The Mob (film)

The Mob is a 1951 American crime film noir thriller film directed by Robert Parrish and starring Broderick Crawford.[2]

The Mob
Theatrical release poster
Directed byRobert Parrish
Produced byJerry Bresler
Screenplay byWilliam Bowers
Based onWaterfront
1951 novel
by Ferguson Findley
StarringBroderick Crawford
Music byGeorge Duning
CinematographyJoseph Walker
Edited byCharles Nelson
Production
company
Columbia Pictures
Distributed byColumbia Pictures
Release date
  • September 21, 1951 (1951-09-21)
Running time
86 minutes
CountryUnited States
LanguageEnglish
Box office$1,050,000 (US rentals)[1]

Plot

Johnny Damico (Broderick Crawford), a detective going home in the rain one night, finds himself just a few feet from a shooting on a dark street, where the gunman claims to be a detective from another precinct, flashing a real badge—and then slipping away. Damico discovers that the victim of the shooting was a witness who was to have appeared before a grand jury investigating waterfront crime, and that the same man who shot him also murdered the chief investigator on the case just a few hours earlier (which is where the badge came from).

Damico could lose his job, but instead he's given the chance to redeem himself—he's sent undercover and given a new identity as New Orleans tough-guy Tim Flynn, who insinuates himself onto the New York waterfront when he arrives on ship. He manages to hook up with union thug Joe Castro (Ernest Borgnine) and his strong-arm man Gunner (Neville Brand), who try to frame him for a murder that also gets a potential stoolie Culio (Frank DeKova) out of the way and that hooks Damico up with crooked police sergeant Bennion (Walter Klavun) who arrests him. After following one blind alley involving a federal agent Thomas Clancy (Richard Kiley) working as a longshoreman, Damico manages to get an intro to Blackie Clegg (Matt Crowley).[3]

Cast

Reception

Spencer Selby, in his book Dark City: The Film Noir, calls The Mob: "About as close as noir ever came to resurrecting the 1930s gangster film."

Film Noir: The Encyclopedia Reference to the American Style notes "Crawford takes the simple role of Johnny Damico and converts it into a noir characterization of toughness and vulgarity."

Film critic Dennis Schwartz liked the acting and wrote, "The Mob covers the same territory as On the Waterfront [filmed three years after The Mob]. It is adapted from the novel Waterfront by Ferguson Findley and directed with a flair for lively action scenes by Robert Parrish. This ordinary minor film noir holds together until one twist too many turns it into one of those old movie theater chapter serial-like endings ... Broderick Crawford is believable in this heroic role and moves his character into a noir figure by his hard-boiled, no-nonsense approach to the dangerous situation, where he's not in control of his destiny. Ernest Borgnine has the natural look of a shady individual to give his role a sinister force. Neville Brand as a strong-arm enforcer for Borgnine adds to the violent atmosphere. The film has fistfights, tough talking thugs and cops, and a bleak view of the corrupt docks. The brutality of both the criminals and the police is what gives the film its shock value and special feel. Otherwise it's your ordinary violent crime film."[4]

Notes

To trace the mob car, they use a fluorescent dye that drips on the road, so the police can spot where they are going, yet they have the car wired for sound.

gollark: Yes, perhaps apiological profiling *can* be misplaced.
gollark: Religions often lean on the "you are a horrible sinner so go believe X and you'll be saved", and "believe X or you'll go to bad place™".
gollark: I did mean the "find another religion" thing somewhat jokily, but it is still quite weird that somehow people are fine with being implicitly told they're terrible and will be punished horribly because it's religion.
gollark: Well, said belief says I'll be eternally punished for bad reasons, and they worship the being doing so, so... yes?
gollark: Or, well, says "be respectful", so actually no.

See also

References
  1. 'The Top Box Office Hits of 1951', Variety, January 2, 1952
  2. The Mob on IMDb.
  3. http://www.allmovie.com/movie/the-mob-v102617
  4. Schwartz, Dennis. Ozus' World Movie Reviews, film review, April 21, 2002. Accessed: July 8, 2013.

Additional references
  1. ^ Spencer Selby (1984). Dark City:The Film Noir. McFarland Classics. ISBN 0-7864-0478-7.
  2. ^ Alain Silver and Elizabeth Ward (1992). Film Noir An Encyclopedic Reference to the American Style. The Overlook Press. ISBN 0-87951-479-5.
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