The Field Mice

The Field Mice were an English indie rock band on the independent record label Sarah Records.[1]

The Field Mice
OriginLondon, England
GenresIndie rock, indie pop, twee pop, dream pop
Years active1987–1991
LabelsSarah Records
Past membersRobert Wratten
(Bobby Wratten)
Michael Hiscock
Harvey Williams
Mark Dobson
Anne Mari Davies

Career

The Field Mice initially formed as a duo from South London suburb of Mitcham comprising Robert Wratten (for vocals and guitar) and Michael Hiscock (on bass guitar). The group's first EP, Emma's House, was released in November 1988, and reached number 20 in the UK Independent Chart.[2][3] But it was with their second single "Sensitive" that they first received significant critical attention,[4] giving them a top-20 indie hit and with a subsequent placing in John Peel's 1989 Festive 50.[5] Debut mini-album Snowball reached number 3 on the UK Indie Albums Chart.[3] The original duo were joined by Harvey Williams (of Another Sunny Day) on guitar: the first fruits of this new line-up being the Skywriting mini-LP and in late 1990 the band expanded to include Anne Mari Davies on vocals, keyboards and guitar and Mark Dobson on drums.[1] This five-piece line-up later recorded what was to be their final album (but their first full length for Sarah Records), For Keeps.[2]

Over a three-year career, the band were often dogged with the reputation of having a post-C86 indie pop, or generic Sarah Records sound, despite producing tracks with numerous styles and influences.[1] Early singles and even their sleeves harked back to early Factory Records bands such as New Order and The Wake, with many tracks often featuring sequencers and samples. Many of the group's recordings, notably "Triangle" and their epic seven-minute swan song, "Missing the Moon", displayed a strong influence from the popular dance music of the time.[1] Most of the group's records were produced by Ian Catt, who later went on to develop the pop dance sound of "Missing The Moon" further with Saint Etienne (whose second single was a cover version of The Field Mice's "Let's Kiss and Make Up").[2]

Split and legacy

The band split up in 1991 after a fractious tour to promote the For Keeps album, during which lead singer/guitarist Robert Wratten announced he was leaving.[1]

Later, Field Mice members Wratten, Anne Mari Davies (Wratten's ex-girlfriend), and Mark Dobson briefly formed Yesterday Sky before becoming the more synth-oriented outfit Northern Picture Library, and then Wratten went on to form Trembling Blue Stars in 1995.[1]

A double-album compilation of the now long-deleted Field Mice releases, Where'd You Learn to Kiss That Way? was released in 1998 and sold more copies than any Field Mice record ever sold at the time. Their entire back catalogue was reissued on CD for the first time by LTM Recordings in 2005.

Discography
Studio albums
Compilation albums
Singles and extended plays
Peel session
  • "Anoint"/"Sundial"/"Fresh Surroundings"/"By Degrees" (Recorded on 1 April 1990 and originally broadcast on John Peel's radio programme, on 23 April 1990 on BBC Radio 1). All four songs were written specially for this session and were not released on any of their records.
gollark: ```nimproc makeFilePath(basepath, page, filename: string): string = # putting tons of things into one directory may cause issues, so "shard" it into 256 subdirs deterministically let pageHash = getMD5(page) let hashdir = pageHash[0..1] # it is possible that for some reason someone could make two files/pages which normalize to the same thing # but are nevertheless different files # thus, put the hash of the ORIGINAL file/pagename before the shortened version let pagedir = pageHash[2..31] & "-" & normalizeFilename(page) let filenameHash = getMD5(filename) discard existsOrCreateDir(basepath / hashdir) discard existsOrCreateDir(basepath / hashdir / pagedir) basepath / hashdir / pagedir / (filenameHash & "-" & normalizeFilename(filename))```<@319753218592866315> is this ↑
gollark: There might also be a ROT13 button, if I feel like it.
gollark: Well, I was considering an option where you could use SQLCipher for data storage instead of SQLite.
gollark: Of course it does. It's important to know how susceptible your document is to frequency analysis if enciphered in certain ways.
gollark: Heavpoot wanted me to track "average letter frequency", and is also my alt sometimes, but that would be bad for performance probably.

References
  1. Colin Larkin, ed. (2000). The Virgin Encyclopedia of Nineties Music (First ed.). Virgin Books. p. 155. ISBN 0-7535-0427-8.
  2. Strong, Martin C. (2003) The Great Indie Discography, Canongate, ISBN 1-84195-335-0, p. 738
  3. Lazell, Barry (1998) Indie Hits 1980-1989, Cherry Red Books, ISBN 0-9517206-9-4, p. 87
  4. New Musical Express online feature on single 'Sensitive'.
  5. Field Mice, Keeping It Peel, BBC, retrieved 2010-04-29
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.