The Confession of Isobel Gowdie

The Confession of Isobel Gowdie is a work for large symphony orchestra by the Scottish composer James MacMillan.

It is, according to the composer, a Requiem for one Isobel Gowdie, supposedly burnt as a witch in post-Reformation Scotland. Despite the work's depiction of the violent torture and execution of Gowdie, it is actually thought that no torture took place prior to her confession; although it is likely she was executed in 1662 no records exist to confirm it.[1]

It was written in 1990 and premiered at that year's Proms concerts in London. It was an instant success, receiving, according to the critic Stephen Johnson, "an ovation the like of which had rarely been seen at a British premiere since the death of Benjamin Britten".[2]

The work falls into three major sections: an opening, elegiac string section, followed by a violent middle part (according to Johnson, redolent of "trial, torture or mass hysteria"[2]) followed by a return to the more subdued atmosphere of the opening for strings, but this time punctuated by violent outbursts from the full orchestra. It resolves on one note, in a massive crescendo to fffff which bears the hallmark of a similar motif in Alban Berg's Wozzeck.

The work was premiered by the BBC Scottish Symphony Orchestra, under Jerzy Maksymiuk, who later recorded it. It has been performed and recorded many times since, including repeat performances by the BBC SSO, and the RSAMD Symphony Orchestra in the composer's 50th birthday celebrations.

Instrumentation

The Confession of Isobel Gowdie is scored for the following orchestra:[3]

8 Woodwinds

  • 2 Flutes (2nd doubling Piccolo)
  • 2 Oboes (2nd doubling Cor Anglais)
  • 2 Clarinets in B♭ (2nd doubling Bass Clarinet)
  • 2 Bassoons (2nd doubling Contrabassoon)

11 Brass

  • 4 Horns in F
  • 3 Trumpets in C
  • 2 Trombones
  • Bass Trombone
  • Tuba

Timpani

2 Percussion

  1. 2 Congas (high, low), 2 Timbales (high, low), Xylophone, 3 Tam-tams (small, medium, large), Anvil, Tubular bells
  2. Snare drum, 2 Congas (high, low), Vibraphone, Bass drum, very large tam-tam
  • (The 2 players are to be as far apart as possible to enhance the antiphonal effects.)

Strings


gollark: We might end up seeing Chinese (don't think Chinese is an actual language - Mandarin or whatever) with English technical terms mixed in.
gollark: Yes, because they have been (are? not sure) lagging behind with modern technological things, and so need(ed?) to use English-programmed English-documented things.
gollark: Which means piles of technical docs are in English, *programs* are in English, people working on technological things are using English a lot...It probably helps a bit that English is easy to type and ASCII text can be handled by basically any system around.
gollark: I don't think it was decided on for any sort of sane reason. English-speaking countries just dominated in technology.
gollark: It's probably quite a significant factor in pushing English adoption.

References
  1. Callow, John (2007), "Gowdie, Isobel (fl. 1662)", Oxford Dictionary of National Biography (online ed.), Oxford University Press, retrieved 18 March 2017 (subscription or UK public library membership required)
  2. Johnson, Stephen. Liner notes for BIS recording of The Confession of Isobel Gowdie, 2002
  3. http://www.boosey.com/pages/cr/perusals/score.asp?id=1376
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