The Seven Ravens

"The Seven Ravens" (German: Die sieben Raben) is a German fairy tale collected by the Brothers Grimm (KHM 25). It is of Aarne–Thompson type 451 ("The Brothers Who Were Turned into Birds"), commonly found throughout Europe.[1]

For the films, see The Seven Ravens (1937 film) and The Seven Ravens (2015 film).
The Seven Ravens
The sister meets her brothers.
Folk tale
NameThe Seven Ravens
Data
Aarne-Thompson groupingATU 451
CountryGermany
Published inGrimm's Fairy Tales

Georgios A Megas collected another, Greek variant in Folktales of Greece.[2] Other variants of the Aarne–Thompson type include The Six Swans, The Twelve Wild Ducks, Udea and her Seven Brothers, The Wild Swans, The Twelve Brothers, and The Magic Swan Geese.[3]

An animated feature film based on the story was released in 1937 (see The Seven Ravens).

Origin

The tale was published by the Brothers Grimm in the first edition of the Kinder- und Hausmärchen in 1812, under the name "Die drei Raben" (The Three Ravens). In the second edition, in 1819, the name was retitled Die sieben Raben and substantially rewritten. Their source was the Hassenpflug family, and others.[1]

Synopsis
She reaches the stars

A peasant has seven sons and no daughter. Finally a daughter is born, but is sickly. The father sends his sons to fetch water for her, in the German version to be baptized, in the Greek version to take water from a healing spring. In their haste, they drop the jug in the well. When they do not return, their father thinks that they have gone off to play and curses them and so they turn into ravens.

When the sister is grown, she sets out in search of her brothers. She attempts to get help first from the sun, which is too hot, then the moon, which craves human flesh, and then the morning star. The star helps her by giving her a chicken bone (in the German) or a bat's foot (in the Greek) and tells her she will need it to save her brothers. She finds them on the Glass Mountain. In the Greek version, she opens it with the bat's foot, in the German, she has lost the bone, and chops off a finger to use as a key. She goes into the mountain, where a dwarf tells her that her brothers will return. She takes some of their food and drink and leaves in the last cup a ring from home.

When her brothers return, she hides. They turn back into human form and ask who has been at their food. The youngest brother finds the ring, and hopes it is their sister, in which case they are saved. She emerges, and they return home.

Analysis
The father curses his sons

This tale, like The Twelve Brothers, The Six Swans, and Brother and Sister, features a woman rescuing her brothers. In the era and region in which it was collected, many men were drafted by kings for soldiers, to be sent as mercenaries. As a consequence, many men made their daughters their heirs; however, they also exerted more control over them and their marriages. The stories have been interpreted as a wish by women for the return of their brothers, freeing them from this control.[4] However, the issues of when the stories were collected are unclear, and stories of this type have been found in many other cultures, where this issue can not have inspired them.[5]

Some folklorists connect this tale to the more general practice of ultimogeniture, in which the youngest child would inherit.[6]

Commentary

In the original oral version, there were three, not seven ravens; one study of German folk tales found that of 31 variants collected after the publication of Grimms' Fairy Tales, only two followed the Grimms in having seven ravens.[7]

In music
Poster for the Kiralfy Brothers production Sieba and the Seven Ravens (1884)

The Liechtenstein composer Josef Rheinberger based an opera on the tale, which was premiered in 1867. Ludwig Englander wrote a romantic fairy tale in four acts called The Seven Ravens, combining drama, pantomime, opera and ballet. The libretto was by C. Lehnhardt and based on the original German play by Emil Pohl. It was translated by G.P. Lathorp and ran at Niblo's Gardens, New York, from 8 November 1884 for a total of 96 performances.[8] A competing spectacle by the Kiralfy Brothers, Sieba and the Seven Ravens, was presented at the Star Theatre.[9][10]

Modern interpretations

Black Feather by K. Tempest Bradford (published in the Interfictions anthology, 2007) references commonalities between The Six Swans, The Seven Ravens, and The Twelve Brothers while building a new narrative for the sister character found in all three versions.

A musical version of The Seven Ravens, written by Wolfgang Adenberg and Alexander S. Bermange was presented at the Amphitheater Park Schloss Philippsruhe, Hanau, Germany as part of the Brothers Grimm Festival in 2007.

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See also

References
  1. Ashliman, D. L. (2002). "The Seven Ravens". University of Pittsburgh.
  2. Soula Mitakidou and Anthony L. Manna, with Melpomeni Kanatsouli, Folktales from Greece: A Treasury of Delights, p 42 ISBN 1-56308-908-4
  3. Heidi Anne Heiner, "Tales Similar to The Six Swans"
  4. Jack Zipes, The Brothers Grimm: From Enchanted Forests to the Modern World, p 72, ISBN 0-312-29380-1
  5. Jack Zipes, The Brothers Grimm: From Enchanted Forests to the Modern World, p 75, ISBN 0-312-29380-1
  6. Jack Zipes, The Great Fairy Tale Tradition: From Straparola and Basile to the Brothers Grimm, p 641, ISBN 0-393-97636-X
  7. Linda Degh, "What Did the Grimm Brothers Give To and Take From the Folk?" p 76 James M. McGlathery, ed, The Brothers Grimm and Folktale, ISBN 0-252-01549-5
  8. "Guide to Musical Theatre - Operetta". musicaltheatreguide.com. Retrieved 2015-08-22.
  9. Franceschina, John (2017). Incidental and Dance Music in the American Theatre from 1786 to 1923: Volume 3. Albany, Georgia: BearManor Media. ISBN 978-1-62933-237-6.
  10. "Star Theatre". The New York Times. August 19, 1884. Retrieved December 18, 2018.
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