Telecine (copying)

The term telecine refers both to a film-to-tape transferring machine, as well as the process by which film is transferred to tape (or directly to a digital file).[1] The telecine process is frequently used by filmmakers to transfer production footage to video, which can then be captured by various non-linear digital editing systems (e.g., Final Cut Pro, Avid, etc.).

This article is about the method of movie copying. For information on the device, see Telecine.

Piracy

The term may also refer to a form of copying of movies (normally without authorization from the copyright holder) created using a telecine machine, as opposed to recording the projected image with a video camera (the camera method with a direct audio source is called a telesync). Since this process requires both access to a print of the movie on film and expensive equipment, telecine bootlegs are less common than camera bootlegs.[2][3]

The term is also often seen used as in the naming of bootleg movie releases.[4] A naming scheme would look something like this: Movie.title.year-of-production.TELECINE.Codec-Groupname. Alternatively some groups simply use the TC tag instead.[5] The quality of a good telecine is generally comparable to a DVD without any post-processing.[2] This has motivated movie studios to develop countermeasures, such as Coded Anti-Piracy (CAP) to track the source of telecine copies in the hope of identifying the person responsible for the copy.

gollark: To avoid having to actually jump?
gollark: I want to know whether it's worth doing so!
gollark: Yes.
gollark: Idea: asm.js-like thing where the interpreter can detect what your compiler output is *meant* to do and run it in an optimised way.
gollark: But obviously we need <@292212176494657536> 2 to be capable of allowing complex parsing of arbitrary conversations and integrating other data like activity?

References
  1. "AfterDawn.com Glossary - Telecine".
  2. Christopher George. "What are the different types of Piracy?". Archived from the original on 2012-03-01.
  3. Craig, Paul; Honick, Ron (April 2005). "Chapter 8: The Piracy Scene". In Burnett, Mark (ed.). Software Piracy Exposed - Secrets from the Dark Side Revealed. United States of America: Syngress Publishing. pp. 165–166. doi:10.1016/B978-193226698-6/50033-7. ISBN 1-932266-98-4. Lay summary. A telecine is the result of capturing each frame of footage directly from the film reel. This is achieved by projecting each frame of the film onto a charge coupled device (CCD). CCDs capture and record the projected video, giving Telecines a substantial increase in picture quality over both telesync and CAM. Although telecines are essentially an analog film capture, the film quality is close to that of a DVD. If a pirate has the technology and the time to produce a telecine, chances are it will pass as a DVD copy on the black market. Telecine audio comes directly from the mixing desk, which makes the telecine version of a film hard to distinguish from the real DVD. However, creating a telecine can take days of work. CCDs operate slowly, and a standard movie will take six to seven hours to capture. After capturing the video, the sound must be included and synced with each frame of video. Because they must be re-mastered, cleaned up, and packed, the full process of creating a telecine can take three to four days.
  4. "VCDQuality: Terms". Archived from the original on March 4, 2010. Lists recent video releases in the warez scene.
  5. "OlryDB.com". Archived from the original on March 2, 2012. Predb showing the usage of the TC tag in the scene.


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