Tender Loving Care (album)
Tender Loving Care is a 1966 album by Nancy Wilson, arranged by Billy May. Jason Ankeny of AllMusic wrote: "Wilson is at her best here, taking full command of the familiar songs and re-animating them with vocals that are bold, sophisticated, and daringly adult."[3]
| Tender Loving Care | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | July 1966 | |||
| Recorded | January 24–26, 1966[1] | |||
| Venue | Los Angeles | |||
| Studio | Capitol Studios | |||
| Genre | Vocal jazz | |||
| Label | Capitol | |||
| Producer | David Cavanaugh | |||
| Nancy Wilson chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   |
Track listing
Side 1
- "Don't Go to Strangers" (Arthur Kent, David Mann, Redd Evans)
- "Gee, Baby, Ain't I Good to You" (Don Redman, Andy Razaf)
- "Your Name Is Love" (Gene de Paul, Charles Rinker)
- "Too Late Now" (Burton Lane, Alan Jay Lerner)
- "Like Someone in Love" (Jimmy Van Heusen, Johnny Burke)
- "Tender Loving Care" (Johnny Mercer, Ronnell Bright)
Side 2
- "As You Desire Me" (Allie Wrubel)
- "I Want To Talk About You" (Billy Eckstine)
- "Love-Wise" (Marvin Fisher, Kenward Elmslie)
- "Try A Little Tenderness" (Harry M. Woods, Jimmy Campbell, Reg Connelly)
- "Close Your Eyes" (Bernice Petkere)
Personnel
Performance
- Nancy Wilson – vocals
- Ronnell Bright[4] – piano
- John Collins – guitar
- Buster Williams – double bass
- Shelly Manne – drums
- Catherine Gotthoffer – harp (1,4,10-11)
- Verlye Mills – harp (3,6-7,9)
- Uan Rasey – trumpet (2,5,8)
- Al Porcino – trumpet (2,5,8)
- Joseph Graves – trumpet (2,5,8)
- James Salko – trumpet (2,5,8)
- Lew McCreary – trombone (2,5,8)
- Richard Noel – trombone (2,5,8)
- Tommy Pederson – trombone (2,5,8)
- William Schaefer – trombone (2,5,8)
- Vincent DeRosa – French horn (2,5,8)
- Arthur Frantz – French horn (2,5,8)
- Richard Perissi – French horn (2,5,8)
- James Decker – French horn (2,5,8)
- Red Callender – tuba (2,5,8)
From The Music of Billy May: A Discography (Greenwood Press, 1998).[1]
gollark: Presumably the idea is to just remove/backdoor the encryption stuff which is easily used and accessible to consumers (encrypted messaging, full disk encryption on phones), which is not going to stop anyone who is doing evilness but will definitely allow widespread surveillance on most people.
gollark: They obviously can't actually stop people from using encryption in general. Encryption is very widely distributed maths and code. Even if all the code ceased to exist you could reconstruct working stuff from even just the Wikipedia pages.
gollark: And the many times the UK and other places have insisted that end to end encryption is bad because something something terrorism think of the children everything will be awful if we can't spy on all messages ever.
gollark: There was that fun time when the UK Home Secretary talked about "getting people who understand the necessary hashtags" talking when yet again demanding an impossible magic backdoor.
gollark: I was going to write a blog post on my highly active™ website about this but it turns out that writing is hard and other people did it better.
References
- Mirtle, Jack (1998). The Music of Billy May: A Discography. Westport, CT: Greenwood Press. pp. 258–260. ISBN 0313307393.
- Allmusic review
- Tender Loving Care at AllMusic
- "JazzWax Interview: Ronnell Bright". JazzWax. 2008-04-21.
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