Ramzi Aburedwan

Ramzi Aburedwan (Arabic:رمزي أبو رضوان, born 1979) is a Palestinian composer, arranger, educator; and viola and buzuq player. He is the bandleader of Ensemble Dal’Ouna and the Palestine National Ensemble of Arabic Music. He founded the al Kamandjâti music centre and has collaborated with several international and renowned musicians.[1][2] He first studied at the Edward Said National Conservatory of Music and then in the Regional Conservatory of Angers (France). Several documentaries have been made of his life, including Its Not a Gun (2005) and Just Play (2012).[3][4] He is the main subject of the book Children of the Stone: The Power of Music in a Hard Land by Sandy Tolan (2015).[5]

Ramzi Aburedwan
رمزي أبو رضوان
Background information
Born1979 (age 40–41)
Bethlehem, West Bank
Genresclassical, folk
Occupation(s)Musician, composer, educator
Instrumentsviola, buzuq
Years active1998–present
Websitewww.ramziaburedwan.com

Biography

He was born in Bethlehem in 1979 and raised in the Am'ari refugee camp in Ramallah.[1][6]

As an eight-year-old he participated in the first intifada and became an inspiration due to a widely circulated photograph showing him poised to throw a stone at a tank.[7] He lost a brother, a cousin and many of his friends during the intifada.[8]

In October 2002 he founded al Kamandjâti ("the violinist") Association, which aims to bring classical music to impoverished Palestinian children.[1][9]

In 2010 he founded the Palestine National Ensemble of Arabic Music, a 30-member ensemble which performs classical Arabic music and original compositions.[10]

In 2012 he released his solo album, Reflections of Palestine, described by David Maine as folk-inflected instrumental music.[7]

Discography
  • Reflections of Palestine (2012)

Further reading
  • S. Tolan, Children of the Stone:The Power of Music in a Hard Land, Bloomsbury, 2015. ISBN 9781608198139[5]
gollark: Pangrams are just meant to have all the letters of the alphabet. Your thing is nonrepeated letters.
gollark: These are pangrams, not your similar thing, so they all have repetition.
gollark: "The quick brown fox jumps over the lazy dog", the traditional not-very-good one, has that too.
gollark: Also "The five boxing wizards jump quickly".
gollark: "Jived fox nymph grabs quick waltz" and "Sphinx of black quartz, judge my vow" are two good not-quite-perfect pangrams.

References
  1. Flood, Zoe (8 December 2008). "Palestine's secret oasis". New Statesman. 137 (4926): 56–57.
  2. Belkind, Nili (2014). Music in Conflict: Palestine, Israel, and the Politics of Aesthetic Production (Columbia University thesis). p. 77.
  3. Belkind, Nili (2014). Music in Conflict: Palestine, Israel, and the Politics of Aesthetic Production (Columbia University thesis). p. 63.
  4. Chimenti, Dimitri (Director) (2012-11-01). Just Play (Documentary, Adventure, Music). Event occurs at 58 min.
  5. "Children of the Stone". Bloomsbury. Retrieved 28 March 2015.
  6. Gray, Louise (September 2012). "Reflections of Palestine". New Internationalist (455): 34.
  7. Maine, David. "Ramzi Aburedwan: Reflections of Palestine". popmatters. Retrieved 29 November 2014.
  8. Belkind, Nili (2014). Music in Conflict: Palestine, Israel, and the Politics of Aesthetic Production (Columbia University thesis). p. 61.
  9. Meredith, William; Keating, Corey (2009). "Beethoven Miscellanea". The Beethoven Journal. 24 (1): 48–50.
  10. Belkind, Nili (2014). Music in Conflict: Palestine, Israel, and the Politics of Aesthetic Production (Columbia University thesis). p. 91.
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