Robert Wright (musical writer)

Robert Wright
Robert Wright
Birth name	Robert Craig Wright
Born	September 25, 1914; Daytona Beach, Florida, U.S.
Died	July 27, 2005 (aged 90); Miami, Florida, U.S.
Genres	Musical theatre
Occupation(s)	Songwriter, lyricist
Associated acts	George Forrest

Robert Craig Wright (September 25, 1914 – July 27, 2005), also known as Bob Wright, was an American composer-lyricist for Hollywood and the musical theatre, best known for the Broadway musical and musical film Kismet, for which he and his professional partner George Forrest adapted themes by Alexander Borodin and added lyrics. Kismet was one of several Wright and Forrest creations that was commissioned by impresario Edwin Lester for the Los Angeles Civic Light Opera. Song of Norway, Gypsy Lady, Magdalena, and their adaptation of The Great Waltz were also commissioned by Lester for the LACLO. The LACLO then exported most of these productions to Broadway.

For the television writer, see Rob Wright (writer).

Wright was born in Daytona Beach, Florida, United States.[1] Wright and Forrest had an affinity for adapting classical music themes and adding lyrics to these themes for Hollywood and the Broadway musical stage. Wright said that the music was usually a 50-50 "collaboration" between Wright and Forrest and the composer.[1] While both men were credited equally as composer-lyricists, it was Forrest who worked with the music. Forrest and Wright won a Tony Award for their work on Kismet and, in 1995, they were awarded the ASCAP Foundation Richard Rodgers Award.[2]

He was cremated at Cofer-Kolski-Combs mortuary, Miami, and his ashes given to his executor.[3]

Film work

(1936) New Shoes (short feature), After the Thin Man, Maytime, The Longest Night, Libeled Lady, Sinner Take All
(1937) Bad Man of Brimstone, The Firefly, The Good Old Soak, London by Night, Madame X, Mama Steps Out, Mannequin, Man of the People, Navy Blue and Gold, Parnell, Saratoga, You're Only Young Once
(1938) Broadway Serenade, The First Hundred Years, The Girl Downstairs, Happily Buried (short feature), The Hardys Ride High, Honolulu, Let Freedom Ring, Lord Jeff, The Magician's Daughter (short feature), Marie Antoinette, Nuts and Bolts (short feature), Our Gang Follies (short feature), Paradise for Three, Snow Gets in Your Eyes (short feature), Sweethearts, Three Comrades, The Toy Wife, Vacation from Love
(1939) Balalaika, Florian, Music in My Heart, The New Moon, Strange Cargo, These Glamour Girls, The Women
(1940) "Blondie Goes Latin", "Dance, Girl, Dance", "Kit Carson", "South of Pago-Pago"
(1941) "Cubana", "Fiesta", "Playing with Music", "I Married an Angel", "Rio Rita"
(1955) "Kismet", "Make Believe Ballroom", "Rainbow 'Round My Shoulder"
(1970) Song of Norway (This film featured adaptations of different music of Edvard Grieg than that of the 1944 Broadway show of the same title.)
(1972) The Great Waltz

Hit songs of their day include "The Donkey Serenade" (written with composer Herbert Stothart "based on a theme of Rudolf Friml") from "The Firefly", "Always and Always" from Mannequin and "It's a Blue World" from Music in My Heart.

Shows

Song of Norway (1944); adapting the music of Edvard Grieg
Gypsy Lady (Romany Love) (1947); using the music of Victor Herbert
Magdalena (1948); using the music of Heitor Villa-Lobos, working directly with the composer
The Great Waltz (1949); adapting the music of Johann Strauss
Kismet (1953); adapting the music of Alexander Borodin
At the Grand (1958); original music and lyrics
The Love Doctor (London, 1959); original music and lyrics
Kean (1961); original music and lyrics
Anya (1965); adapting the music of Sergei Rachmaninoff
Timbuktu! (1978); a reworking of Kismet for an African-American cast, adding a few new songs
Grand Hotel (1989); a reworking of At the Grand with additional music and lyrics by Maury Yeston

Hit songs of their day include "Strange Music" from Song of Norway; and Stranger in Paradise, "Baubles, Bangles and Beads" and "And This Is My Beloved" from Kismet.

gollark: Anyway, hopefully as time goes on software development tools will get better and more expressive, we may get a non🐝 programming language, and I may actually be able to implement minoteaur!

gollark: Essentially.

gollark: It uses this mildly hellish JSON syntax (`!["Protected or Pinned", "ignored", "or", [["content.protected", "=", true], ["pinned", "=", true]]]`) but I figure you could make them SQL or Lua or something/

gollark: https://docs.standardnotes.org/usage/tags

gollark: Notably, you can have tags with some amount of logic in them for filtering based on various predicates.

References

Colin Larkin, ed. (2002). The Virgin Encyclopedia of Fifties Music (Third ed.). Virgin Books. pp. 509/10. ISBN 1-85227-937-0.
Robert Hanley (October 12, 1999). "George Forrest, 84, Songwriter For Broadway, Films and Clubs". The New York Times. Archived from the original on July 16, 2012.
Wilson, Scott. Resting Places: The Burial Sites of More Than 14,000 Famous Persons, 3d ed.: 2 (Kindle Locations 52054-52055). McFarland & Company, Inc., Publishers. Kindle Edition.

External links

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[Larkin50-1] Colin Larkin, ed. (2002). The Virgin Encyclopedia of Fifties Music (Third ed.). Virgin Books. pp. 509/10. ISBN 1-85227-937-0.

[2] Robert Hanley (October 12, 1999). "George Forrest, 84, Songwriter For Broadway, Films and Clubs". The New York Times. Archived from the original on July 16, 2012.

[3] Wilson, Scott. Resting Places: The Burial Sites of More Than 14,000 Famous Persons, 3d ed.: 2 (Kindle Locations 52054-52055). McFarland & Company, Inc., Publishers. Kindle Edition.