The End of the Road (1954 film)

The End of the Road is a 1954 British drama film directed by Wolf Rilla and starring Finlay Currie, Duncan Lamont and Naomi Chance.[1] It was made at Beaconsfield Studios.[2]

The End of the Road
Directed byWolf Rilla
Produced byAlfred Shaughnessy
Written byJames Forsyth
Geoffrey Orme
StarringFinlay Currie
Duncan Lamont
Naomi Chance
Music byJohn Addison
CinematographyArthur Grant
Edited byBernard Gribble
Production
company
Group Three Films
Distributed byBritish Lion Films
Release date
1954
Running time
76 minutes
CountryUnited Kingdom
LanguageEnglish

Plot

A veteran worker at the Jericho Works strongly resists when he has retirement forced upon him by his employers. He says he will retire when he is 90. All he has to show is a small clock as a retirement present which he places on the family mantelpiece.

Mic Mac lives with his son and his wife, and their young son Barnaby ("Barny").

Mic Mac takes a job as night watchman at the Jericho Works. Meanwhile his son is fired for being late to work. The works decide that only Mic Mac can resolve the troubles they are having in the electroplating section.

Mic Mac discovers it is drops of honey (from bees in the roof) which is ruining the process.

Cast
  • Finlay Currie as Mick MacAulay, Old 'Mick-Mack'
  • Duncan Lamont as Barney his son
  • Naomi Chance as Molly his son's wife
  • Edward Chapman as Works Manager
  • Hilda Fenemore as Madge the pub landlady
  • George Merritt as Timekeeper
  • Gordon Whiting as Young Kennie
  • David Hannaford as Wee Barny
  • Eugene Leahy as Old Worker
  • Edie Martin as Gloomy Gertie
  • Pauline Winter as Personnel Manager
  • Michael Bird as Builder
  • Anthony Kilshawe as Manager
  • Kenneth Henry as Labour Exchange Clerk
  • Herbert C. Walton as First Old Man
  • Claude Bonser as Second Old Man
  • Sam Kydd as First Postal Clerk
  • Hugh Munro as Second Postal Clerk
  • Bert Simms as Crane Driver
  • John Baker as Foreman
  • Ewen Solon as Policeman
  • Edward Malin as Nightwatchman

Critical reception

The film historians Steve Chibnall and Brian McFarlane note that The End of the Road was "rightly praised" at the time of its release by Kinematograph Weekly as "provocative and purposeful entertainment", and they add that it is "characterised by a real feeling for cramped working-class life and for the gap left when suddenly one is no longer required to be anywhere on a regular basis".[1]

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References
  1. Chibnall & McFarlane p.249
  2. "The End of the Road (1954)". BFI.

Bibliography
  • Chibnall, Steve & McFarlane, Brian. The British 'B' Film. Palgrave Macmillan, 2009.
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