Prince Bojidar Karageorgevitch

Prince Bojidar Karageorgevitch (Serbian: Кнез Божидар Карађорђевић / Knez Božidar Karađorđević; 11 January 1862 – 2 April 1908) was a Serbian artist, art writer, world traveller, and member of the Serbian Karađorđević dynasty. He gave singing and drawing lessons and later earned his living as an art critic and translator. He was a contributor to the Encyclopædia Britannica, Le Figaro, La Revue de Paris, Revue des Revues, Magazine of Art, and other publications.

Prince Bojidar
Born(1862-01-11)11 January 1862
Principality of Serbia
Died2 April 1908(1908-04-02) (aged 46)
Versailles, French Third Republic
HouseKarađorđević
FatherPrince George Karađorđević
MotherSara (Sarka) Karađorđević
Signature

Life

Prince Bojidar belonged to the senior line of the Karađorđević dynasty (his older brother was Prince Alexis Karađorđević). He was the second son of Prince George Karađorđević and his wife Sara Karađorđević (born Sara Anastasijević). His grandfather Prince Aleksa was the eldest son of Karađorđe Petrović, the founder of the House of Karađorđević and leader of the First Serbian Uprising.

Prince Bojidar lived in France for most of his life as the members of the Karađorđević dynasty were in exile after Prince Alexander Karađorđević lost the Serbian throne in 1858. Bojidar traveled a lot and went on a number of trips around the world. He served in the French Army and fought in the French campaign at Tonking and was decorated with the Cross of the Legion of Honour.[1] To earn a living he gave singing and drawing lessons before becoming a translator and journalist.[2] He visited Serbia twice at the turn of the century (1897 and either late 1899 or early 1900), both times semi-incognito, trying to evaluate the general feel in the population about a possible replacement of the Obrenović dynasty with the Karađorđevićs should King Alexander Obrenović die childless, as was expected to happen at the time, due to the King's marriage with Queen Draga of an age beyond childbirth years at the time. He also visited Serbia once after his second cousin once removed King Peter I Karađorđević was enthroned but became disillusioned with the treatment he received (mostly ignored by his regal relative).

During one of his trips abroad, he traveled extensively around India, visiting thirty-eight cities. He wrote a book about his experiences called Enchanted India in which he offered an account of the Indian people, their religious rites, and other ceremonies. He also provided detailed descriptions of the Indian landscape and buildings.[3] He also translated works of Tolstoy and Hungarian dramatist Mór Jókai.

Taking an interest in art, he visited Munich, Dresden, and Berlin and spent some months in Italy; afterward, he settled in Paris. There he regularly contributed articles to the Figaro, La Revue de Paris, the Magazine of Art (Ilya Repin, Jules Bastien-Lepage), including a biography of Marie Bashkirtseff in the Encyclopædia Britannica, 11th Edition, Vol. III. Like all journalists he was drawn to the cabarets of Montmartre, the haunt of artists, writers, poets, philosophers. It was there he met and befriended French stage actress Sarah Bernhardt, pioneer of modern dance Loïe Fuller, French poet, novelist and noted orientalist Judith Gautier, Suzanne Meyer-Zundel, Austrian composer Hugo Wolf, painter and illustrator Henri de Toulouse-Lautrec, and founder of the Ballets Russes Sergei Diaghilev. Biographer Stevan K. Pavlowitch claims that the Prince was openly gay and had no relationship with women except purely platonic.[4]

Prince Bojidar's grave at Père-Lachaise Cemetery.

In his later years Prince Karadjordjevitch turned his attention in decoration, and executed panels and medallions for a Paris atelier as a designer, sculptor, painter and silversmith, and often spent time with Georges Lacombe, Émile Bernard, Édouard Vuillard, Paul Sérusier and other members of Les Nabis. Karageorgevitch's paintings, illustrations, watercolors and silversmith works were first exhibited in Belgrade in 1908.

As a journalist and a publicist, he advocated the emancipation of all Slavs and Romanians under the Habsburg Monarchy; he also favored the emancipation of the small states in the south-east of Europe, particularly Serbian lands, from Turkish supremacy. Prince Karadjordjevitch, who is known to a wider circle as a friend of the writer Pierre Loti and the great Russian artist Marie Bashkirtseff, published some reminiscences, La Vie Multiple, and Notes sur L'Inde, both issued posthumously. Marie Bashkirtseff's friend since adolescence, Karadjordjevitch stood by her side during her last days and he was present at her deathbed. She was only 25 when she died, a victim of tuberculosis, in 1884. On the 20th anniversary of her death, in 1904 January edition of Revue des Revues, Karadjordjevitch would describe Bashkirtseff's last moments:

Marie rises a bit, releases a soft sigh, the sigh of tiny children when waking, and two thick tears roll down her cheek....then her head falls again into the pillow.

He died at Versailles on 2 April 1908.[5]

Works

Media related to Prince Bojidar Karageorgevitch at Wikimedia Commons

  • Karageorgevitch, Prince Bojidar (1899). Enchanted India. Harper & Brothers, New York.
gollark: Also module descriptions.
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gollark: CS is theoretical, the others are more appliedererer, QED.
gollark: You should definitely further maths, regular maths does not even have matrices or complex numbers.
gollark: Also, because of ridiculous timings, you have to apply *before* having A-level grades, then do A-levels and hope you get the grades they required in their offer.

References

  1. The New York Times. 12 June 1913. p. 2. Missing or empty |title= (help)
  2. Knapp, Bettina Liebowitz (2004). Judith Gautier: Writer, Orientalist, Musicologist, Feminist, a Literary Biography. University Press of America. p. 277. ISBN 0-7618-3000-6.
  3. "Two Books about India". The New York Times. 29 July 1898. pp. BR501.
  4. Profil magazine, Issue 22, reprinted here in Serbian
  5. "Death of a Servian Prince". The New York Times. 26 April 1908. pp. C2.
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