The Solid Mandala

The Solid Mandala, the seventh published novel by Australian author Patrick White, Nobel Prize winner of 1973, first published in 1966. It details the story of two brothers, Waldo and Arthur Brown, with a focus on the facets of their symbiotic relationship. It is set in White's fictional suburb of Sarsaparilla, a setting he often employed in his other books, such as with Riders in the Chariot. The book is typical of White's writing style, and is slow-paced, with little considerable action, instead focusing upon the inner turmoils of the aforementioned characters.

The Solid Mandala
First edition cover
AuthorPatrick White
Cover artistDesmond Digby
CountryAustralia
LanguageEnglish
GenreFiction
PublisherEyre & Spottiswoode
Publication date
1966
Media typePrint (Cloth)
Pages317 pp
ISBN978-0-224-01247-8
OCLC5137803
823
LC ClassPZ3.W58469 So 1976 PR9619.3.W5

The book

The book is split into four chapters, each narrated in the third-person omniscient limited style; by far the largest is the second, which is limited to Waldo Brown's point of view. Following this is a chapter told through Arthur Brown's view.

The story

It tells the story of two brothers, Waldo and Arthur Brown, and the mutually dependent and mutually antagonistic relationship they share: Waldo is cold and supremely rational in his behaviour while Arthur is more warm-hearted and instinctual, so that together they represent what White saw as the two conflicting and complementary halves of human nature.[1] Although Arthur would be considered by most in society as slightly "retarded", by the end of the novel he is shown to have a better grip on life than the conventional Waldo.[2] The marvel symbolizes the entire universe.

Reception

It is notable for being heavily tipped to win the 1967 Miles Franklin Award, the third of White's novels to be nominated for the prize, until White personally intervened and withdrew it from consideration so that other writers might stand a chance of winning.[3]

Arthur Calder-Marshall said on BBC Home Service that "Patrick White is a colossus among novelists. Voss has hitherto stood as his masterpiece. The Solid Mandala seems to me to rank beside it."[4]

Francis King in The Sunday Telegraph said, "I am increasingly convinced that he is one of the five novelists at present at work in our language who is truly possessed of greatness."[4]

Notes
  • Dedication: "For Gwen and David Moore".
  • Epigraph:
    • 'There is another world, but it is in this one.' – Paul Eluard
    • 'It is not outside, it is inside: wholly within.' – Meister Eckhart
    • '...yet still I long for my twin in the sun...' – Patrick Anderson
    • 'It was an old and rather poor church, many of the ikons were without settings, but such churches are the best for praying in.' – Dostoevsky
gollark: Antimatter works, as far as I know, identically to regular matter with the signs on some things flipped, except fr
gollark: Er, differential. Not derivative.
gollark: Are the integral and derivative ones actually saying the same thing? The derivative ones look less complex.
gollark: So you can just use P=IV with that, as you can work out the voltage.
gollark: voltage on primary/voltage on secondary = turns on primary/turns on secondary if I remember right, and the power on both things is the same (ignoring losses).

References
  1. Marr, David. Patrick White: A Life. Sydney: Random House, 1991. 451–453.
  2. François, Pierre (1999). Inlets of the Soul: Contemporary Fiction in English and the Myth of the Fall. Netherlands: Rodopi. p. 145. ISBN 9042004460.
  3. White, Patrick. Letter to Juliet O'Hea, 7 May 1967. Patrick White: Letters. Ed. David Marr. Sydney: Random House, 1994. 312–313.
  4. "publisher's ad". The Spectator. 216 (2): 668. 1966.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.