Temptation (1946 film)

Temptation is a 1946 American film noir thriller film directed by Irving Pichel and starring Merle Oberon, George Brent, Charles Korvin and Paul Lukas. The film was based on Robert Smythe Hichens's 1909 novel Bella Donna.[2]

Temptation
Theatrical release poster
Directed byIrving Pichel
Produced byEdward Small
Screenplay byRobert Thoeren
Based onNovel: Bella Donna
by Robert Smythe Hichens
Play: Bella Donna
by James B. Fagan
StarringMerle Oberon
George Brent
Charles Korvin
Paul Lukas
Music byDaniele Amfitheatrof
CinematographyLucien Ballard
Edited byErnest J. Nims
Production
company
Distributed byUniversal Pictures
Release date
  • December 2, 1946 (1946-12-02) (United States)
Running time
99 minutes
CountryUnited States
LanguageEnglish
Budget$1.6 million[1]

The 1923 film Bella Donna, starring Pola Negri, which was directed by George Fitzmaurice[3] is also based on that novel. Other versions were filmed in 1915 and 1934.

Plot

Victorian melodrama, set in Egypt, where a down-on-her-luck courtesan (Oberon) snares a loving but naive Egyptologist (Brent), marries him and moves to Egypt. She quickly becomes bored and embarks on an affair with Mamhoud Baroudi (Korvin). She falls in love with him, and together, they plot to do away with her husband.

Cast

Production

The film was the first producer Edward Small had made away from United Artists for a number of years.[4] He bought the rights to the novel in 1941 intending to make it as a vehicle for Ilona Massey who had just made International Lady for him.[5][6] He intended to make the film for United Artists but other projects took priority. Over a five-year period there were several near-starts and postponements; he almost managed to begin production in February 1946 but there was not enough studio space. Small's deal with United Artists expired so the film became the first shot at Universal by International under the new United World Pictures arrangement.[1]

Reception

Film critic Bosley Crowther panned the film when it was released, writing "True enough, Miss Oberon looks lovely, Mr. Korvin behaves with bold sang-froid and George Brent is sufficiently unimpressive to seem a husband that a dame would double-cross. Paul Lucas, Arnold Moss and Lenore Ulric also act as though they thought they had a script. But the whole thing is as claptrap in its nature as it was when Pola Negri played it back in 1923."[7]

Variety magazine panned the screenplay, writing "Production is well-stacked with solid values in every department except for the screenplay, which falls short in its attempt to stretch an unsubstantial story line over so long a running time."[8]

gollark: People who want them having children GOOD. People who do not want them having children BAD.
gollark: no.
gollark: > By using potatOS, agreeing to be bound by these terms, misusing potatOS, installing potatOS, reading about potatOS, knowing about these terms, knowing anyone who is bound by these terms, disusing potatOS, reading these terms, or thinking of anything related to these terms, you agree to be bound by these terms both until the last stars in the universe burn out and the last black holes evaporate and retroactively, arbitrarily far into the past.
gollark: So I don't want to actually have to manage one or several.
gollark: I mean, the majority of what children do seems to be annoying.

References
  1. Meets Girl By FRED STANLEY (May 5, 1946). "THE HOLLYWOOD WIRE: In the Clear MORE HOLLYWOOD ITEMS". New York Times. p. X1.
  2. Temptation on IMDb.
  3. Bella Donna on IMDb
  4. "MICHAEL TODD SET TO FILM 'GREAT SON': Ferber Novel Will Be His First Universal Picture--Hellinger Acquires 'Criss-Cross' "Variety Girl" Planned". New York Times. June 4, 1946. p. 33.
  5. "The THEATRE: Entertainment NotesZwork=Wall Street Journal". July 3, 1941. p. 13.
  6. DOUGLAS W. CHURCHILL (July 1, 1941). "SCREEN NEWS HERE AND IN HOLLYWOOD: Monty Woolley to Repeat His Role in 'The Man Who Came to Dinner' for Warners PICTURE TO BE HELD OVER ' Blossoms in the Dust' to Run Second Week at Music Hall -- French Films Revived". New York Times. p. 27.
  7. Crowther, Bosley. The New York Times, film review, December 25, 1946. Last accessed: February 25, 2011.
  8. Variety, film review, December 2, 1946. Last accessed: February 25, 2011.
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