Paul Gonsalves

Paul Gonsalves ((1920-07-12)July 12, 1920(1974-05-15)May 15, 1974) was an American jazz tenor saxophonist[1] best known for his association with Duke Ellington. At the 1956 Newport Jazz Festival, Gonsalves played a 27-chorus solo in the middle of Ellington's "Diminuendo and Crescendo in Blue,"[2] a performance credited with revitalizing Ellington's waning career in the 1950s.[3]

Paul Gonsalves
Background information
Born(1920-07-12)July 12, 1920
Brockton, Massachusetts, U.S.
DiedMay 15, 1974(1974-05-15) (aged 53)
London, England
GenresJazz, swing, bebop
Occupation(s)Musician
InstrumentsTenor Saxophone
Years active1938–1974
LabelsRCA Victor, Impulse!, Riviera, Black Lion
Associated actsPhil Edmonds, Sabby Lewis, Count Basie, Dizzy Gillespie, Duke Ellington

Biography

Born in Brockton, Massachusetts, to Cape Verdean parents, Gonsalves' first instrument was the guitar, and as a child he was regularly asked to play Cape Verdean folk songs for his family. He grew up in New Bedford, Massachusetts, and played as a member of the Sabby Lewis Orchestra. His first professional engagement in Boston was with the same group on tenor saxophone, in which he played before and after his military service during World War II.[4] Before joining Duke Ellington's orchestra in 1950, he also played in big bands led by Count Basie (1947–1949) and Dizzy Gillespie (1949–1950).

At the 1956 Newport Jazz Festival, Gonsalves' solo in Ellington's song "Diminuendo and Crescendo in Blue" went through 27 choruses; the publicity from this performance is credited with reviving Ellington's career.[5] The performance is captured on the album Ellington at Newport. Gonsalves was a featured soloist in numerous Ellingtonian settings. He received the nickname "The Strolling Violins" from Ellington for playing solos while walking through the crowd.[6]

Gonsalves died in London a few days before Duke Ellington's death, after a lifetime of addiction to alcohol and narcotics.[7] Mercer Ellington refused to tell Duke of the passing of Gonsalves, fearing the shock might further accelerate his father's decline. Ellington and Gonsalves, along with trombonist Tyree Glenn, lay side by side in the same New York funeral home for a period of time.[8]

Gonsalves is buried at the Long Island National Cemetery in Farmingdale, New York.

On June 25, 2019, The New York Times Magazine listed Paul Gonsalves among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.[9]

Discography

As leader/co-leader

As sideman

With Duke Ellington

With Eddie "Lockjaw" Davis

With Johnny Hodges

With John Lewis

With Billy Taylor

With Clark Terry

With Jimmy Woode

With Joya Sherrill
gollark: I consider commodification cool and good™ as it means I can get nice undifferentiated products without having to care about the exact details of it and probably paying more.
gollark: Because those are quite important.
gollark: Do you mean "capital" in the sense of "human-made things you use to produce things"?
gollark: Have you tried 8values?
gollark: But they have inequality basically builtin so bee them.

References

  1. "Paul Gonsalves", Allaboutjazz.com. Archived September 15, 2009, at the Wayback Machine
  2. Allmusic biography
  3. Larson, Thomas E. The History and Tradition of Jazz, p. 106. Google Books.
  4. Carr, Ian and Digby Fairweather, Brian PriestleyThe Rough Guide to Jazz. Google Books.
  5. Martin, Henry and Keith Waters Jazz: the first 100 years, Cengage Learning, p. 150. Google Books.
  6. "Paul Gonsalves, Ellington band saxophonist," May 18, 1974. St. Petersburg Times
  7. Downbeat magazine, March 16, 1961, page 11, reports "Ellingtonians arrested in Vegas" "Ray Nance, Willie Cook. Andrew (Fats) Ford as well as Paul Gonsalves...the sheriff's squad seized...heroin plus hypodermic needles, eye droppers and other paraphernalia of the narcotic user"
  8. Hasse, John Edward Beyond Category: The Life and Genius of Duke Ellington, Da Capo Press, p. 385. Google Books.
  9. Rosen, Jody (June 25, 2019). "Here Are Hundreds More Artists Whose Tapes Were Destroyed in the UMG Fire". The New York Times. Retrieved June 28, 2019.
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