)
- First Love (1941)
- Lucky Night (1941)
- The Secret Lover (1941)
- Luisa Sanfelice (1942)
- Eugenia Grandet (1945)
- We Are Not Married (1946)
- The Legend of Faust (1949)
- The Lost One (1951)
- The Sinner (1951)
- Miracles Still Happen (1951)
- Nights on the Road (1952)
- Illusion in a Minor Key (1952)
- The Mad Bomberg (1957)
- Der schönste Tag meines Lebens (1957)
- Romance in Venice (1962)
gollark: If it does NOT wrap in some cases, then you do not want to have it be consistent and not just UB.
gollark: If EVERYTHING just wraps, then this portability is entirely worthless.
gollark: Yes, exactly.
gollark: For every platform?
gollark: Oh, so you just have to *know* the platform behavior?
References
- Gundle p.61
- Gundle p.227
Bibliography
- Gundle, Stephen. Mussolini's Dream Factory: Film Stardom in Fascist Italy. Berghahn Books, 2013.
External links
- Václav Vích on IMDb
Authority control  |
|
|---|
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.