The Fall (Norah Jones album)
The Fall is the fourth studio album by American singer-songwriter Norah Jones, released November 17, 2009, by Blue Note Records. The album debuted at number three on the Billboard 200, selling 180,000 copies in its first week. As of August 2012, the album has sold more than three million copies worldwide.[1]
The Fall | ||||
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Studio album by | ||||
Released | November 11, 2009 | |||
Recorded | 2008–2009 | |||
Genre | Pop | |||
Length | 45:49 | |||
Label | Blue Note | |||
Producer | Jacquire King | |||
Norah Jones chronology | ||||
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Norah Jones studio album chronology | ||||
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Singles from The Fall | ||||
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Background and production
Before the album's release, Jones' website stated that she had taken a new direction, with new collaborators and producer Jacquire King. King hired songwriters Ryan Adams and Will Sheff, in addition to drummers Joey Waronker, James Gadson and Marco Giovino, keyboardist James Poyser, and guitarists Marc Ribot, Smokey Hormel, Lyle Workman, and Peter Atanasoff and bassists Frank Swart and Dave Wilder. The album cover was taken by photographer Autumn de Wilde.[2]
Singles and promotion
- The first single, "Chasing Pirates", was released on October 13, 2009.
- "Young Blood" was released as the second single in North America, Europe (minus the UK), and Japan. The music video was made available at iTunes on 30 March 2010. The song has reached No. 33 on the Japan Hot 100.[3]
- "Stuck" was released as the second single on March 5, 2010 in the UK (digital download only).[4]
- "It's Gonna Be" was released as the third single in North America in April 2010.[5][6] It charted on the Billboard Triple A Chart and peaked on the airplay chart at No. 11 in April 2010. Jones performed the song on The Ellen DeGeneres Show.[7]
To promote the release of the album Jones appeared on:
- Dancing with the Stars – October 20, 2009
- Later with Jools Holland – November 3, 2009
- Late Show with David Letterman – November 11, 2009
- Good Morning America – November 16, 2009
- The Colbert Report – November 18, 2009
- The View – November 23, 2009
- France Inter live in Paris – December 7, 2009
- The Tonight Show with Conan O'Brien – December 15, 2009
- Jimmy Kimmel Live! – December 16, 2009
- A Prairie Home Companion – December 19, 2009
- Chelsea Lately – December 21, 2009
- 13 heures February 10, 2010
- Skavlan February 12, 2010
- Q TV April 2010
- The Ellen DeGeneres Show – April 23, 2010
- Good Morning America – June 11, 2010 (with Sarah McLachlan)[8]
- The Ellen DeGeneres Show – June 25, 2010
- The Tonight Show with Jay Leno – August 31, 2010
- The Late Late Show with Craig Ferguson – September 10, 2010
- Late Night with Jimmy Fallon" – October 26, 2010
Reception
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 73/100[9] |
Review scores | |
Source | Rating |
AllMusic | |
The A.V. Club | B[11] |
Chicago Tribune | |
Entertainment Weekly | B-[13] |
PopMatters | (5/10)[14] |
Robert Christgau | |
Rolling Stone | |
Slant | |
USA Today | |
The Washington Post | (mixed)[19] |
The Fall received generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has an average score of 73 out of 100, which indicates "generally favorable reviews" based on 22 reviews.[9]
Billboard gave the album a score of 83 out of 100 and stated that "Jones ditches the gentle piano-playing of her previous work and rises to a new level of creative boldness."[20] The New York Times gave it a favorable review and called it "the sonic and emotional expansion [Jones'] music needed, and it's tied to some of her most unguarded songs."[21] Uncut gave it four stars out of five and said that "The emotional imprint... moves beyond the pining, wistful tones that are [Jones'] trademark in favor of Sex And The City scenarios bursting with heartbreak, regret and emotional devastation."[22] Q also gave it four stars out of five and praised the album for its "copper-bottomed classics".[9] musicOMH likewise gave it four stars out of five and said, "Less predictable was her now clear desire to take risks and step off the all-too-well-forged path of safe, agreeable background music. Instead, on The Fall Norah Jones chooses to defy categorization."[23] Hot Press gave it a score of four out of five with the header: "Easy listening princess goes indie-goth."[24] The Boston Globe gave it a favorable review and stated that Jones "seems liberated from the expectations of what her music is supposed to sound like, and the album is flush with fresh production ideas and a varied sonic palette."[25]
Filter gave the album a score of 78% and stated that "unlike Not Too Late, Jones’ latest decision to ditch her keys for strings is a poor one. In a way, she has indeed found a different beat to groove to, and if anyone can play in a piano bar without a piano, it would certainly be Norah Jones."[26] Paste gave it a score of 7.6 out of 10 and stated that "Jones is clearly comfortable with where she’s arrived, and is ready to throw open the doors for a party."[27] Spin gave it a score of seven out of ten and said that the album "has been billed as Norah Jones' rock album. In fact, it's something even more surprising: a hot-blooded soul record from the queen of the even keel."[9][28]
Other reviews are average or mixed: The Austin Chronicle gave the album three stars out of five and said it "offers many new sides to Jones while remaining comfortably close to the jazz diva many adore."[29] Yahoo! Music UK gave it six stars out of ten and stated that "If the hardcore fanbase feel a blanch coming on, this isn't all wilful eclecticism gone mad. [Jacquire] King's work is The Fall's unifying factor that keeps it cohesive."[30] Mojo gave it three stars out of five and said that "The wrong kind of sonic adventure undermines about half the songs."[9] The Guardian also gave it three stars out of five and stated that "Jones's cashmere voice sounds more polite than ever, creating an overriding impression of a nice girl keeping dirty company."[31] Under the Radar gave it five stars out of ten and called it "intelligent, tasteful, and well-executed music. But it ain't rock 'n' roll, not even a little, and damn Jones for trying to pretend that it is."[9]
Track listing
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Chasing Pirates" | Norah Jones | 2:40 |
2. | "Even Though" | Norah Jones, Jesse Harris | 3:52 |
3. | "Light as a Feather" | Norah Jones, Ryan Adams | 3:52 |
4. | "Young Blood" | Norah Jones, Mike Martin | 3:38 |
5. | "I Wouldn't Need You" | Norah Jones | 3:30 |
6. | "Waiting" | Norah Jones | 3:31 |
7. | "It's Gonna Be" | Norah Jones | 3:11 |
8. | "You've Ruined Me" | Norah Jones | 2:45 |
9. | "Back to Manhattan" | Norah Jones | 4:09 |
10. | "Stuck" | Norah Jones, Will Sheff | 5:15 |
11. | "December" | Norah Jones | 3:05 |
12. | "Tell Yer Mama" | Norah Jones, Jessie Harris, Richard Julian | 3:25 |
13. | "Man of the Hour" | Norah Jones | 2:56 |
Total length: | 45:49 |
Bonus tracks
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "It's Gonna Be" | Jones | 3:25 |
2. | "Waiting" | Jones | 3:33 |
3. | "You've Ruined Me" | Jones | 2:56 |
4. | "Jesus, etc." (Wilco cover) | Jay Bennett, Jeff Tweedy | 3:46 |
5. | "Cry! Cry! Cry!" (Johnny Cash cover) | Johnny Cash | 3:15 |
6. | "Strangers" (The Kinks cover) | Dave Davies | 3:35 |
No. | Title | Length |
---|---|---|
14. | "Her Red Shoes" | 3:14 |
15. | "Can't Stop" | 4:02 |
No. | Title | Length |
---|---|---|
14. | "Can't Stop" | 4:02 |
Personnel
- Norah Jones – vocals, piano (2, 5, 6, 8, 9, 11, 13), Wurlitzer electric piano (1, 7), acoustic guitar (3, 4, 9), electric guitar (3–6, 8, 10, 12), tack piano (9), glockenspiel (6)
- John Kirby - synthesizer (1–3, 10 strings), tack piano (1), piano (2, 10), Casio (3)
- James Poyser - Wurlitzer electric piano (1), organ (8)
- Matt Stanfield - programming (1, 11), synthesizer (11)
- Zac Rae – synthesizer (3), Rhodes electric piano, vibraphone, marimba (4), organ (5, 9, 12), Marxophone (8), clavinet (12)
- Sam Cohen - electric guitar (1, 5, 9)
- Smokey Hormel - electric guitar (1)
- Peter Atanasoff - electric guitar (2, 7, 10)
- Sasha Dobson - acoustic guitar (3)
- Lyle Workman - acoustic guitar (4), electric guitar (12)
- Marc Ribot – electric guitar (8, 10), banjo (10)
- Jon Graboff – pedal steel guitar (9)
- Frank Swart – bass (1, 8)
- Dave Wilder – bass (2, 3, 10)
- Gus Seyffert – bass (4, 5, 9, 12)
- Catherine Popper – bass (6)
- Tony Scherr – bass (7)
- Marco Giovino - drums (1, 8)
- Robert Di Pietro - drums (1 additional, 6, 7)
- Pete McNeal - drums (2, 3, 10)
- Joey Waronker - drums (4, 12)
- James Gadson – drums (9)
- Will Sayles - percussion (2–4, 7)
- Mike Martin - backing vocals (4)
- On Live at The Living Room
- Norah Jones – vocals, piano (2, 3, 6), Wurlitzer electric piano (1), electric guitar (4, 5)
- Sasha Dobson - electric guitar (1–3), acoustic guitar (4–6), backing vocals
- Smokey Hormel - electric guitar
- Gus Seyffert – bass (exc. 6), acoustic guitar (6), backing vocals
- Greg Wieczorek - drums (exc. 5)
- Production
- Jacquire King - producer, recording, mixing
- Brad Bivens - additional recording
- Brian Thorn, Morgan Stratton - recording assistants
- Tom Schick - additional production (6, 9), additional engineer (3, 6, 9, 11), mixing (Live at The Living Room)
- Jon Stinson - mixing assistant
- Stephen Clemmer, Jimi Zhivago - recording engineer (Live at The Living Room)
- Steven Ha - live sound mix (Live at The Living Room)
- David Schoenwetter, Chris Allen - mixing assistants (Live at The Living Room)
- Greg Calbi - mastering
- Eli Wolf - A&R
- Zach Hochkeppel - product manager
- Autumn de Wilde - photography
- Gordon H. Jee - creative director
- Frank Harkins - art direction, design
Charts
Weekly charts
|
Year-end charts
|
Certifications
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA)[86] | Gold | 35,000^ |
Austria (IFPI Austria)[87] | Gold | 10,000* |
Belgium (BEA)[88] | Platinum | 30,000* |
Canada (Music Canada)[89] | Platinum | 80,000^ |
France (SNEP)[90] | Platinum | 156,000[91][92]* |
Germany (BVMI)[93] | Gold | 100,000^ |
Hungary (MAHASZ)[94] | Gold | 3,000^ |
Italy (FIMI)[95] | Gold | 30,000* |
Japan (RIAJ)[96] | Gold | 100,000^ |
New Zealand (RMNZ)[97] | Gold | 7,500^ |
Poland (ZPAV)[98] | Platinum | 20,000* |
United Kingdom (BPI)[99] | Gold | 100,000^ |
United States (RIAA)[100] | Platinum | 1,000,000^ |
*sales figures based on certification alone |
Release history
Country | Date | Label(s) | Format |
---|---|---|---|
Japan | November 11, 2009[101] | EMI | CD 180-gram vinyl Digital download |
Germany | November 13, 2009[102] | ||
The Netherlands | November 13, 2009[103] | ||
United Kingdom | November 16, 2009[104] | ||
France[105] | |||
United States | November 17, 2009[106] | Blue Note | |
Brazil | November 30, 2009[107] | EMI |
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