The Devil in a Convent

The Devil in a Convent (French: Le Diable au couvent), released in the UK as "The Sign of the Cross", or the Devil in a Convent, is an 1899 French short silent film directed by Georges Méliès.

The Devil in a Convent
Directed byGeorges Méliès
StarringGeorges Méliès
Production
company
Release date
1899
Running time
60 meters[1]
CountryFrance
LanguageSilent

Themes

According to some film critics, The Devil in a Convent parodies monastic life, suggesting a satirical view of the Catholic Church. Méliès almost certainly agreed with the anti-ecclesiastic emotions prevalent during the Dreyfus affair in 1898 and 1899; Méliès supported Alfred Dreyfus's case, while the Church opposed it.[2] Méliès made another religious satire, The Temptation of Saint Anthony, in the same year,[2] as well as his strongly pro-Dreyfus film series The Dreyfus Affair.[3]

Production

The film may have been inspired in part by the phantasmagoria productions of the French magician Étienne-Gaspard Robert, known by the stage name "Robertson".[4] Méliès himself plays the Devil in the film.[5] The Devil in a Convent was likely the first Méliès film to take advantage of dissolves as a transition effect.[6]

Release

The Devil in a Convent was released by Méliès's Star Film Company and is numbered 185–187 in its catalogues, which also specified the film's three scenes (1. Les nonnes, le sermon. 2. Les démons, le sabbat. 3. Le clergé, l'exorcisme).[1]

In 2010, the Cinémathèque Basque received a donation of a box of 35mm films, recovered by a private individual in 1995 from a garbage bin in Bilbao. The box was found to contain 32 films, including hand-colored prints of The Devil in a Convent and another 1899 Méliès film, The Mysterious Knight. Previously, these two films had only been available in black-and-white copies.[7] The hand-colored print of The Devil in a Convent was judged to be in too advanced a state of decomposition to be restored completely; however, the third scene of the film was in good enough condition to be restored. Both films were entrusted to the Filmoteca de Catalunya for restoration, under the supervision of two Méliès scholars, Roland Cosandey and Jacques Malthête.[7]

gollark: Why not just not shave?
gollark: The initial conditions of the universe, I should think.
gollark: (11 minute margin of error)
gollark: Thanks! You're right.
gollark: I'm sure this won't* cause horrible lifetime horrors.

References
  1. Malthête, Jacques; Mannoni, Laurent (2008), L'oeuvre de Georges Méliès, Paris: Éditions de La Martinière, p. 339, ISBN 9782732437323
  2. Frazer, John (1979), Artificially Arranged Scenes: The Films of Georges Méliès, Boston: G. K. Hall & Co., pp. 71–2, ISBN 0-8161-8368-6
  3. Ezra, Elizabeth (2000), Georges Méliès, Manchester: Manchester University Press, ISBN 0-7190-5395-1
  4. Jones, David J. (2011), Gothic Machine: Textualities, Pre-Cinematic Media and Film in Popular Visual Culture, 1670–1910, Cardiff: University of Wales Press, p. 151
  5. Malthête & Mannoni 2008, p. 95
  6. Frazer 1979, p. 85
  7. Quévrain, Anne-Marie (October 2014), "Deux films en couleurs de Georges Méliès retrouvés en Espagne!" (PDF), Cinémathèque Méliès: Lettre d'information (40): 5


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