Theora Hamblett

Theora Hamblett (January 15, 1895 – March 6, 1977) was an American painter, one of the first Mississippi folk artists to achieve national prominence.[1] Hamblett's paintings can be divided into three categories: memory paintings, dream paintings, and landscape paintings.[2]

Theora Hamblett
Born(1895-01-15)January 15, 1895
Paris, Mississippi, US
DiedMarch 6, 1977(1977-03-06) (aged 82)
NationalityAmerican
Known forfolk art

Early life

Theora Alton Hamblett was born 15 January 1895, in Paris, Mississippi. Her father Samuel was a Civil War veteran, who was 72 years old when Theora was born. She was educated in Blue Mountain, Mississippi, and at Lafayette County Agricultural High School.[3] Hamblett was raised in a very religious household and rotated between Methodist and Baptist churches.[2]

Theora Hamblett became interested in painting at a young age, though she did not start taking painting classes until later in her life at age fifty-five. Carol Crown states that when Hamblett was eight years old, she was given crayons as a present which could have stimulated her interest in painting.[2]

Hamblett was a teacher in her early adulthood; she left the classroom in 1931, and cared for her dying mother for several years. In 1939 she bought a house in Oxford, Mississippi, where she lived and rented rooms to students. In her mid-fifties, she took her first nighttime painting class at the University of Mississippi. She also took correspondence courses on art.[4]

Symbolism

Hamblett uses many symbols in her artwork. Hamblett's paintings are colorful and frequently harken back to her childhood on a farm, or depict stories from the Bible. Some represent Hamblett's dreams or visions, frequently with religious symbolism (angels, chariots, butterflies, stairways, roses).[5][6] Butterflies in Hamblett's paintings represent resurrection and the soul. A rose in Hamblett's art symbolizes love, martyrdom, or The Virgin Mary.[7] The color yellow represents divinity or God in Hamblett's art. Silver symbolizes the death of the body in Hamblett's paintings.[5] In 1954, Hamblett broke her hip in an accident and needed surgery. While she was in the hospital, Hamblett began to paint her visions. Many of her dreams were religious in nature. Hamblett did not sell many of these paintings because they were intimate and personal.[8]

Style and technique

Theora Hamblett's artwork is characterized by vibrant colors. She has a unique style of creating trees in her artwork which is easily recognizable by fans of her art. She had a specific method of layering colors in the individual leaves so that they shine with bright colors. She layered each single leaf on the art piece to make the trees the central focus of her paintings. Hamblett painted landscape scenes of all four seasons, but she was extremely fond of autumn because of the dazzling color of the fall leaves.[8] Hamblett almost exclusively used oil paint on canvas. Carol Crown states that an artist she "developed a unique pointillist technique that invested her paintings with a distinctive look."[2]

Personal life and legacy

Hamblett died 6 March 1977, age 82.[9] Hundreds of her drawings and unsold paintings were left to the University of Mississippi Museum.[10] The largest collection of Theora Hamblett's art is at The University of Mississippi Museum.[8] Several of her paintings are also available for display in American embassies.[11] Nelson A. Rockefeller and Sir Alec Guinness were other collectors who owned works by Hamblett.[12][13] Football player Eli Manning is also said to own a painting by Theora Hamblett.[14]

Their charm was recognized as early as 1954, when she sold a painting to a New York gallery owner, Betty Parsons.[15] She was featured in a 1955 show of new acquisitions at the Museum of Modern Art.[16] In the 1960s and 1970s, some of her paintings were used for UNICEF Christmas cards and calendars.[17] In 1972 she was part of another show at the Museum of Modern Art, this time focusing on naive art.[18]

In 1977, director William R. Ferris featured Hamblett in the documentary film "Four Women Artists," produced by the Center for Southern Folklore, as one of the four Mississippi women in the title, along with writer Eudora Welty, quilter Pecolia Warner, and embroiderer Ethel Wright Mohamed.[19]

There is a historic marker at the site of Hamblett's house in Oxford. The house was also depicted in a keepsake ornament produced in 2009 for the University of Mississippi.[20] Efforts are currently underway to erect a historical marker near her gravesite in Paris, Mississippi.[21]

gollark: Not necessarily.
gollark: Which PHP isn't good at due to accused technical debt induction.
gollark: They could have done better with another language, and/or it was a flÜke.
gollark: Some examples of it being used successfully do not make it good in general, cuboid.
gollark: Yes. And PHP has many "bad" qualities and few "good" ones.

References
  1. Patti Carr Black, The Mississippi Story (University Press of Mississippi 2007): 27. ISBN 1887422145
  2. r2WPadmin. "Theora Hamblett". Mississippi Encyclopedia. Retrieved 2019-03-02.
  3. Lee Kogan, "Theora Hamblett," in Gerard C. Wertkin, ed., Encyclopedia of American Folk Art (Routledge 2003): 243–244. ISBN 0415929865
  4. Marion Barnwell, ed. A Place Called Mississippi (University Press of Mississippi 1997): 310–311. ISBN 0878059644
  5. Paul Grootkerk, "The Visionary Paintings of Theora Hamblett," Women's Art Journal 11(2)(Autumn 1990-Winter 1991): 19–22.
  6. Melissa Harrison McGuire, "Visionary Southern Artists: Theora Hamblett and Howard Finster," Proteus: A Journal of Ideas 16(1)(Spring 1999): 40–44.
  7. Grootkerk, Paul (Autumn 1990 – Winter 1991). "The Visionary Paintings of Theora Hamblett". Woman's Art Journal. 11 (2): 19–22. JSTOR 3690694.
  8. "Theora Hamblett Collection". museum.olemiss.edu. Retrieved 2019-03-02.
  9. "Deaths: Artist Theora Hamblett," Daytona Beach Morning Journal (March 7, 1977): 9B.
  10. University of Mississippi Museum, Theora Hamblett Collection.
  11. U. S. Department of State, "Art in Embassies: Theora Hamblett."
  12. "Theora Hamblett, Painter Who Started in Mid-Life," New York Times (March 7, 1977): 28.
  13. "Theora Hamblett, Rural Teacher, Widely Known for her Art Works," Washington Post (March 8, 1977): C3.
  14. Gary Buiso, "Eli Manning's 'Anointed' Art," New York Post (September 14, 2013).
  15. Patti Carr Black, Art in Mississippi, 1720–1980 (University Press of Mississippi 1998): 215. ISBN 1578060842
  16. "Over Fifty Newly Acquired Paintings and Sculptures on View at the Museum of Modern Art," MOMA press release dated November 30, 1955.
  17. UNICEF, 1976 UNICEF Engagement Calendar: The Child in Naive Art (UNICEF 1975).
  18. "Naive Art from the Museum Collection," MOMA press release dated January 11, 1972.
  19. Teri Hurst, "Folk-South: Workshop on Southern Life and Art Tells it Like it Is," Daily News [Bowling Green, Kentucky] (November 9, 1978): 5-A.
  20. "University Releases 2009 Collectible Holiday Keepsake," Ole Miss (November 5, 2009).
  21. Berryhill, Lyndy (April 28, 2017). "Theora Hamblett: 'Gone, but not forgotten'". Retrieved July 18, 2018.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.