Portrait of Maria Luisa of Parma
Portrait of Maria Luisa of Parma is a portrait of Maria Luisa of Parma, wife of Charles IV of Spain, produced as a pendant painting to a portrait of her husband.[1] Both works were long thought to be a copy after an autograph work by Francisco Goya, but they have now been definitively reattributed as autograph works by Goya himself, produced late in the 18th century. Goya was a court artist to the royal family, though most of his paintings of them are still in the Prado Museum. The two works were commissioned by the couple's daughter Maria Isabella of Spain. They were sent to Maria Isabella and they are both now in the National Museum of Capodimonte in Naples.[2]
Sources
- Mario Sapio, Il Museo di Capodimonte, Napoli, Arte'm, 2012. ISBN 978-88-569-0303-4
- Touring Club Italiano, Museo di Capodimonte, Milano, Touring Club Editore, 2012. ISBN 978-88-365-2577-5
gollark: Also the "electric universe" thing seems to contradict half of physics and cannot, thus, be supported by it.
gollark: I don't think you know how this works.
gollark: If being a normie means actually knowing correct physicsy things, then sure, that seems fine?
gollark: Also that, yes.
gollark: The fact that it's a giant set of folders with poor structuring?
References
- "SPMN - Museo di Capodimonte (Sito Ufficiale)". 2015-02-03. Archived from the original on 2015-02-03. Retrieved 2018-10-23.
- Utili, Mariella; Spinosa, Nicola (20 November 2018). "Museo di Capodimonte". Touring Editore. Retrieved 20 November 2018 – via Google Books.
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