Rodeo Caldonia

Rodeo Caldonia also known as Rodeo Caldonia High Fidelty Performance Theater was a black feminist arts collective based in Fort Greene, Brooklyn during the 1980s.[1][2][3] The collective, which operated from about 1985-1988, included nearly 20 African American women who wanted to create feminist work that focused on their identities as Black women.[4] The collective was founded by Lisa Jones and Alva Rogers.[5][6]

Influences

The members of the Rodeo Caldonia were inspired by other performance collectives, such as the International Sweethearts of Rhythm, the 1940s integrated, all-women big band, Sweet Honey in the Rock, all-woman, African-American a cappella ensemble, and the New York-based Black women’s dance group, Urban Bush Women.

"She Came with the Rodeo"
...fancying the inheritance of B.B. King and sundry blues songs that told of “hardheaded” brown girls with pretty lips. Caldonia, B. B. sings, why is your big head so hard? A rodeo brought folks together to stir up dust...Rodeo Caldonia, it was.

Lisa Jones, Bulletproof Diva (1994)

Performances

In 1985, Rodeo Caldonia High-Fidelity Performance Theater staged their first performance.[7] While an active organization, the collective produced two plays Carmella & King Kong and Combination Skin and one poetry revue, “Welcome to the Black Aesthetic,” that was not publicly performed.[8] Carmella & King Kong was billed as “an act of jungle love” between Kong and the pagan goddess Carmella, who eventually loses her mind. The play was performed with photographed projected on stage above the actors. Lisa Jones recalled that the group was “taken to task” for including photographs of “bare black breasts” next to an image of Fannie Lou Hamer.[9] Actress Sandy Wilson played the character "Torch Singer".[10]

Combination Skin was described by Lisa Jones as "a one-act comedy...about a futuristic game show called $100,000 Tragic Mulatto, which "explores the tragic mulatoo myth and the American crossover dream."[11] Rodeo Caldonia first produced Combination Skin in a workshop at St. Marks Church in New York City in December 1986. The play later premiered at Company One in Hartford, CT, in 1992.[12][13] Combination Skin went on to premiere at Company One in Hartford, CT, in 1992. The New York Times Theater review called her "a fresh talent" and praised her "all-consuming vision".[14] Combination Skin was anthologized in Contemporary Plays by Women of Color.[15]

Membership

Rodeo Caldonia artists over the years included several Black women artists who were writers, actors, and musicians:[1][16][17][18]

  1. Donna Berwick, costume designer
  2. Chakaia Booker
  3. Celina Davis, dancer and writer
  4. Raye Dowell, actress
  5. Candace Hamilton
  6. Kellie Jones, writer and art historian
  7. Lisa Jones, playwright and journalist
  8. Suzanne Kelly
  9. Alice Norris, artist
  10. Alva Rogers, actress and singer
  11. Daphne Rubin-Vega, dancer, singer-songwriter
  12. Lorna Simpson, photographer
  13. Stephanie L. Jones
  14. Suzanne Y. Jones
  15. Pamala Tyson, actress
  16. Amber Sunshower Villenueva, actress
  17. Sandye Wilson, actress and director
  18. Derin Young, singer and songwriter

Remembered

In 2015, collective co-founders Lisa Jones and Alva Rogers reminiscent with cultural critic Greg Tate at an event titled "Remembering Rodeo Caldonia" at the Pillow Cafe Lounge in Brooklyn.[19][20]

The history of Rodeo Caldonia was included in the 2017 travelling exhibition and accompanied sourcebook, We Wanted a Revolution: Black Radical Women, 1965-1985, sponsored by the Brooklyn Museum. The exhibition was presented at the Brooklyn Museum, the California African American Museum, the Albright-Knox Art Gallery, and the Institute of Contemporary Art/Boston.[21][22] The California African American Museum hosted a talk called "The Life and Times of Rodeo Caldonia". Panelists included Lisa Jones and Alva Rogers and Derin Young.[23]

External Sources

High Performance, a performance arts magazine, Issue #35, 1986.[24] Includes photo of the collective.

Interview magazine, 1986. Includes photograph of members of the collective.[25]

gollark: If the gnomes are invisible how are they considered infected?
gollark: Plotting out your entire study of things years in advance is probably not useful.
gollark: Sign errors really are highly.
gollark: Something something semipermeable membrane something something concentration gradient.
gollark: Fascinating.

References
  1. "Black Artstory - Remembering Rodeo Caldonia | Lisa Jones + Alva Rogers in conversation with Culture Critic Greg Tate". Myrtle Avenue Brooklyn Partnership. Retrieved 2020-07-18.
  2. "Members of '80s Theater Collective Reunite for the First Time". DNAinfo New York. Retrieved 2020-07-18.
  3. Taumann, Beatrix (1999). "Strange Orphans": Contemporary African American Women Playwrights. Königshausen & Neumann. ISBN 978-3-8260-1681-3.
  4. Jones, Lisa (1995). Bulletproof diva: tales of race, sex, and hair. Anchor Books. pp. 127–128. ISBN 978-0-385-47123-7. Retrieved 18 July 2020.
  5. "We Wanted a Revolution docent packet" (PDF). albrightknox.org. Retrieved 18 July 2020.
  6. Ellis, Trey (1989). "The New Black Aesthetic". Callaloo (38): 233–243. doi:10.2307/2931157. ISSN 0161-2492. Retrieved 18 July 2020.
  7. "We Wanted a Revolution: Black Radical Women, 1965–85 Timeline | Albright-Knox". www.albrightknox.org. Retrieved 2020-07-18.
  8. Jones, Lisa (1995). Bulletproof diva: tales of race, sex, and hair. Anchor Books. p. 127. ISBN 978-0-385-47123-7. Retrieved 18 July 2020.
  9. Jones, Lisa (1995). Bulletproof diva: tales of race, sex, and hair. Anchor Books. pp. 127, 133. ISBN 978-0-385-47123-7. Retrieved 18 July 2020.
  10. Jones, Lisa (1995). Bulletproof diva: tales of race, sex, and hair. Anchor Books. p. 137. ISBN 978-0-385-47123-7. Retrieved 18 July 2020.
  11. "We Wanted a Revolution docent packet" (PDF). albrightknox.org. Retrieved 18 July 2020.
  12. Taumann, Beatrix (1999). "Strange Orphans": Contemporary African American Women Playwrights. Königshausen & Neumann. ISBN 978-3-8260-1681-3. Retrieved 18 July 2020.
  13. Uno, Roberta (2005). Contemporary Plays by Women of Color: An Anthology Lisa Jones chapter. Routledge. p. 308. ISBN 978-1-134-82380-2. Retrieved 18 July 2020.
  14. Klein, Alvin. "Theater Review: In the 90's, Questions Of Color And Identity", New York Times, October 18, 1992.
  15. Perkins, Kathy and Uno, Roberta (1996). Contemporary Plays by Women of Color: an anthology. London: Routledge. ISBN 0-415-11378-4
  16. "How the black radical female artists of the '60s and '70s made art that speaks to today's politics". Los Angeles Times. 2017-12-29. Retrieved 2020-07-18.
  17. We wanted a revolution Black radical women, 1965-85: a sourcebook. 2017. pp. 300–301. ISBN 978-0-87273-183-7. Retrieved 18 July 2020.
  18. Jones, Lisa (1995). Bulletproof diva: tales of race, sex, and hair. Anchor Books. pp. 128–129. ISBN 978-0-385-47123-7. Retrieved 18 July 2020.
  19. "Members of '80s Theater Collective Reunite for the First Time". DNAinfo New York. Retrieved 18 July 2020.
  20. "MoCADA". MoCADA. Retrieved 18 July 2020.
  21. We wanted a revolution Black radical women, 1965-85: a sourcebook. 2017. pp. 10–11. ISBN 978-0-87273-183-7. Retrieved 18 July 2020.
  22. "The Los Angeles Times - Making Themselves Seen". Newspapers.com. 30 Dec 2017. Retrieved 18 July 2020.
  23. "CAAM | The Life and Times of Rodeo Caldonia". caamuseum.org. Retrieved 18 July 2020.
  24. "High Performance Magazine Records". oac.cdlib.org. Retrieved 18 July 2020.
  25. Jones, Lisa (1995). Bulletproof diva: tales of race, sex, and hair. Anchor Books. p. 135. ISBN 978-0-385-47123-7. Retrieved 18 July 2020.
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