Faust and Marguerite (1904 film)

Damnation du docteur Faust, released in the United States as Faust and Marguerite and in the United Kingdom as Faust, is a 1904 French silent film directed by Georges Méliès.

Faust and Marguerite
Directed byGeorges Méliès
Produced byGeorges Méliès
Based onFaust
by Charles Gounod
StarringGeorges Méliès
Music by
Production
company
Release date
1904
CountryFrance
LanguageSilent

Production

The film is a fifteen-minute condensation of Faust, an 1859 opera by Charles Gounod based on the Faust legend.[1] The previous year, Méliès had used a different musical version of the legend, Hector Berlioz's La damnation de Faust, as inspiration for his film The Damnation of Faust.[2]

Méliès took the role of Mephistopheles.[2] Jeanne Calvière played Siebel;[1] she had been a stablewoman at the Cirque d'Hiver until 1900, when Méliès hired her to play Joan of Arc in his film of the same name. She remained among his core troupe of actors for several years after her debut as Joan.[3]

Special effects in the film were created with stage machinery, pyrotechnics, substitution splices, superimpositions, and dissolves.[2]

Release

The film was released by Méliès's Star Film Company and is numbered 562-574 in its catalogues.[1] The film was advertised in France as a pièce fantastique à grand spectacle en 20 tableaux (d'après le roman de Goethe), and in America as "A New and Magnificent Cinematographic Opera in 20 Motion Tableaux."[1]

A piano score of selections from the opera was sold with the film. According to recollections made in 1944 by Paul Méliès, Georges Méliès's nephew, it was his father Gaston Méliès who compiled the score, which "followed the scenes exactly". The score had to be photographed in manuscript for reproduction, because having it engraved using printing plates would have been too expensive. One of these photographically reproduced scores survives at the Centre national de la cinématographie.[1]

A copy of the film, apparently missing some scenes, survives in the Paper Prints collection at the Library of Congress. A short fragment of a hand-colored print of the film, featuring the fifteenth and sixteenth tableaux (Walpurgis Night and the Ballet of Celebrated Women) survives in an English private collection.[2]

gollark: Except the 23rd century. Take it from me, you do NOT want to be in that.
gollark: You know what they say, 20th century bad.
gollark: Except potatOS.
gollark: So are you.
gollark: <@623743560650588202> thus solar bad.

References
  1. Malthête, Jacques; Mannoni, Laurent (2008), L'oeuvre de Georges Méliès, Paris: Éditions de La Martinière, p. 164, ISBN 9782732437323
  2. Essai de reconstitution du catalogue français de la Star-Film; suivi d'une analyse catalographique des films de Georges Méliès recensés en France, Bois d'Arcy: Service des archives du film du Centre national de la cinématographie, 1981, pp. 188–192, ISBN 2903053073, OCLC 10506429
  3. Wemaere, Séverine; Duval, Gilles (2011), La couleur retrouvée du Voyage dans la Lune (PDF), Groupama Gan Foundation for Cinema and Technicolor Foundation for Cinema Heritage, p. 165, archived from the original (PDF) on 11 November 2011, retrieved 19 December 2014
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