Surfer (advertisement)

Surfer is a integrated advertising campaign launched in 1999 by Diageo to promote Guinness-brand draught stout in the United Kingdom. The cornerstone of the campaign is a television commercial, originally 60 seconds long, which centred on a Polynesian surfer successfully taking on a gigantic wave. Shot in Hawaii over a nine-day period and directed by Jonathan Glazer, the piece went on to win more awards than any other commercial in 1999 (Clio Awards,[2] D&AD Awards, Cannes Lions), and in 2002 was voted the "Best ad of all time" in a poll conducted by Channel 4 and The Sunday Times.[3]

Surfer
This shot shows the distinctive black and white stock and the metaphor of "white horses" illustrating the power of the wave.
AgencyAbbott Mead Vickers BBDO, London
ClientDiageo
LanguageEnglish
Running time60 seconds
Product
Release date(s)17 March 1999 (television)
Directed byJonathan Glazer
Music by"Phat Planet" by Leftfield
Starring
Production
company		Academy Commercials, London
Produced byNick Morris
Yvonne Chalkley (agency producer)
Country United Kingdom
Budget£6 million (campaign)
Preceded bySwimblack
Followed byBet on Black

The plot centers on a group of surfers, waiting for the perfect wave. As it arrives, the crashing 'white horses' turn into actual horses. One by one, a surfer 'crashes out', leaving only one, who manages to conquer the wave. The others join him as they celebrate on the shore.

The advert was inspired by Walter Crane's 1893 painting "Neptune's Horses". The text also draws inspiration from Herman Melville's novel Moby Dick, including the line "Ahab says, 'I don't care who you are, here's to your dream.'" (which does not actually appear in the novel).

The music track in the advert was created by British band Leftfield and eventually this formed the basis of their track "Phat Planet" which appears on their 1999 album Rhythm and Stealth. Its use in the advertisement lead to the song appearing on several compilation albums of music from advertisements including Classic Ads (2002), I Love TV Ads (2004) and Guinness 250: Music from the TV Ads (2009).

An extended 90-second version is available on the 2005 DVD The Work of Director Jonathan Glazer.[4]

In November 2009, The Independent named the advertisement, alongside several other advertisements in the campaign, amongst the "greatest advertising of all time".[5]

Accolades
Creator Country Accolade Year Rank Source
Channel 4 and The Sunday Times United Kingdom The 100 Greatest TV Ads 2000 1 [6]
ITV United Kingdom ITV's Best Ever Ads 2005 6 [7]
The Mirror United Kingdom The Top Ten Greatest Ever Guinness Adverts 2009 * [8]
Business Pundit United States The 10 Most Creative Commercials Ever 2011 6 [9]
Empire United Kingdom 15 Amazing Adverts from 15 Amazing Directors 2011 * [10]
Adweek United States 10 Most-Viral Guinness Commercials Ever 2012 5 [11]
Mashable UK United Kingdom 20 Most-Shared Guinness Ads on YouTube 2012 6 [12]
The Savory United States Top 10 Guinness Commercials 2014 1 [13]
Cinematica United Kingdom Top 10 Best Adverts Ever Made 2014 3 [14]

The asterisk (*) denotes an unordered list.

Additional credits
  • Account Executive: Gavin Thompson
  • Creative Director: David Abbott
  • Copywriter: Tom Carty
  • Art Director: Walter Campbell
  • Directors of Photography: Ivan Bird, Don King (water), Lee Allison (aerial)
  • Production Designer: Ben Myhill
  • Editor: Sam Sneade, Sam Sneade Editing, London
  • Sound Design Wave Studios, London
  • Sound Designer: Johnnie Burn
  • Music Production Company: Soundtree Music Limited (www.soundtreemusic.com)
  • Music Supervisor: Peter Raeburn[15][16]
  • VFX: The Computer Film Company, London
  • VFX Designers: Dan Glass / Adrian de Wet / Paddy Eason / Tom Debenham
  • VFX Artists: Gavin Toomey / Alex Payman / Joe Pavlo
  • VFX 3D Supervisor: Dominic Parker
gollark: > pirating MP3s despite the existence of better modern audio codecs
gollark: Wouldn't you also have to recharge it a lot, if you *could* somehow make it work? There doesn't seem to be much room for a battery, and I can't see any charging ports on the picture.
gollark: Also, you don't have to deal with issues caused by gloves or masks or whatever. As much.
gollark: I'm not really sure why people are so obsessed with face/fingerprint unlock. I mean, you can type in a PIN very fast, and it's generally more secure to rely on knowledge rather than some biometrics which you can't change.
gollark: Hmm, can retinas actually send pain signals or anything?

References
  1. https://www.theguardian.com/film/2004/oct/05/advertising
  2. Yates, Karen (2 June 2000). "AMV wins agency of the year and golds for Guinness at Clios". PR Week. Retrieved 12 July 2011.
  3. "The 100 Greatest TV Adverts". Channel 4. 23 February 2009. Retrieved 12 July 2011.
  4. "Guinness Surfer Ad (video)". YouTube. Retrieved 2 February 2014.
  5. https://www.independent.co.uk/news/media/advertising/your-mission-bring-the-world-to-life-with-a-pint-of-guinness-1817207.html
  6. http://www.channel4.com/programmes/the-100-greatest-tv-adverts/articles/results
  7. "Archived copy". Archived from the original on 2009-03-05. Retrieved 2009-04-17.CS1 maint: archived copy as title (link)
  8. http://www.cinematicamedia.com/top-10-commercials.html
  9. http://www.businesspundit.com/the-work-behind-the-10-most-creative-commercials-ever/
  10. http://www.empireonline.com/features/amazing-adverts-from-amazing-directors/p9
  11. http://www.adweek.com/adfreak/10-most-viral-guinness-commercials-ever-138977?page=2
  12. http://mashable.com/2012/03/16/youtube-guinness-ads/#_
  13. http://www.thesavory.com/drink/top-10-guinness-commercials.html
  14. http://www.cinematicamedia.com/top-10-commercials.html
  15. https://www.campaignlive.co.uk/article/music-composers-art/517345
  16. https://www.songwritingmagazine.co.uk/interviews/music-for-film-tv-part-1-peter-raeburn
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