S. Poniman

S. Poniman (5 July 1910 – 1 January 1978) was an Indonesian kroncong singer and comic actor. Born in Banda Aceh in 1910, he took up singing and made his way to Batavia (now Jakarta). In 1940 he made his debut as music director and actor on the film Kedok Ketawa, completing three further productions before the Japanese occupation brought film production to a near-standstill. Poniman spent time as a soldier and truck driver before returning to the film industry in 1951, after Indonesia's independence, as a star of Dunia Gila. Between 1951 and 1958 he appeared in more than twenty films before leaving the struggling industry to become a trader. Though he appeared in several further films before his death, Poniman never regained his stardom.

S. Poniman
Poniman in 1956
Born(1910-07-05)5 July 1910
Banda Aceh, Dutch East Indies
Died1 January 1978(1978-01-01) (aged 67)
Jakarta, Indonesia
OccupationSinger, actor
Years active1930s–1975

Biography

Poniman was born in Banda Aceh, Aceh, Dutch East Indies, on 5 July 1910. He completed elementary school at a Hollandsch-Inlandsche School (an elementary school for indigenous Indonesians). As a youth he gained acclaim for his skills as a kroncong musician,[1] writing such songs as "Potong Padi", "Senja Sunyi", "Hening", "Pendekar Satria", and "Sumpah si Dia".[2] By the late 1930s he had reached the colonial capital at Batavia (later Jakarta).[1]

In 1940, Poniman was contracted by Union Films to appear in the company's first feature film, Kedok Ketawa. Poniman, aside from taking a small role in the action film, was responsible for the film's soundtrack.[3] Later that year he was associated with Oriental Film and took two supporting roles in the company's Fifi Young vehicles, Zoebaida (1940) and Pantjawarna (1941).[4][5] When Young and her husband, the director Njoo Cheong Seng, migrated to Majestic Film, Poniman joined them. He made one final film, Air Mata Iboe (1941), before the Japanese occupation began in March 1942 and closed all but one of the Indies' film studios.[6]

Poniman (left) in Malam Minggu (1955)

During the Indonesian National Revolution, which began in 1945 and lasted until the Dutch recognized Indonesia's independence in 1949, Poniman became a soldier and bore arms. After the revolution he spent time as a truck driver on the Jakarta–Semarang route, but in 1951 he returned to film, starring in Dunia Gila alongside Rd. Mochtar and Titien Sumarni.[1] He completed the bulk of his film work in the subsequent eight years, appearing in such films as Pahit-Pahit Manis (1952), Putri Solo (1953), Djandjiku Djandjimu (1954), and Malam Minggu (1955).[4]

Domestic film production began to falter in the late 1950s. Poniman left the industry to become a trader. At one point he also took up photography and began producing documentary films for his own Poniman Show and Film Company. Poniman never regained his stardom,[1] despite resurfacing to complete three films in 1963 and making a brief comeback in the early 1970s, appearing in four films (including a remake of Putri Solo in 1974).[4] He died on 1 January 1978 in Jakarta, aged 67, three years after completing his final film (Rahasia Perawan).[1]

Filmography

During his more than thirty-year career, Poniman appeared in almost forty films.[4]

  • Kedok Ketawa (1940)
  • Zoebaida (1940)
  • Pantjawarna (1941)
  • Air Mata Iboe (1941)
  • Dunia Gila (1951)
  • Pahlawan (1951)
  • Rumah Hantu (1951)
  • Apa Salahku (1952)
  • Pahit-Pahit Manis (1952)
  • KM - 49 (1952)
  • Siapa Dia (1952)
  • Solo Di Waktu Malam (1952)
  • Guga Guli (1953)
  • Putri Solo (1953)
  • Kisah Tudjuh Bidadari (1953)
  • Lenggang Djakarta (1953)
  • Musafir Kelana (1953)
  • Djakarta Diwaktu Malam (1954)
  • Djandjiku Djandjimu (1954)
  • Konde Tjioda (1954)
  • Mertua Sinting (1954)
  • Sebatang Kara (1954)
  • Sedarah Sedaging (1954)
  • Kebon Binatang (1955)
  • Malam Minggu (1955)
  • Masuk Kampung Keluar Kampung (1955)
  • Setulus Hatiku (1955)
  • Radja Karet dari Singapura (1956)
  • Salah Pilih (1956)
  • Teladan (1957)
  • Momon (1959)
  • Aku Hanja Bajangan (1963)
  • Generasi Baru (1963)
  • Lembah Hidjau (1963)
  • Sisa-sisa Laskar Pajang (1972)
  • Aku Mau Hidup (1974)
  • Putri Solo (1974)
  • Rahasia Perawan (1975)
  • Bunga Roos dari Cikembang (1975)
gollark: "Oh yes, I will just go OUTSIDE the universe" - statements made by GTech™ exploration probe #15996-υ/4.
gollark: Where else would they go?
gollark: What? Of course they are in our universe.
gollark: Those aren't heaven and hell, silly.
gollark: > The temperature of Heaven can be rather accurately computed from available data. Our authority is Isaiah 30:26, “Moreover, the light of the Moon shall be as the light of the Sun and the light of the Sun shall be sevenfold, as the light of seven days.” Thus Heaven receives from the Moon as much radiation as we do from the Sun, and in addition seven times seven (49) times as much as the Earth does from the Sun, or fifty times in all. The light we receive from the Moon is one ten-thousandth of the light we receive from the Sun, so we can ignore that. With these data we can compute the temperature of Heaven. The radiation falling on Heaven will heat it to the point where the heat lost by radiation is just equal to the heat received by radiation, i.e., Heaven loses fifty times as much heat as the Earth by radiation. Using the Stefan-Boltzmann law for radiation, (H/E)^4 = 50, where E is the absolute temperature of the earth (-300K), gives H as 798K (525C). The exact temperature of Hell cannot be computed, but it must be less than 444.6C, the temperature at which brimstone or sulphur changes from a liquid to a gas. Revelations 21:8 says “But the fearful, and unbelieving … shall have their part in the lake which burneth with fire and brimstone.” A lake of molten brimstone means that its temperature must be at or below the boiling point, or 444.6C (Above this point it would be a vapor, not a lake.) We have, then, that Heaven, at 525C is hotter than Hell at 445C. – “Applied Optics”, vol. 11, A14, 1972

References
  1. Biran 1979, p. 463.
  2. Banoe 2003, pp. 216–218.
  3. Biran 2009, p. 232.
  4. filmindonesia.or.id, S Poniman.
  5. Biran 2009, p. 228.
  6. Biran 2009, p. 234.

Works cited
  • Banoe, Pono (2003). Kamus Musik [Dictionary of Music] (in Indonesian). Yogyakarta: Kanisius. ISBN 978-979-497-338-7.CS1 maint: ref=harv (link)
  • Biran, Misbach Yusa, ed. (1979). Apa Siapa Orang Film Indonesia 1926–1978 [What and Who: Film Figures in Indonesia, 1926–1978]. Jakarta: Sinematek Indonesia. OCLC 6655859.CS1 maint: ref=harv (link)
  • Biran, Misbach Yusa (2009). Sejarah Film 1900–1950: Bikin Film di Jawa [History of Film 1900–1950: Making Films in Java] (in Indonesian). Komunitas Bamboo working with the Jakarta Art Council. ISBN 978-979-3731-58-2.CS1 maint: ref=harv (link)
  • "Filmografi S Poniman" [S Poniman Filmography]. filmindonesia.or.id (in Indonesian). Konfiden Foundation. Archived from the original on 16 January 2016. Retrieved 16 January 2015.
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