The Martyrdom of Saint Philip

The Martyrdom of Saint Philip (Spanish: Martirio de San Felipe) is a painting by Jusepe de Ribera from 1639.

The Martyrdom of Saint Philip
Spanish: Martirio de san Felipe
ArtistJusepe de Ribera
Year1639
Mediumoil on canvas
Movementbaroque
SubjectThe Martyrdom of Philip the Apostle
Dimensions234 cm × 234 cm (92 in × 92 in)
LocationMuseo del Prado, Madrid
AccessionP01101

It is considered one of his best works. The Spanish critic Eugenio d'Ors said of it " almost, almost like a Russian ballet." The painting is exhibited in the Museo del Prado in Madrid.

Description

For a long time it was thought that this painting represented the martyrdom of the apostle Bartholomew; an event that Ribera had painted several times. Only in 1953 was it established that the subject is Philip the Apostle by the art historian Delphine Fitz Derby.[1] Following the resurrection of Jesus, Philip was and his sister Mariamne together with Bartholomew preached in Greece, Phrygia, and Syria. He was martyred in Hierapolis when he was crucified.

Ribera captures the moment when the preparations for the crucifixion are still in progress. He does so from a low perspective, giving the main characters monumentality and showing a large part of blue sky. Two executioners try to raise the apostle, while a third supports one of his legs. Bright sunlight illuminates his face that shows pain and resignation. The contrast of light en shadow enhances the dramatic effect.[2]

On the right there is a group of curious onlookers who appear to comment on the event. On the left, on the other hand, the people who appear are oblivious to what happens; there is a woman holding a little child in her arms and looking toward the viewer, putting a tender and delicate counterpoint to the cruelty that dominates the rest of the scene.[2] Some critics have wanted to see an allegory of Charity in this figure.

Judging by the treatment of color, the touches of brush and the splendid naked, this is a mature work by Ribera. It is less caravagesque than his previous works, showing the influence of Guido Guido Reni and Domenichino.[2]

History

The Martyrdom of Saint Philip was likely commissioned by the II Duke of Medina de las Torres as a gift to King Philip IV of Spain; Philip the Apostle was his patron saint. For a long time, the painting was part of the royal collection. It survived the fire in the Royal Alcázar in 1734 and was subsequently installed in the Buen Retiro Palace and the Royal Palace of Madrid.[3] Sometime after 1818 the painting was moved to the Prado.

gollark: I can't find any images beyond random generic "cloud computery" things.
gollark: I'm actually not very sure what to say to say a sufficient amount about the first slide now.
gollark: You make a "draft" and you "improve" the "draft".
gollark: It is called "drafting", yes.
gollark: You should learn to be more independent and to randomly make up things which might work.

References

  1. Sánchez, Alfonso E. Pérez; Spinosa, Nicola; Bayer, Andrea (1992). Jusepe de Ribera 1591-1652 : [exhibition] the Metropolitan Museum of Art, New York [September 18 - November 29, 1992]. Metropolitan Museum of Art. ISBN 978-0-87099-647-4.
  2. Cirlot, Lourdes; Pou, Anna (2006). Museo del Prado. Barcelona: Centro Editor PDA. ISBN 978-84-674-3809-3.
  3. Simal López, Mercedes. "Buen Retiro, El. - Museo Nacional del Prado". www.museodelprado.es. Retrieved 2017-01-05.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.