Terence Rattigan

Sir Terence Mervyn Rattigan CBE (10 June 1911 – 30 November 1977) was a British dramatist. He was one of England's most popular mid 20th century dramatists. His plays are typically set in an upper-middle-class background.[1] He wrote The Winslow Boy (1946), The Browning Version (1948), The Deep Blue Sea (1952) and Separate Tables (1954), among many others.

Sir Terence Rattigan

CBE
Portrait of Rattigan by Allan Warren
Born
Terence Mervyn Rattigan

(1911-06-10)10 June 1911
South Kensington, London, England
Died30 November 1977(1977-11-30) (aged 66)
Hamilton, Bermuda
OccupationPlaywright

A troubled homosexual who saw himself as an outsider, Rattigan wrote a number of plays which centred on issues of sexual frustration, failed relationships, or a world of repression and reticence.[2]

Early life

Terence Rattigan was born in 1911 in South Kensington,[3] London, of Irish Protestant extraction.[4] He had an elder brother, Brian. They were the grandsons of Sir William Henry Rattigan, a notable India-based jurist, and later a Liberal Unionist Member of Parliament for North-East Lanarkshire. His father was Frank Rattigan CMG, a diplomat whose exploits included an affair with Princess Elisabeth of Romania (future consort of King George II of Greece) which resulted in her having an abortion.[1] The Royal House of Romania is considered to be the inspiration of Rattigan's play The Sleeping Prince.[5]

Rattigan's birth certificate and his birth announcement in The Times indicate he was born on 9 June 1911. However, most reference books state that he was born the following day; Rattigan himself never publicly disputed this date. There is evidence suggesting that the date on the birth certificate is incorrect.[3] He was given no middle name, but he adopted the middle name "Mervyn" in early adulthood.

Education

Rattigan was educated at Sandroyd School[6] from 1920 to 1925, at the time based in Cobham, Surrey (and now the home of Reed's School), and Harrow School. Rattigan played cricket for the Harrow First XI and scored 29 in the Eton–Harrow match in 1929.[7] He was a member of the Harrow School Officer Training Corps and organised a mutiny, informing the Daily Express. Even more annoying to his headmaster, Cyril Norwood, was the telegram from the Eton OTC, "offering to march to his assistance".[8] He then went to Trinity College, Oxford.

Life and career

Success as a playwright came early, with the comedy French Without Tears in 1936, set in a crammer. This was inspired by a 1933 visit to a village called Marxzell in the Black Forest, where young English gentlemen went to learn German; his time briefly overlapped with his Harrow classmate Jock Colville.[8]

Rattigan's determination to write a more serious play produced After the Dance (1939), a satirical social drama about the "bright young things" and their failure to politically engage. The outbreak of the Second World War scuppered any chances of a long run. Shortly before the war, Rattigan had written (together with Anthony Goldsmith) a satire about Nazi Germany, Follow My Leader; the Lord Chamberlain refused to license it on grounds of offence to a foreign country, but it was performed from January 1940.[9]

During the war, Rattigan served in the Royal Air Force as a tail gunner; his experiences helped inspire Flare Path and he was released from the service to help rewrite it as a film screenplay (which eventually appeared as The Way to the Stars in 1945). He was a friend of Spike Milligan's junior officer, Lieutenant Tony Goldsmith, who was killed in the Battle of Longstop Hill, whilst on observation post duty. Rattigan wrote an obituary of his friend and sent it to The Times. A copy of it is in "Rommel?" "Gunner Who?", one volume of Milligan's war memoirs. After the war, Rattigan alternated between comedies and dramas, establishing himself as a major playwright: the most famous of which were The Winslow Boy (1946), The Browning Version (1948), The Deep Blue Sea (1952), and Separate Tables (1954).

He believed in understated emotions and craftsmanship, which was deemed old fashioned and "pre-war" after the overnight success in 1956 of John Osborne's Look Back in Anger began the era of kitchen sink dramas by the writers known as the Angry Young Men. Rattigan responded to this critical disfavour with some bitterness. His plays Ross, Man and Boy, In Praise of Love, and Cause Célèbre, however show no sign of any decline in his talent. Rattigan explained that he wrote his plays to please a symbolic playgoer, "Aunt Edna", someone from the well-off middle-class who had conventional tastes; his critics frequently used this character as the basis for belittling him.[10] "Aunt Edna" inspired Joe Orton to create "Edna Welthorpe", a mischievous alter ego stirring up controversy about his own plays.[11]

Rattigan was gay,[12] with numerous lovers but no long-term partners, a possible exception being his "congenial companion ... and occasional friend" Michael Franklin.[13]

It has been claimed his work is essentially autobiographical, containing coded references to his sexuality, which he kept secret from all but his closest friends. There is some truth in this, but it risks being crudely reductive; for example, the repeated claim that Rattigan originally wrote The Deep Blue Sea as a play about male lovers, turned at the last minute into a heterosexual play, is unfounded,[14] though Rattigan said otherwise.[15] On the other hand, for the Broadway staging of Separate Tables, he wrote an alternative version of the newspaper article in which Major Pollock's indiscretions are revealed to his fellow hotel guests; in this version, those whom the Major approached for sex were men rather than young women. However, Rattigan changed his mind about staging it, and the original version proceeded.[16][17]

Rattigan was fascinated with the life and character of T. E. Lawrence. In 1960 he wrote a play called Ross, based on Lawrence's exploits. Preparations were made to film it, and Dirk Bogarde accepted the role. However, it did not proceed because the Rank Organisation withdrew its support, not wishing to offend David Lean and Sam Spiegel, who had started to film Lawrence of Arabia. Bogarde called Rank's decision "my bitterest disappointment". Also in 1960, a musical version of French Without Tears was staged as Joie de Vivre, with music by Robert Stolz of White Horse Inn fame. It starred Donald Sinden, lasted only four performances, and has never been revived. Rattigan was diagnosed as having leukaemia in 1962 and recovered two years later, but fell ill again in 1968. He disliked the so-called Swinging London of the 1960s and moved abroad, living in Bermuda, where he lived off the proceeds from lucrative screenplays including The V.I.P.s and The Yellow Rolls-Royce. For a time he was the highest-paid screenwriter in the world.[18]

In 1964 Rattigan wrote to the playwright Joe Orton congratulating him on the outrageous comedy Entertaining Mr Sloane, to which Rattigan had escorted Vivien Leigh in its first week. He invested £3,000 in getting the play transferred to the West End. Although an unlikely champion of the risqué Orton, Rattigan recognised the younger man's talent and approved of what he considered a very well written piece of theatre. He also acknowledged in retrospect that, "in a way, I was not Orton's best sponsor. I'm a very unfashionable figure still, and I was then wildly unfashionable critically. My sponsorship rather put critics off, I think."[19]

Rattigan was knighted in the Queen's Birthday Honours of June 1971 for services to the theatre, being only the fourth playwright to be knighted in the 20th century (after Sir W. S. Gilbert in 1907, Sir Arthur Wing Pinero in 1909 and Sir Noël Coward in 1970).[20] He had previously been appointed Commander of the Order of the British Empire (CBE), in June 1958. He moved back to Britain, where he experienced a minor revival in his reputation before his death.[21]

Death

Rattigan died in Hamilton, Bermuda, from bone cancer in 1977, aged 66. His cremated remains were deposited in the family vault at Kensal Green Cemetery.[22]

Legacy

In 1990 the British Library acquired Rattigan's papers consisting of 300 volumes of correspondence and papers relating to his prose and dramatic works.[23]

There was a revival of The Deep Blue Sea in 1993, at the Almeida Theatre, London, directed by Karel Reisz and starring Penelope Wilton. A string of successful revivals followed, including The Winslow Boy at the Chichester Festival Theatre in 2001 (with David Rintoul, and subsequently on tour in 2002 with Edward Fox), Man and Boy at the Duchess Theatre, London, in 2005, with David Suchet as Gregor Antonescu, and In Praise of Love at Chichester, and Separate Tables at the Royal Exchange, Manchester, in 2006. His play on the last days of Lord Nelson, A Bequest to the Nation, was revived on Radio 3 for Trafalgar 200, starring Janet McTeer as Lady Hamilton, Kenneth Branagh as Nelson, and Amanda Root as Lady Nelson.

Thea Sharrock directed his rarely seen After the Dance in the summer of 2010 at London's Royal National Theatre. She directed a major new production of Rattigan's final and also rarely seen play Cause Célèbre at The Old Vic in March 2011 as part of The Terence Rattigan Centenary[24] year celebrations. As well as this, Trevor Nunn marked the occasion with a West End revival of Flare Path at the Theatre Royal, Haymarket, between March and June 2011, starring Sienna Miller, James Purefoy and Sheridan Smith.[25]

In 2011, the BBC presented The Rattigan Enigma by Benedict Cumberbatch,[26] a documentary on Rattigan's life and career presented by actor Benedict Cumberbatch, who, like Rattigan, attended Harrow.

A new screen version of The Deep Blue Sea, directed by Terence Davies, was released in 2011, starring Rachel Weisz and Tom Hiddleston.[27]

Stage plays

Television plays

Radio plays

Many of Rattigan's stage plays have been produced for radio by the BBC. The first play he wrote directly for radio was Cause Célèbre, broadcast on BBC Radio 4 on 27 October 1975, based on the 1935 murder of Francis Rattenbury.

Film

Filmed plays

A number of Rattigan's plays have been filmed (he was the screenwriter or co-writer for all those made in his lifetime):

Original screenplays

Terence Rattigan also wrote or co-wrote the following original screenplays:

Other screenwriting

Rattigan wrote or co-wrote the following screenplays from existing material by other writers:

gollark: It's documented.
gollark: What lasagna?
gollark: You mean the copyright directive thing or something else?
gollark: For national security reasons.
gollark: That's normal, ROM is camouflaged.

References
  1. Geoffrey Wansell. Terence Rattigan (London: Fourth Estate, 1995). ISBN 978-1-85702-201-8
  2. The Rattigan Enigma, by Benedict Cumberbatch, BBC TV the Rattigan enigma
  3. Wansell, p. 13.
  4. Sir Terence Rattigan profile Pollard, Wendy. The Literary Encyclopedia. 24 May 2005. Retrieved 11 March 2009.
  5. http://www.natura2000oltenita-chiciu.ro/wp-content/uploads/2019/02/Vladimir-Toncea-Carpathia-from-fictional-country-to-nature-conservation.pdf
  6. "Sandroyd School's list of Distinguished Alumni". Archived from the original on 28 October 2010.
  7. "The Home of CricketArchive". cricketarchive.com.
  8. John Colville, Footprints in Time, 1976. Chapter 8, Two Faces.
  9. "A Topical Comedy", The Times, 15 January 1940, p. 4.
  10. "Sir Terence Rattigan", The Times, 1 December 1977, p. 16.
  11. "Letters of Edna Welthorpe- alter ego of writer Joe Orton".
  12. Sinfield, Alan (1999). Out on Stage: Lesbian and Gay Theatre in the Twentieth Century. Yale University Press. p. 159. ISBN 0-300-08102-2.
  13. Darlow, Michael: Terence Rattigan—The Man and His Work, London: Quartet Books, 2010, p. 440.
  14. B.A. Young mentions a "Kenneth Morgan version" of the play that was supposedly shown to Rattigan collaborator Alvin Rakoff in 1962 and that has since disappeared (Young, B.A.: The Rattigan Version, London: Hamish Hamilton, 1986, p. 110). Darlow also speculates on the possible existence of such a draft (Darlow, Michael: Terence Rattigan — The Man and His Work, London: Quartet Books, 2010, p. 440).
  15. Rattigan's letter to John Osborne, 1968 cited in John Osborne Looking Back, London: Faber, 1999, p. 286 (originally published in Almost a Gentleman, Faber, 1991).
  16. Cavendish, Dominic (9 April 2006). "On the road: Separate Tables, Love's Labour's Lost, The School for Scandal" – via www.telegraph.co.uk.
  17. "London Premiere for Gay Version of Rattigan's Separate Tables - Playbill". Playbill.
  18. Thorpe, Vanessa (20 August 2011). "Film of The Deep Blue Sea returns playwright Terence Rattigan to the spotlight" – via www.theguardian.com.
  19. Lahr, John (1978)Prick Up Your Ears; The Biography of Joe Orton. New York: Knopf.
  20. Wansell, p. 364.
  21. "BFI Screenonline: Rattigan, Terence (1911-1977) Biography". www.screenonline.org.uk.
  22. Wilson, Scott. Resting Places: The Burial Sites of More Than 14,000 Famous Persons, 3d ed.: 2 (Kindle Locations 38781-38782). McFarland & Company, Inc., Publishers. Kindle Edition.
  23. Rattigan Papers, archives and manuscripts catalogue, the British Library. Retrieved 26 May 2020
  24. "terencerattigan". terencerattigan.
  25. "Trevor Nunn Season 2011 – 2012". Theatre Royal Haymarket.
  26. "The Rattigan Enigma by Benedict Cumberbatch". BBC Programmes. BBC. July 2011. Retrieved 6 October 2011.
  27. "The Deep Blue Sea: In Cinemas Now". Film4. Retrieved 27 November 2011.

Further reading
  • Hill, Holly: A Critical Analysis of the Plays of Terence Rattigan; doctoral dissertation, New York University, 1977;
  • Darlow, Michael; Hobson, Gillian: Terence Rattigan – The Man & His Work; London: Quartet Books, 1979 (2010);
  • Rusinko, Susan: Terence Rattigan; Boston: Twayne, 1983;
  • Young, B. A.: The Rattigan Version – The Theatre of Character; London: Hamish Hamilton, 1986;
  • Wansell, Geoffrey: Terence Rattigan – A Biography; London: Fourth Estate Limited, 1995 (2009);
  • Bertolini, John A.: The Case for Terence Rattigan, Playwright; Palgrave Macmillan, 2016.

Other works including discussions on Rattigan's theatre:

  • O’Connor, Sean: Straight Acting – Popular Gay Drama from Wilde to Rattigan, London: Cassell, 1998;
  • Shellard, Dominic: British Theatre Since the War, New Haven/London: Yale University Press, 1999;
  • Innes, Christopher: Modern British Drama 1890–1990, 2nd Edition, Cambridge: Cambridge University Press, Cambridge, 2002/2009;
  • Billington, Michael: The State of the Nation, London: Faber, 2008
  • Rebellato, Dan: 1956 and All That – The Making of Modern British Drama, London: Routledge, 1999/2006.
    • See also Dan Rebellato's extensive Introductions to the more recent Nick Hern Books Editions of Rattigan's major plays.

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