This Mortal Coil
This Mortal Coil were a British music collective led by Ivo Watts-Russell, founder of the British record label 4AD.[3] Although Watts-Russell and John Fryer were the only two official members, the band's recorded output featured a large rotating cast of supporting artists, many of whom were otherwise associated with 4AD, including members of Cocteau Twins, Pixies, and Dead Can Dance.[4] The project became known for its gothic, dream pop sound, and released three full albums beginning in 1984 with It'll End in Tears.[5]
This Mortal Coil | |
---|---|
Origin | United Kingdom |
Genres | |
Years active | 1983–1991 |
Labels | 4AD |
Past members | Ivo Watts-Russell John Fryer |
Background
Watts-Russell had founded 4AD in 1980, and the label established itself as one of the key labels in the British post-punk movement. Following several releases, Watts-Russell developed the idea of collaborating under the name This Mortal Coil.[6] The name is taken from the Monty Python's Flying Circus "Dead Parrot sketch",[7] which in turn is a quote from Shakespeare's Hamlet ("... what dreams may come, when we have shuffled off this mortal coil...").
Quoting the 4AD website:
This Mortal Coil was not a band, but a unique collaboration of musicians recording in various permutations, the brainchild of 4AD kingpin Ivo Watts-Russell. The idea was to allow artists the creative freedom to record material outside of the realm of what was expected of them; it also created the opportunity for innovative cover versions of songs personal to Ivo.
One of the label's earliest signings was Modern English. In 1983, Watts-Russell suggested that the band re-record two of its earliest songs, "Sixteen Days" and "Gathering Dust", as a medley. At the time, the band was closing its set with this medley, and Watts-Russell felt it was strong enough to warrant a re-recording. When the band rebuffed the idea, Watts-Russell decided to assemble a group of musicians to record the medley: Elizabeth Fraser and Robin Guthrie of Cocteau Twins; Cindy Sharp of Cindytalk; and a few members of Modern English.[6] An EP, Sixteen Days/Gathering Dust, resulted from these sessions. A cover of Tim Buckley's "Song to the Siren", performed by Fraser and Guthrie alone, was recorded as a B-side for the EP. Pleased with the results, Watts-Russell decided to make this the A-side of the 7" single version of the EP, and the song quickly became an underground hit, leading Watts-Russell to pursue the recording of a full album under the This Mortal Coil moniker, 1984's It'll End in Tears.[6]
In June 1998, Watts-Russell began releasing albums in a similar vein to his TMC projects, under the name The Hope Blister.[8]
Discography
Studio albums
- It'll End in Tears (CAD 411 – October 1984)
- Filigree & Shadow (DAD 609 – September 1986)
- Blood (DAD 1005 – April 1991)
Compilations
- Dust & Guitars (TAD 3X23CDJ – August 2012)
Boxsets
- 1983–1991 (Warner Bros 45135 – March 1993)
- This Mortal Coil (TMCBOX1 – November 2011)[8]
Singles and EPs
- "Sixteen Days/Gathering Dust" EP (AD 310 – September 1983)
- "Kangaroo"/"It'll End in Tears" EP (AD 410 – August 1984)
- "Come Here My Love"/"Drugs" (limited 10" single release – BAD 608 – September 1986)[8]
Contributions
- Acid, Bitter & Sad on Lonely Is an Eyesore (CAD703 – 4AD compilation album, 1987)
The Hope Blister
- ...Smile's OK (July 1998)
- Underarms (April 1999)
- Underarms and Sideways (January 2006)[8]
References
- Steve Huey. "This Mortal Coil | Biography & History". AllMusic. Retrieved 27 June 2016.
- "This Mortal Coil – Discography – Album of The Year". M.albumoftheyear.org. Retrieved 27 June 2016.
- "This Mortal Coil". 4AD. Retrieved 9 September 2019.
- Huey, Steve. "This Mortal Coil". AllMusic. Retrieved 27 April 2012.
- Steve Huey. "This Mortal Coil | Biography & History". AllMusic. Retrieved 27 June 2016.
- Colin Larkin, ed. (2003). The Virgin Encyclopedia of Eighties Music (Third ed.). Virgin Books. p. 460. ISBN 1-85227-969-9.
- Morning Becomes Eclectic interview with Ivo Watts-Russell, 13 March 1998
- Strong, Martin C. (2000). The Great Rock Discography (5th ed.). Edinburgh: Mojo Books. pp. 987–988. ISBN 1-84195-017-3.