The Trigger Effect

The Trigger Effect is a 1996 American thriller film written and directed by David Koepp and starring Kyle MacLachlan, Elisabeth Shue and Dermot Mulroney. The film follows the downward spiral of society during a widespread and lengthy power outage in Southern California. As Koepp's directorial debut, the film was inspired by the 1978 documentary television series Connections and the 1960 The Twilight Zone episode "The Monsters Are Due on Maple Street", where Koepp's uncle, actor Claude Akins, starred.

The Trigger Effect
Theatrical release poster
Directed byDavid Koepp
Produced byMichael Grillo
Written byDavid Koepp
Starring
Music byJames Newton Howard
CinematographyNewton Thomas Sigel
Edited byJill Savitt
Production
company
Distributed byGramercy Pictures
Release date
  • May 16, 1996 (1996-05-16)
(SIFF)
  • August 30, 1996 (1996-08-30)
(United States)
Running time
94 minutes[1]
CountryUnited States
LanguageEnglish
Budget$8 million
Box office$3.6 million

The Trigger Effect explores the idea that a simple power outage can potentially trigger a chain of largely unfavorable events, implying that modern society cannot live peacefully together without technology. Most of the film was shot in Los Angeles, where Koepp was based at the time. The film performed poorly at the box office and drew mixed reviews from critics, some of whom highlighted its surreal and enveloping style as well as the performances of the lead actors. Criticism was targeted at its safe and predictable ending. A novel based on the film and written by Dewey Gram was released in September 1996 by Berkley Books.

Plot

Annie and Matthew, a young married couple, find their infant daughter screaming with a high temperature and an earache. Matthew calls the doctor, who promises to phone in a prescription to the pharmacist the following day. During the night, the neighborhood wakes up due to a massive power outage. When Matthew visits the pharmacist the next day, he is unable to get the required medicine due to the blackout. Matthew steals the medicine when the pharmacist is not looking. Social unrest ensues due to the persistent blackout, leading Matthew and his wife's best friend, Joe, to buy a shotgun.

When an intruder breaks into the couple's house the following night, Matthew and Joe chase him outside, where a neighbor shoots the intruder. The neighbors conspire to cover up the fact that the deceased intruder was not armed. As the blackout continues for days over a large area, more chaos occurs. As a result, the group decides to flee to Annie's parents' house, 530 miles away. They do not have enough fuel to travel the whole way, so they stop by an abandoned car hoping to siphon some. A man, Gary, is lying in the backseat. After Joe notices that Gary has a handgun, he heads back to their vehicle to get his own shotgun. Joe aims the shotgun at Gary to scare him off, but he shoots Joe and steals their vehicle.

Matthew walks an hour to a farmhouse to try to get help for his family. The occupant, Raymond, refuses to help him initially, as he does not trust him. Matthew collects the shotgun and returns to the house, hoping to steal the car. He breaks in to get the car keys, and a standoff ensues between Raymond and him. When Raymond's young daughter enters the room, Matthew returns to civility, lowering his weapon. Raymond agrees to help Matthew, and soon afterwards Joe is loaded into an ambulance. Society returns to normal once the power returns, though Annie, Matthew and their neighbors are somewhat different from their experience.

Cast

Production

The Trigger Effect was written and directed by David Koepp, who previously worked as a screenwriter on Brian De Palma's Mission: Impossible and Carlito's Way, and Steven Spielberg's Jurassic Park.[2] The film was inspired by the 1978 documentary television series Connections and the 1960 The Twilight Zone episode "The Monsters Are Due on Maple Street", where Koepp's uncle, actor Claude Akins, starred.[3] Koepp noted the similarities between them, stating that "When technological advances go out, the veneer of civilization is removed also, and they're capable of inappropriate behavior."[3] It took him 12 drafts to fine-tune the script.[4] The film was produced by Amblin Entertainment for US$8 million, a cost that was considered high for an independent film and low for a studio film.[4] According to Koepp, getting the necessary amount of money to make the film was challenging and involved a lot of talking and pleading.[5]

Principal photography took place from July 31 to September 22, 1995.[6] Most of the film was shot in Los Angeles, California, where Koepp was based at the time.[7] The nuclear power plant that can be seen in the distant landscape when the protagonists are on a highway near the end of the film is the Rancho Seco Nuclear Generating Station.[4] As his directorial debut, The Trigger Effect was a new experience for Koepp, who remarked: "There's less imput [sic], coming from one brain. Making all those decisions by yourself can be a drag, you end up having long shouting matches with yourself."[4] Actor Kyle MacLachlan, who played Matthew, originally wanted to play Joe because he wanted to avoid a "juvenile lead", a role with which he strongly identified.[8] Nevertheless, he liked the script from the beginning and felt that playing a "real guy" with real emotions was "fun" for him, especially after playing unconventional roles in Twin Peaks and Showgirls.[9]

Themes

The Trigger Effect invokes the idea that one simple event can potentially lead to social, racial and sexual issues, implying that humans cannot live peacefully together.[10] The film opens with a scene where two coyotes follow their animal instincts and eat fresh meat, as if humans were not animals themselves.[10] MacLachlan said that the film shows "how quickly humanity would fall back into almost a tribal existence" after a simple power outage,[8] while actor Dermot Mulroney noted that the film addresses inexplicable yet realistic behaviors between characters, such as mistrust between black and white people, and issues regarding levels of education or personal achievement.[4] Similarly, SplicedWire editor Rob Blackwelder interpreted it as "a commentary on the underlying sense of danger and lack of trust that permeates American society."[11] Resentment is another theme that is explored, as reflected in the scene where Matthew tells Joe it is more natural for him to buy a shotgun.[4] The character played by actress Elisabeth Shue, Annie, switches feelings for Matthew on and off. This, according to Shue, shows that a married woman with a comfortable life has as many desires, needs and pain, as a homeless person.[4]

Release

The Trigger Effect premiered at the Seattle International Film Festival on May 16, 1996.[6] It then had a wide release on August 30, 1996 in 524 theaters,[12] finishing 12th and grossing $1.9 million at the U.S. box office weekend.[13] The film's poor performance was compared to that of the comedy The Stupids, which opened in the same weekend.[13] Overall, the film went on to make $3.6 million in North America.[12] A novelization, authored by Dewey Gram, was released in September 1996 by Berkley Books.[14] The Trigger Effect was released on VHS in January 1997 and on DVD in July 1999.[15][16]

Critical reception

Upon release, The Trigger Effect received mixed reviews from critics.[17] Writing for Entertainment Weekly, film critic Lisa Schwarzbaum described The Trigger Effect as "a sturdy and efficient thriller",[18] while Marc Savlov, writing for The Austin Chronicle, highlighted Koepp's ability to gradually increase the tension as the film progresses.[19] The cast was generally praised,[2][11][19] particularly Shue, who Schwarzbaum singled out for retaining some of her "effective Leaving Las Vegas disoriented languidness."[18] Even so, film critic Richard von Busack felt that the film's characters "never really engage the viewer" despite their proficient performances.[10]

The ending was criticized for being safe and predictable, especially when compared to the riskier narrative prior to it.[3][10][18] In his review for New York magazine, David Denby praised the first half of the film, stating that Koepp shows both a Hitchcockian style, where tension is built through silences of routine domestic scenes, and elements of his collaboration with Spielberg.[20] According to Denby, "the slightly bluish light scheme (the glam-fluorescent) and the images of suburban peace are reminiscent of Spielberg's mood of surreal wonder. This suburb, however, is just barely holding on to civilization."[20] Nevertheless, he felt that the second half of the film "shifts into a predictable suburban-love-triangle potboiler" and that the ending was "as abrupt and thin as a TV show."[20]

Some journalists criticized the film for the vagueness of its writing.[21][10] In his review for Metro, von Busack explained that, although the film offers some hints about Annie's past, the character is not fully developed, and felt that Matthew's relationship with Joe is not very clear.[21] Richard Harrington, writing for The Washington Post, criticized the fact that the film does not explain what caused the power outage and that the characters seem unimpressed about it.[10] This vagueness was highlighted by Variety editor Ken Eisner, who acknowledged that Koepp's "cool lensing, tight cutting and minimal use of music support this conceptual, if head-scratching approach", describing The Trigger Effect as "a bleak, highly stylized view of modern civilization."[22] Janet Maslin of The New York Times agreed, stating that the film's enveloping style "is haunting in its own powerful way."[2]

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gollark: Did you know? We just replaced the World Health Organization with "bees".
gollark: And I have a less green one.
gollark: Blue/white is cool, though.
gollark: I'm surprised I got more green than white since green actually literal apioform.

References
  1. "Trigger Effect". British Board of Film Classification. Archived from the original on February 27, 2018. Retrieved February 27, 2018.
  2. Janet Maslin (August 30, 1996). "Urban Jitters Going Critical". The New York Times. Archived from the original on May 9, 2016. Retrieved February 8, 2018.
  3. "'Trigger' almost hits bulls-eye". The Cincinnati Enquirer. Gannett Company. August 30, 1996. p. 94. Retrieved February 8, 2018.
  4. "Retro Interview: David Koepp and the cast of The Trigger Effect". Free Press Houston. December 20, 2009. Film section. Archived from the original on December 27, 2009. Retrieved December 20, 2009.
  5. John Hartl (September 6, 1996). "Director Studies Urban Fear In 'Trigger Effect'". Chicago Tribune. Archived from the original on February 26, 2018. Retrieved February 26, 2018.
  6. "Trigger Effect, The: Misc Notes". Turner Classic Movies. Archived from the original on February 26, 2018. Retrieved February 26, 2018.
  7. "David Koepp". The A.V. Club. August 9, 1999. Archived from the original on February 9, 2018. Retrieved February 9, 2018.
  8. "Kyle MacLachlan on David Lynch, Showgirls, and Billy Idol-isms". The A.V. Club. September 28, 2012. Archived from the original on February 11, 2018. Retrieved February 11, 2018.
  9. Sandi Davis (August 30, 1996). "Good Script Triggered Actor's Interest in Project". NewsOK. Archived from the original on February 11, 2018. Retrieved February 11, 2018.
  10. Richard Harrington (August 30, 1996). "'The Trigger Effect': Firing Blanks". The Washington Post. Archived from the original on February 11, 2018. Retrieved February 12, 2018.
  11. Rob Blackwelder (August 30, 1996). "The Trigger Effect". Splicedwire.com. Archived from the original on February 21, 2018. Retrieved February 21, 2018.
  12. "The Trigger Effect". Box Office Mojo. Archived from the original on March 24, 2016. Retrieved February 13, 2018.
  13. Shauna Snow (September 3, 1996). "Arts and entertainment reports from The Times, national and international news services and the nation's press". Los Angeles Times. Archived from the original on March 3, 2016. Retrieved February 13, 2018.
  14. Dewey Gram (September 1996). The Trigger Effect. Berkley. ISBN 9781572972445.
  15. Peter M. Nichols (January 31, 1997). "Home Video". The New York Times. Archived from the original on December 27, 2017. Retrieved February 13, 2018.
  16. "The Trigger Effect (1996) - Releases". AllMovie. Archived from the original on December 25, 2012. Retrieved February 14, 2018.
  17. "David Koepp". Metacritic. Archived from the original on February 28, 2018. Retrieved February 28, 2018.
  18. Lisa Schwarzbaum (September 13, 1996). "The Trigger Effect". Entertainment Weekly. Archived from the original on November 30, 2017. Retrieved February 19, 2018.
  19. Marc Savlov (September 6, 1996). "The Trigger Effect". The Austin Chronicle. Archived from the original on February 20, 2018. Retrieved February 20, 2018.
  20. David Denby (September 16, 1996). "He's Come Undone". New York. pp. 68, 72. ISSN 0028-7369. Retrieved February 18, 2018.
  21. Richard von Busack (September 5, 1996). "Class conflict in the dark fuels 'The Trigger Effect'". Metro. Metro Newspapers. Archived from the original on October 7, 2010. Retrieved February 14, 2018.
  22. Ken Eisner (June 10, 1996). "The Trigger Effect". Variety. Archived from the original on February 20, 2018. Retrieved February 21, 2018.
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