Moshing

Moshing (also known as slam dancing or simply slamming)[1] is a style of dance in which participants push or slam into each other, typically performed to "aggressive" live music. Moshing usually happens in the center of the crowd, generally closer to the stage,[2] in an area called the "pit". It is intended to be energetic and full of body contact.

For other uses, see Mosh (disambiguation).
Moshing
Audience members moshing to American thrash metal band Toxic Holocaust
GenreLive punk rock and heavy metal
OriginEarly 1980s, California and Washington, D.C., United States

The dance style originated in the hardcore punk scenes of California and Washington, D.C. around 1980. Through the 1980s it spread to other branches of punk rock as well as thrash metal and grunge, which exposed it to the mainstream. Since then, moshing has occasionally been performed to energetic music within a wide variety of genres, including alternative rock, EDM and hip hop, while remaining a staple at punk and heavy metal shows.

Variations of moshing exist, including "pogoing", "circle pits", and "wall of death". Dancing can be done alone as well as in groups.

While moshing is seen as a form of positive fan feedback or expression of enjoyment,[3][4] it has also drawn criticism over dangerous excesses occurring in offshoots. Injuries have been reported in mosh pits, and a few deaths have occurred in "Wall of Death" moshing, an offshoot that developed when fans at thrash metal shows adopted punk-style slamdancing.[5][6][7][8]

History

Etymology

The term mosh came into use in the early 1980s American hardcore scene in Washington, D.C. Early on, the dance was frequently spelled mash in fanzines and record liner notes, but pronounced mosh, as in the 1982 song "Total Mash" by the D.C.-based hardcore band Scream. H.R. of the band Bad Brains, regarded as a band that "put moshing on the map,"[9] used the term mash in lyrics and in concert stage banter to both incite and to describe the aggressive and often violent dancing of the scene. To "mash it up" was to go wild with the frenzy of the music. Due to his Jamaican-accented pronunciation of the word, fans heard this as mosh instead.[10]

By the mid-1980s, the term was appearing in print with its current spelling. By the time thrash metal band Anthrax used the term in their song "Caught in a Mosh",[11] the word was already a mainstay of hardcore and thrash scenes. Scott Ian and Charlie Benante of Anthrax and S.O.D. have both been credited with the term originating from Vinnie Stigma of the New York hardcore band Agnostic Front. Through the mainstream success of bands like Anthrax, Stormtroopers of Death, and multiple thrash metal bands in the late 1980s the term came into the popular vernacular.

Origins
Crowdsurfing over a mosh pit.

The first dance identifiable as moshing may have originated in Orange County, California, during the first wave of American hardcore.[12] Examples of this early moshing can be seen in the documentaries Another State of Mind, Urban Struggle, The Decline of Western Civilization, and American Hardcore, as well as footage from the shows of the era. Dave Wood, an avid concert-goer and roadie of The Weirdos, popularized moshing at a show at The Roxy in 1977. At the time, California hardcore punk bands such as Black Flag and Fear were becoming popular in Orange County. Jerry Roach's club, the Cuckoo's Nest in Costa Mesa was known as the "birthplace of slam dancing".[13] Fear's infamous 1981 musical performance on Saturday Night Live also helped to expose moshing to a much wider audience.[14][15]

Crossover into mainstream genres

By the end of the 1980s, the initial wave of American hardcore punk had waned and split into other subgenres. The Seattle-based grunge movement was among the many styles of music that directly evolved from hardcore. Through the mainstream success of several grunge bands, the word mosh entered the popular North American vocabulary and the dance spread to many other music genres. According to John Linnell of They Might Be Giants, "it didn’t matter what kind of music you were playing or what kind of band you were; everybody moshed to everything. It was just kind of the enforced rule of going to concerts."[16]

Variations

The pogo was the first form of moshing.[17] According to The Filth and the Fury, it was invented by Sex Pistols bassist Sid Vicious in 1976.[18]

A circle pit is a form of moshing in which participants run in a circular motion around the edges of the pit, often leaving an open space in the centre.[19]

A wall of death is a form of moshing which sees participants split into two halves, before slamming the two sides into one another.[19] According to Noisecreep, the consensus is that it was invented by American hardcore punk band Sick of it All.[20] However, the band's vocalist Lou Koller, has stated that he merely revived the practice in 1996, as he often saw a similar act performed in the 1980s New York hardcore scene.[21] Loudwire senior writer Graham Hartmann referred to it as "Perhaps the most bad ass and dangerous ritual you can experience in a mosh pit".[20] Venues will often ask bands not to organize the Wall of Death themselves due to the inherent risk involved and liability.[22]

Hardcore dancing is a term that covers multiple style of moshing[23] including windmilling[17] two stepping, floorpunching, picking up pennies, axehandling and bucking wheelbarrowing.[24] The practice began in New York city in the 1980s.[24]

Physical properties of emergent behavior

Researchers from Cornell University in Ithaca studied the emergent behavior of crowds at mosh pits by analyzing online videos, finding similarities with models of 2-D gases in equilibrium.[25] Simulating the crowds with computer models, they found out that a simulation dominated by flocking parameters produced highly ordered behavior, forming vortices like those seen in the videos.

Opposition, criticism and controversy

The American post-hardcore band Fugazi opposed slamdancing at their live shows. Members of Fugazi were reported to single out and confront specific members of the audience, politely asking them to stop hurting other audience members, or hauling them on stage to apologize on the microphone.[26]

Consolidated, an industrial dance group of the 1990s, stood against moshing. On their third album, Play More Music, they included the song "The Men's Movement", which proclaimed the inappropriate nature of slamdancing. The song consisted of audio recordings during concerts from the audience and members of Consolidated, arguing about moshing.[27]

A no-moshing sign at a concert

In the 1990s, the Smashing Pumpkins took a stance against moshing, following two incidents which resulted in fatalities. At a 1996 Pumpkins concert in Dublin, Ireland, 17-year-old Bernadette O'Brien was crushed by moshing crowd members and later died in the hospital, despite warnings from the band that people were getting hurt.[28] At another concert, singer Billy Corgan said to the audience:

I just want to say one thing to you, you young, college lughead-types. I've been watchin' people like you sluggin' around other people for seven years. And you know what? It's the same shit. I wish you'd understand that in an environment like this, and in a setting like this, it's fairly inappropriate and unfair to the rest of the people around you. I, and we, publicly take a stand against moshing![28]

Another fan died at a Smashing Pumpkins concert in Vancouver, British Columbia, Canada on September 24, 2007. The 20-year-old male was dragged out of the mosh pit, unconscious, to be pronounced dead at a hospital after first-aid specialists attempted to save him.[29][30][31]

A crowd of moshers, with a few people "crowdsurfing" on top of the mosh pit.

Reel Big Fish's 1998 album Why Do They Rock So Hard? included their mosh-criticizing song "Thank You for Not Moshing", which contained lyrics that suggested that at least some individuals in the mosh pit were simply bullies who were finding conformity in the violence.

Mike Portnoy, founder and ex-drummer of Dream Theater, and Avenged Sevenfold where he briefly filled in after the death of The Rev, criticized moshing in an interview published on his website:

I think our audience have become a little bit more attentive and less of that type of [mosh] mentality [...] I understand you want to release that energy... [but] once people start doing that during "Through Her Eyes" it gets ridiculous [...] So this time around we're consciously aiming at theaters that people can actually sit down and enjoy the show and be comfortable [...] without having to worry about their legs falling off or being kicked in the face by a Mosh Pit. So [that] will probably eliminate that problem anyway.[32]

Sixteen-year-old Jessica Michalik was an Australian girl who died as a result of asphyxiation after being crushed in a mosh pit during the 2001 Big Day Out festival during a performance by nu metal band Limp Bizkit.[33] At that same festival, post-hardcore band At The Drive-In ended their set early after only three songs due to the audience’s moshing.[34]

Groove metal group Five Finger Death Punch had an incident when, during the song "White Knuckles" at a concert in Hartford, Connecticut, a young man received a compound fracture on his ankle in a mosh pit. Ivan Moody, the band's lead singer, stopped the show, leaped into the crowd with Zoltan Bathory, the band's rhythm guitarist, and carried the injured fan onto the stage, from where he was taken to the hospital. Moody has been quoted as saying: "I looked him square in the face and asked him if he was okay, or if there was anything I could do for him. He looked over at me, still in shock, and said 'You guys fucking rock!'" Moody stated "I've felt bad because of what has happened. I miss the old Pantera kids who would just throw each other. Just respect other people; come on." Bathory stated: "Because he broke his leg I threw down my guitar. We just finished when he broke his leg, and I came out and I stayed with him until the paramedics picked him up. These are my people and that's how it is."

Joey DeMaio of American heavy metal band Manowar has been known to temporarily stop concerts upon seeing moshing and crowd surfing, claiming it is dangerous to other fans.[35][36]

Former Slipknot percussionist Chris Fehn spoke about the state of audience interaction following the onstage incident and subsequent legal issues involving Lamb of God’s Randy Blythe, who was eventually found innocent of criminal wrongdoing in the death of a concertgoer, despite being held "morally responsible". Fehn briefly addressed the Blythe situation, stating "I think, especially in America, moshing has turned into a form of bullying. The big guy stands in the middle and just trucks any small kid that comes near him. They don’t mosh properly anymore. It sucks because that’s not what it’s about. Those guys need to be kicked out. A proper mosh pit is a great way to be as a group and dance, and just do your thing."[37]

gollark: It's not as if Aeons *are* worth NDs.
gollark: I'm trying to collect whites/purples for a trade for a paper which is up now, but the AP is uncooperative.
gollark: Come on AP, give me whites or something already.
gollark: How many unbreedables does a CB gold/silver cost?
gollark: People are practically lining up to give me papers and cheeses now. Aeons are stupidly valuable.

See also

References
  1. Moriarty, Philip. When the Uncertainty Principle Goes to 11.
  2. "10 Epic Walls of Death". LoudWire. Retrieved 12 May 2015.
  3. Tsitsos, William
  4. Pogrebin, Robin (May 9, 1996). "Hard-Core Threat to Health: Moshing at Rock Concerts". The New York Times. Retrieved 2007-12-14.
  5. Nussbacher, Mike (2004) A Survivor’s Guide To The Mosh Pit. The Martlet. Archived March 18, 2009, at the Wayback Machine
  6. "TUYM: Get Into a Moshpit and Live to Tell About It". Retrieved 11 May 2017.
  7. Sacahroff, Reaz (1996) Music: Pit Etiquette. Tucson Weekly.
  8. Irvine, Martha (1996) Moshing Exciting but dangerous Archived 2007-06-26 at the Wayback Machine. Associated Press. at rockmed.org
  9. "Bad Brains biography". From 2004's The New Rolling Stone Album Guide. Rolling Stone. 2004. Retrieved 2007-05-14.
  10. "Bad Brains – History". peacedogman.com. 2002. Archived from the original on 2007-09-29. Retrieved 2007-05-14.
  11. Christie, Ian, Sound of the Beast: The Complete Headbanging History of Heavy Metal
  12. "Erryroachpresents.com". Archived from the original on 7 February 2011. Retrieved 11 May 2017.
  13. Tom Berg (10 February 2009). "O.C. punk club to go Hollywood". Orange County Register. Archived from the original on 16 December 2019. Retrieved 14 April 2020.
  14. Grow, Kry (September 10, 2015). "Inside John Belushi's Long Lost Punk Song With Fear". Rolling Stone. New York City, New York, United States: Penske Media Corporation. Retrieved May 20, 2020.
  15. McCloskey, Tim (October 30, 2015). "The Life and Times of Philly Hardcore Pioneer Lee Ving". Philadelphia. Philadelphia, Pennsylvania, United States: Metrocorp. Retrieved May 20, 2020.
  16. "John Linnell, They Might Be Giants". Archived from the original on 23 April 2017. Retrieved 11 May 2017.
  17. PREIRA, MATT. "Top Five Mosh Pit Moves, From Rudimentary to Advanced". Retrieved 23 January 2020.
  18. Boyar, Jay; Moore, Roger (June 17, 2000). "Festival Holds 'Filth', A Secret, Senselessness". Orlando Sentinel.
  19. Rääbus, Carol. "Mosh pit rules are important to know if you're taking the plunge this music festival season". American Broadcasting Company. Retrieved 23 January 2020.
  20. HARTMANN, GRAHAM. "10 EPIC WALLS OF DEATH". Noisecreep. Retrieved 23 January 2020.
  21. Lou Koller (9 October 2019). SICK OF IT ALL's Lou Koller: Origin of the Wall of Death, Roots of Hardcore & Touring Plans!.
  22. Grundke, Vincent (12 August 2017). "These Are the Most Epic "Wall of Death" Photos from Germany's Wacken Festival". Vice. Noisey. Retrieved 29 January 2020.
  23. Hill, Stephen. "The Story Behind The Song: Step Down by Sick Of It All". Metal Hammer. Retrieved 23 January 2020.
  24. "Music Sound Hardcore dancing". Retrieved 23 January 2020.
  25. Silverberg, Jesse L.; Bierbaum, Matthew; Sethna, James P.; Cohen, Itai (2013). "Collective Motion of Humans in Mosh and Circle Pits at Heavy Metal Concerts". Physical Review Letters. 110 (22): 228701. arXiv:1302.1886. Bibcode:2013PhRvL.110v8701S. doi:10.1103/PhysRevLett.110.228701. PMID 23767754.. Summarized in "Moshers, Heavy Metal and Emergent Behaviour". Technology Review.
  26. Azerrad, Michael (2002). Our Band Could Be Your Life: Scenes from the American Indie Underground 1981–1991 (Reprint. ed.). New York, N.Y.: Back Bay Books. pp. 392–393. ISBN 978-0-316-78753-6.
  27. "Consolidated - The Men's Movement". Youtube. Retrieved 29 January 2020.
  28. Unknown (May 19, 1996). "Fan Crushed at Smashing Pumpkins Show". MTV.com. Retrieved 2006-06-23.
  29. "Man dies in Smashing Pumpkins mosh pit". yahoo.ca. 2007. Retrieved 2007-09-27.
  30. "Man Dies After 'Crowd-Surfing' At SMASHING PUMPKINS Show". BLABBERMOUTH.NET. 2007. Archived from the original on 2007-10-13. Retrieved 2007-09-27.
  31. "B.C. man dies after crowd-surfing at rock show". cbc.ca. 2007-09-26. Retrieved 2007-09-27.
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  37. "Slipknot's Chris Fehn: Moshing Shouldn't Turn Into Bullying". Loudwire. Retrieved 11 May 2017.
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