Son of God (TV series)

Son of God (also known as Jesus: The Complete Story and Jesus: The Real Story) is an award-winning British documentary series that chronicles the life of Jesus Christ using scientific and contemporary historical evidence. It was presented by Jeremy Bowen, and its first episode premiered in the United Kingdom on 1 April 2001. The executive producer was Ruth Pitt and it was directed by Jean-Claude Bragard—it took a total of 16 months to produce and cost GB£1.5 million. A full symphonic score was composed by James Whitbourn. Son of God featured interviews with 21 historians and other Biblical experts, live action reenactments of the life of Jesus with Leron Livo in the lead role, and computer-generated images of what locations from Jesus's time might have looked like. These images, created by design team Red Vision, were praised by critics and received an Outstanding Achievement Award at the 2001 Royal Television Society North Awards.

Son of God
Also known as
  • Jesus: The Complete Story
  • Jesus: The Real Story
GenreDocumentary
Factual
Directed byJean-Claude Bragard
Presented byJeremy Bowen
StarringLiron Levo
Narrated by
Theme music composerJames Whitbourn
Opening theme"Son of God Mass"
Country of originUnited Kingdom
Original language(s)English
No. of series1
No. of episodes3
Production
Executive producer(s)Ruth Pitt
Production location(s)Israel, Jordan, United States
Camera setupSingle-camera
Running time50 minutes per episode
DistributorBBC
Release
Original networkBBC One
Picture formatPAL (576i)
Original release1 April (2001-04-01) –
15 April 2001 (2001-04-15)
Chronology
Followed byMoses

Son of God ran for a single series of three episodes, each of which focused on a different stage of Jesus's life. The first episode, "The Real Man", looked at the historical evidence for the existence of Jesus, and documented his life from his birth to his temptation. Episode two, "The Mission", discussed how Jesus became popular among Jews and Greeks, and why the Pharisees of the area might have seen him as a threat. "The Final Hours", the third and final episode of Son of God, looked at Jesus's crucifixion, and presented some ideas as to how the traditional views of the crucifixion may conflict with how it really occurred. The episode concluded with the construction of a computer-generated animation of how Jesus may have appeared.

Critical reaction to the series was mixed. While some reviewers praised the programme for being worthy of its publicity by focusing on history rather than spirituality, others remarked that it was dumbed down and went off on strange tangents. The reliability of the facial reconstruction was also questioned. Son of God first aired in the UK on BBC One during April 2001, where it received a viewership of six million and an audience share of 25%. In the United States, the series was shown on the Discovery Channel under the name Jesus: The Complete Story as a single three-hour programme, two weeks after its UK broadcast. The show was also licensed to countries including France, Denmark and New Zealand.

Production

Son of God was devised in 1999, and was produced and joint-sponsored by BBC Manchester and the Discovery Channel in association with France 3 and Jerusalem Productions.[1] The show was directed by Jean-Claude Bragard—whose previous BBC work had included Kicking & Screaming – A History of Football and the documentary series Panorama[2]—and the executive producer was Ruth Pitt, who had worked on documentaries such as 42 Up and Channel 4's The State of Marriage.[3][4] During its promotion, Pitt described Son of God as "the most complete biography of Jesus that [had] ever been done".[5]

"Son of God is one of the most exciting projects with which to launch the spring summer season. In some ways, it is the epitome of my new BBC One – it is accessible, modern in its approach and is not afraid to challenge some cast-in-stone beliefs about what makes a mainstream popular programme."

— Lorraine Heggessey, controller of BBC One when Son of God was first broadcast[6]

Jeremy Bowen, a former Middle East correspondent for BBC News, was chosen to present the programme for its UK broadcast.[7] Despite not being religious, he was drawn to the programme for its use of scientific and historical information.[8] As well as presenting, Bowen also narrated and scripted large portions of the series.[9] He stated that he brought a degree of scepticism to the show: before the first episode aired, he admitted that he did not think that you could "corroborate anything that was in the Gospels".[8] In the US version of Son of God, which was broadcast on the Discovery Channel and retitled Jesus: The Complete Story,[10] the footage of Bowen was edited out and his narration was redubbed by American actor Avery Brooks. It was also released in this format under the name Jesus: The Real Story, with narration from Tom Hodgkins.[11]

Son of God took 16 months to produce, and cost approximately £1.5 million.[12] It was featured as part of a £253 million season of new television programming on the BBC during the spring of 2001.[13] British conductor James Whitbourn was commissioned to write a complete symphonic score for the series, which was performed by the BBC Philharmonic.[14] The completed programme featured more than an hour and a half of Whitbourn's music.[15] Whitbourn subsequently used the seminal themes from his orchestral score as the basis of his popular choral work, Son of God Mass, for soprano saxophone, choir and organ. Computer graphic images were created by design group Red Vision,[16] who employed techniques similar to ones used in the 2000 BBC series Walking with Dinosaurs.[17] Speaking in September 2001, a spokesman for Red Vision stated that their involvement in Son of God had been "incredibly successful" for them.[18]

Promotional campaigns for both the British and American broadcasts of the series focused on the technology and science being used in the programme, and the special effects that Red Vision had created.[11] In particular, a facial reconstruction during the final episode showing what Jesus might have looked like garnered significant media attention.[19][20] In the lead-up to episode one, several newspapers ran stories speculating whether the computer-generated image could show the true face of Jesus.[21] British television listings magazine Radio Times featured the reconstructed face on the cover of its 31 March issue under the headline "Is This the Face of Jesus?".[22] This cover and its headline received criticism from some commentators for being sensationalist and misleading.[23][24]

Episodes

Son of God consists of a single series of three episodes. Each episode lasts approximately 50 minutes and documents a different stage of Jesus's life. The episodes take the format of Bowen visiting significant locations from the life of Jesus, talking head interviews with 21 historians and Biblical experts, and reenactments of Jesus's life featuring Israeli actor Liron Levo.[9] Locations from Jesus's time—such as Caesarea, Yatta and Sepphoris—were recreated by archaeologists using evidence from buildings and street plans, and were then digitised into computer graphics by Red Vision.[25][26]

"The Real Man"
The Church of the Nativity in Bethlehem is one of several locations visited by Bowen during the first episode of Son of God.

The first episode of Son of God, "The Real Man", documents Jesus's life up to his temptation, and details the historical evidence for his existence. Bowen visits Jerusalem, where he calls Jesus's death "one of the best attested facts in ancient history".[e 1] He cites the Romano-Jewish historian Josephus as one of 80 sources that confirms that Jesus existed and that describes him as "a wise man who did surprising feats, ... won over followers from among Jews and Greeks, ... was accused by the Jewish leaders, [and] was condemned to be crucified by Pilate".[27] Bowen interviews James H. Charlesworth from Princeton University about the discovery of the Dead Sea Scrolls in 1947, then travels to Bethlehem to visit the Church of the Nativity, a structure built over a series of first-century caves and grottos. While there, he speculates that Jesus may have been born in a cave rather than an inn, the more traditional image.[23][28] Joe Zias, an archaeologist from the Hebrew University of Jerusalem confirms this, saying that the Greek word "katalyma" is usually translated into English as "upper room" rather than "inn".[e 1]

"The Real Man" also looks at the story of the Star of Bethlehem,[26] which Bowen states would have been an "astrological" rather than "astronomical" phenomenon.[29] According to astronomer Michael Molner, astrologers from around the time of Herod the Great would have believed that the constellation Aries symbolised his kingdom and the lands that he controlled – during 6 BC, the year that some scholars theorise that Jesus was born, a rare planetary alignment meant that Jupiter, Saturn, the Sun and the Moon would have all appeared in this constellation.[e 1] Bowen next looks at how Jesus would have been born out of wedlock: Mark Goodacre, a historian from the University of Birmingham, asserts that Jewish, pagan and Christian sources all confirm that Jesus was born out of wedlock, as do both the Gospels of Matthew and Luke. All four canonical gospels agree that the city of Nazareth was where Jesus grew up. Hanan Eshel, an archaeologist from Bar-Ilan University, proposes that Jesus's interest in religion and politics might have been sparked off during a family visit to the Temple Mount, the "headquarters of the Jewish faith".[e 1] The episode ends with Bowen spending the night alone at the Mount of Temptation just above Jericho, where Jesus is traditionally believed to have spent 40 days and nights being tempted by the devil.[9][26]

"The Mission"

Episode two, "The Mission", discusses how Jesus became popular and why the Pharisees might have seen him as a potential threat. Bowen visits the Dome of the Rock, the site of Jerusalem's temple, and discusses how Jesus went to the Sea of Galilee to recruit his disciples. He speaks with Orna Cohen, a conservator of antiquities who led the excavation of the Sea of Galilee Boat, who suggests that the boat may have been similar to one owned by Saint Peter. Bowen then travels to Capernaum and visits the House of Peter, where he speaks to Mordechai Aviam, an archaeologist from the Israel Antiquities Authority. Aviam states that first-century Greek "graffiti" in the house suggests that the house belonged to Peter. Bowen visits the tomb of a first-century scholar and miracle-worker named Hanina ben Dosa, and contrasts Hanina's life with that of Jesus's: for example, while Jesus was executed, Hanina was not.[e 2]

"The Mission" then looks at how Jesus may have been viewed by the religious leaders of the time. The canonical gospels report over one hundred cases of Jesus healing or performing exorcisms, and "making the unclean clean again".[e 2] Jesus told lepers to go up to the Temple Mount, where they were usually excluded, and claimed that he could forgive sins without going through the ordinary channels. Jesus met and ate with sinners, the disabled and prostitutes, and fulfilled Old Testament prophecy by riding into the Temple Mount through the Golden Gate on a donkey at Passover. Bowen concludes that all these reasons would have meant that the Pharisees of the time would have seen him as threatening.[e 2]

"The Final Hours"

"The Final Hours", the third episode of Son of God, details Jesus's last days alive. Bowen claims that the Last Supper would have been held in the guest room of a "well-to-do" house in Jerusalem.[e 3] Writings by Josephus suggest that the Last Supper took place in a triclinium. As guest of honour, Jesus would have been at the end of the table with John the Apostle at his side, rather than at the centre, as proposed by more familiar depictions such as Leonardo da Vinci's The Last Supper.[31] Bowen then looks at whether or not Jesus could have sweated blood at Gethsemane. Leaving the Middle East for the first time, he travels to New York City and meets with Frederick Zugibe, a forensic pathologist at Columbia University. Zugibe states that Jesus may have been suffering from hematidrosis, a medical condition brought about by stress from knowing that one is about to die. He also says that he has seen similar symptoms in sailors and in men given death sentences.[31] Zugibe experiments on volunteers in Rutland County, Vermont, by measuring their blood pressure while they are strapped to crosses with their arms outstretched and level with their shoulders. He concludes that the traditional view of Jesus's crucifixion, with the nails of the cross driven through his hands rather than wrists, may have been possible if his feet were supported. The 1968 discovery of the skeleton of Jehohanan, a first-century man who was put to death by crucifixion, also supports this theory.[e 3] Next, Bowen questions whether the disciple Judas Iscariot truly did double-cross Jesus.[32] William Klassen, an historian at École Biblique in Jerusalem, theorises that the Greek word "paradidomi" was mistranslated, and that Judas simply "handed over" Jesus to the Romans, rather than betrayed him.[e 3]

"The Final Hours" ends with a facial reconstruction suggesting what Jesus may have looked like. Using one of three first-century Jewish skulls from a forensic science department in Israel, a clay model is created through forensic anthropology by Richard Neave, a retired medical artist from the Unit of Art in Medicine at Manchester University.[33] The face that Neave constructs suggests that Jesus would have had a broad face and large nose, and differs significantly from his traditional depictions in renaissance art.[30] Additional information about Jesus's skin colour and hair is provided by Goodacre.[30] Using third-century images from the Dura-Europos synagogue—the earliest pictures of Jewish people[20]—Goodacre proposes that Jesus's skin would have been "olive-coloured"[30] and "swarthy",[34] and much darker than his traditional Western image. He also suggests that Jesus would have had short, curly hair and a short cropped beard.[35]

Reception

Critical reception
"[Son of God] turned out to be worthy of all [its] publicity, as the stunning graphics that recreated Jesus's face were used to bring his life to gritty reality – somewhat removed from Biblical views of Christ."

— Michael Osborn of BBC News[25]

Critical reaction to Son of God was mixed. The series received praise from commentators such as Andrew Billen of the New Statesman for focussing on "history against spirituality every time".[23] However, Billen also contrasted the show with The Lives of Jesus, a similar series from December 1996, remarking that it was flash and filmic, whereas The Lives of Jesus had been far more discreet.[23] BBC News's Michael Osborn acclaimed the series, saying that it was "worthy of all [its] publicity" and that Bowen was well placed in his role as presenter.[25] The graphics created by Red Vision were well received: The Daily Record described the computer imagery as stunning,[26] while Gareth McLean of The Guardian noted that the series was "visually, ... quite a treat".[36] McLean also commented that the programme itself was rather interesting, but that it contained "slightly odd, slightly irrelevant diversions".[36]

A review of a more critical nature came from Catherine Bennett, also writing for The Guardian, who questioned the facial reconstruction from the third episode and suggested that it was dismissive to imply that it was how Jesus truly appeared.[37] Speaking about the study, Bennett remarked: "We must hope that ... future BBC controllers do not dig up, say, Robin Cook's skull, drape it in Plasticine, and ask: 'Is this the real face of Tony Blair?'".[37] John Preston, writing for The Sunday Telegraph, also questioned the reliability of the reconstruction, and branded the series as dumbed down.[24] The programme received criticism from theological scholars: following the broadcast of the first episode, Tom Wright, one of two consultants used during production of the series, felt that Jesus's mission had been misrepresented by the show. Wright claimed that the BBC had elected to portray Jesus simply as "a politically correct social worker".[38]

"The program likes to make sweeping statements, which isn't surprising for a show that has the audacity to use the title Jesus: The Complete Story."

— Hal Boedeker of The Orlando Sentinel[32]

Reviews of the American broadcast of Jesus: The Complete Story were also mixed. While some reviewers described the show as fascinating and reverent,[39][40] others were more negative. Writing for The Orlando Sentinel, Hal Boedeker agreed that the computer imaging was spectacular, but that the rest of the show was a "hodgepodge" that "[went] off on some strange tangents".[32] Eric Mink of The Daily News stated that the show relied too heavily on exaggeration and that it was "sloppy with facts",[41] while Ann Rodgers-Melnick of the Pittsburgh Post-Gazette described it as "uneven but vivid".[42]

Ratings and awards

The first episode of Son of God shown in the UK gained six million viewers and an audience share of 25%, which was considered high for a religious documentary.[43] During its American broadcast on the Discovery Channel, the series was watched by 12 million.[44] It was repeated in the US during March the following year, and gained a figure of 1.5 million viewers per episode.[44] The series was nominated for two awards, both for the computer-generated images created by graphics team Red Vision: it was first nominated at the 2001 LEAF Awards, then won an Outstanding Achievement award at the 2001 Royal Television Society North Awards.[45]

Year Award Category Result
2001 LEAF Award Special Area, Animation Nominated
Royal Television Society North Award Outstanding Achievement in a Craft or Technology Won

Distribution

Son of God was distributed by the BBC, who broadcast the show on BBC One. It premiered in the UK at 9:10 p.m. on 1 April 2001,[8] and ran for a single series of three episodes, with each episode being shown weekly on Sunday nights.[23] As well as being shown in the UK, Son of God was also licensed to New Zealand and seven European territories, including France and Denmark.[46] In the United States, the show was aired by the Discovery Channel under the name Jesus: The Complete Story, as a single three-hour special at 8 p.m. on 15 April, two weeks after its UK broadcast.[47] It was also repeated in the US on Christmas Day 2002 and 2003.[28][48]

In March 2002, a year after the show was first broadcast in the UK, an accompanying book written by Angela Tilby was released.[49] Tilby's book, also titled Son of God, was a tie-in to the documentary series, and featured an introduction from Bowen.[49] A VHS box set of Jesus: The Complete Story, produced by Warner Home Video, was released in the United States on 15 May 2001.[50] The set was rereleased on Region 1 DVD on 31 August 2004.[51]

Moses

Following the success of Son of God, a similar, single-episode documentary was commissioned by the BBC in July 2001.[52] The programme, entitled Moses, documented the life of Moses is a style akin to Son of God[53]—it reunited Bowen and Bragard, who presented and directed-produced the show respectively.[54] Like Son of God, Moses featured live-action reenactments, computer-generated images of the period and interviews with historians and scholars.[55] It was first broadcast in the UK during December 2002.[56]

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gollark: Accursed treeoids?
gollark: Obviously all sets are to be Bloom filters.
gollark: ?tag β
gollark: Implausible.

See also

References
Primary sources
  1. Presenter: Jeremy Bowen. Director: Jean-Claude Bragard (1 April 2001). "The Real Man". Son of God. Series 1. Episode 1. BBC. BBC One.
  2. Presenter: Jeremy Bowen. Director: Jean-Claude Bragard (8 April 2001). "The Mission". Son of God. Series 1. Episode 2. BBC. BBC One.
  3. Presenter: Jeremy Bowen. Director: Jean-Claude Bragard (15 April 2001). "The Final Hours". Son of God. Series 1. Episode 3. BBC. BBC One.
Secondary sources
  1. Wells, Matt (27 March 2001). "Is this the real face of Jesus Christ?". The Guardian. London. ISSN 0261-3077. OCLC 60623878. Archived from the original on 8 January 2014. Retrieved 13 October 2011.
  2. BBC One 2002, p. 9.
  3. Mink, Eric (26 June 1998). "'14 Up': It Really Grows On You". Daily News. New York City: Daily News. OCLC 9541172. Retrieved 18 October 2011.
  4. Rampton, James (26 July 1996). "For better, for worse". The Independent. London. ISSN 0951-9467. OCLC 240904920. Retrieved 18 October 2011.
  5. "Treating Jesus As If He Were a Dinosaur". New York Post. 2 April 2001. p. 84. ISSN 1090-3321. OCLC 50874388. Retrieved 18 October 2011.
  6. Wilkes, Neil (28 March 2001). "BBC One launches Spring / Summer schedule". London: Digital Spy. Archived from the original on 20 September 2011. Retrieved 14 October 2011.
  7. "Jeremy Bowen". London: BBC News. 29 May 2003. Archived from the original on 4 April 2012. Retrieved 14 October 2011.
  8. Webb, Alex (26 March 2001). "Looking for the historical Jesus". London: BBC News. Archived from the original on 29 November 2010. Retrieved 14 October 2011.
  9. Petre, Jonathan (4 February 2001). "Virtual reality brings time of Jesus back to life on BBC TV". The Daily Telegraph. London. ISSN 0307-1235. OCLC 613316876. Archived from the original on 28 February 2016. Retrieved 18 October 2011.
  10. Donovan, Gill (6 April 2001). "Documentary Hypothesizes Dark-skinned Jesus". National Catholic Register. Irondale, Alabama: Eternal Word. ISSN 0027-8920. OCLC 7785613. Retrieved 15 October 2011.
  11. Selznick 2008, p. 167.
  12. Church of England & Churches Together in Britain and Ireland 2002, p. 120.
  13. "BBC1 lines up computer Jesus for £253m spring schedule". The Guardian. London. 26 March 2001. ISSN 0261-3077. OCLC 476290235. Archived from the original on 10 May 2014. Retrieved 15 October 2011.
  14. Evans, John (12 January 2009). "A very English Christmas concert". Henley Standard. Henley-on-Thames: Higgs Group. Archived from the original on 5 April 2012. Retrieved 14 October 2011.
  15. "Film & TV Showreel". jameswhitbourn.com. Archived from the original on 4 March 2012. Retrieved 15 October 2011.
  16. Leonard, Tom (25 March 2002). "Light Brigade charges into the virtual valley of death". The Daily Telegraph. London. ISSN 0307-1235. OCLC 613316876. Archived from the original on 23 April 2010. Retrieved 13 October 2011.
  17. Jury, Louise (26 March 2001). "Technology that was used to make the dinosaurs walk gives Jesus a new look". The Independent. London. ISSN 0951-9467. OCLC 240904920. Retrieved 15 October 2011.
  18. "Animation firm recreates towers collapse". Manchester Evening News. Manchester. 21 September 2001. Archived from the original on 20 April 2013. Retrieved 13 October 2011.
  19. "Science takes over from art to add its new portrait of what Christ looked like". The Herald. Glasgow. 27 March 2011. p. 10. Archived from the original on 14 May 2018. Retrieved 17 October 2011.
  20. "Experts Reconstruct Face of Jesus". New York City: CBS News. 27 March 2001. Archived from the original on 13 November 2010. Retrieved 17 October 2011.
  21. Deans, Jason (26 March 2001). "Is this the face of Christ?". The Guardian. London. ISSN 0261-3077. OCLC 476290235. Archived from the original on 10 May 2014. Retrieved 17 October 2011.
  22. "Is This the Face of Jesus?". Radio Times. London: BBC Magazines (31 March – 6 April): 1. March 2001. ISSN 0033-8060. OCLC 751083018.
  23. Billen, Andrew (9 April 2001). "The God Slot". New Statesman. London. 130. Retrieved 15 October 2011.
  24. Preston, John (8 April 2001). "The Dumbed Down Shall Be Raised Up". The Sunday Telegraph. London. ISSN 9976-1874. OCLC 436617201. Retrieved 15 October 2011.
  25. Osborn, Michael (30 March 2001). "Jesus is brought to life". London: BBC News. Archived from the original on 6 November 2011. Retrieved 5 May 2011.
  26. "CRITIC'S CHOICE – SUNDAY TV; Following the path of Jesus". The Daily Record. Glasgow. 31 March 2001. ISSN 0956-8069. OCLC 614676258. Retrieved 3 November 2011.
  27. Wilkins & Moreland 1995, p. 40.
  28. Elber, Lynn (23 November 2003). "Frosty and the TV holiday gang are all here -- ah, it's a wonderful life". Seattle Post-Intelligencer. ISSN 0745-970X. OCLC 3734418. Archived from the original on 3 March 2016. Retrieved 4 November 2011.
  29. "On Discovery: "Jesus: The Complete Story'". The Post-Standard. Syracuse, New York: Advance. 21 December 2001. Archived from the original on 25 January 2013. Retrieved 11 December 2011.
  30. Wilson, Giles (27 October 2004). "So what colour was Jesus?". London: BBC News. Archived from the original on 23 September 2011. Retrieved 20 November 2011.
  31. White, Donna (15 April 2001). "How Jesus Really Died; Scientists Reveal the True Story of the Crucifixion". Sunday Mail. Glasgow. Retrieved 26 November 2011.
  32. Boedeker, Hal (15 April 2001). "Jesus Story Comes Off as a Stunt". Orlando Sentinel. Orlando, Florida. ISSN 0744-6055. OCLC 232117561. Archived from the original on 3 March 2016. Retrieved 5 November 2011.
  33. Legon, Jeordan (25 December 2002). "From science and computers, a new face of Jesus". CNN. Archived from the original on 4 March 2012. Retrieved 20 November 2011.
  34. Rosenfeld, Megan (15 April 2001). "Putting a Fresh Face on Jesus; Discovery, PBS Specials Explore Changing Images". The Washington Post. ISSN 0190-8286. OCLC 2269358. Archived from the original on 18 October 2016. Retrieved 11 December 2011.
  35. McLean, Gareth (2 April 2001). "His truth is marching on". The Guardian. London. ISSN 0261-3077. OCLC 476290235. Archived from the original on 10 May 2014. Retrieved 3 November 2011.
  36. Bennett, Catherine (29 March 2001). "It's the greatest story ever told. Pity no one had a camera". The Guardian. London. ISSN 0261-3077. OCLC 476290235. Archived from the original on 5 November 2013. Retrieved 3 November 2011.
  37. Petre, Jonathan (1 April 2001). "BBC's own expert attacks Jesus series". The Daily Telegraph. London. ISSN 0307-1235. OCLC 613316876. Archived from the original on 17 April 2015. Retrieved 3 November 2011.
  38. Bonko, Larry (13 April 2001). "Documentaries Explore the Life of Jesus Christ". The Virginian-Pilot. Norfolk, Virginia: Landmark Media. ISSN 0889-6127. OCLC 12227724. Archived from the original on 7 September 2017. Retrieved 5 November 2011.
  39. Arnold, Thomas K. (23 August 2004). "A 'Passion' for title tie-ins". USA Today. ISSN 0734-7456. OCLC 608153056. Archived from the original on 25 July 2008. Retrieved 5 November 2011.
  40. Mink, Eric (5 November 2011). "'Face' Has Greater Value As Jesus Bio". Daily News. New York City: Daily News, L.P. p. 2. OCLC 9541172. Retrieved 5 November 2011.
  41. Rodgers-Melnick, Ann (13 April 2001). "TV Reviews: Easter brings two takes on Jesus -- one beautiful, one debatable". Pittsburgh Post-Gazette. ISSN 1068-624X. OCLC 489059013. Archived from the original on 10 February 2005. Retrieved 11 December 2011.
  42. "6 million witness Son of God". Broadcast. 2 April 2001. Archived from the original on 4 March 2016. Retrieved 13 October 2011.
  43. "Past Television Programmes". London: Jerusalem Productions. Archived from the original on 19 January 2012. Retrieved 15 October 2011.
  44. "About Red Vision". Manchester: Red Vision. 2010. Archived from the original on 10 June 1998. Retrieved 18 October 2011.
  45. "Seven Son of God Deals". Broadcast. 6 April 2001. Archived from the original on 3 March 2016. Retrieved 13 October 2011.
  46. Selznick 2008, p. 169.
  47. "Programs to Get You in the Spirit". Dayton Daily News. Dayton, Ohio. 20 December 2002. p. 2C. ISSN 0897-0920. OCLC 232118157. Archived from the original on 4 March 2016. Retrieved 4 November 2011.
  48. Tilby 2002.
  49. ASIN B00005AAEH, Jesus – The Complete Story [VHS] (15 May 2001)
  50. ASIN B0002J5018, Jesus – The Complete Story (31 August 2004)
  51. "Moses to get Son of God treatment". Broadcast. 5 July 2001. Archived from the original on 3 March 2016. Retrieved 4 November 2011.
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  53. BBC One 2002, p. 2.
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Bibliography

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