Patrick Caulfield

Patrick Joseph Caulfield, CBE, RA (29 January 1936 – 29 September 2005), was an English painter and printmaker known for his bold canvases, which often incorporated elements of photorealism within a pared-down scene. Examples of his work are Pottery and Still Life Ingredients.

Patrick Caulfield
After Lunch, 1975, Tate Gallery
Born
Patrick Joseph Caulfield

29 January 1936
Acton, Middlesex, England
Died29 September 2005 (aged 69)
London, England
NationalityBritish
EducationChelsea School of Art, 1956–1959 Royal College of Art, 1960–1963
Known forPainting, Printmaking
Notable work
After Lunch, 1975

Still Life with Dagger, 1963

Les Demoiselles d'Avignon vues de derrière, 1999
AwardsPrix des Jeunes Artistes, 1965

Royal Academician, 1993 Jerwood Painting Prize, 1995 London Institute Honorary Fellowship, 1996

Commander of the Order of the British Empire, 1996
Still Life with Dagger, 1963, Tate Gallery

Early life

Patrick Joseph Caulfield was born on 29 January 1936 in Acton, west London. During the second world war Caulfield's family returned to Bolton in 1945, where his parents were born, to work at the De Havilland factory. Leaving Acton Secondary Modern at the age of 15, Caulfield secured a position as a filing clerk at Crosse & Blackwell and later transferred to the design studio, working on food display and carrying out menial tasks. At 17, he joined the Royal Air Force at RAF Northwood, pre-empting requirement for national service. Inspired by the 1952 film Moulin Rouge about the artist Henri de Toulouse-Lautrec, he spent his free time attending evening classes at Harrow School of Art (now part of the University of Westminster).[1][2]

Studies and Work

Patrick Caulfield studied at Chelsea School of Art from 1956 to 1960[3], and during this time he won two prizes which funded a trip he made to Greece and Crete upon graduation. The visit to the island proved important, with Caulfield finding inspiration in the Minoan frescoes and the bright, hard colours on Crete.[4] One of his greatest friends was the abstract painter John Hoyland, whom he first met at the Young Contemporaries exhibition in 1959.[5] Progressing to the Royal College of Art from 1960 to 1963,[6] his contemporaries included David Hockney and Allen Jones.[7] He taught at Chelsea School of Art from 1963–71.[6] In 1964, he exhibited at the New Generation show at London's Whitechapel Gallery, which resulted in him being associated with the pop art movement. This was a label Caulfield was opposed to throughout his career, seeing himself rather as "a 'formal' artist".[1]

From the mid-1970s he incorporated more detailed, realistic elements into his work; After Lunch (1975) is an early example. Still-life: Autumn Fashion (1978) contains a variety of styles – some objects have heavy black outlines and flat colour, but a bowl of oysters is depicted more realistically and other areas are executed with looser brushwork. Caulfield later returned to his earlier, more stripped-down style of painting.

Caulfield's paintings are figurative, often portraying a few simple objects in an interior. Typically, he used flat areas of simple colour surrounded by black outlines.[8] Some of his works are dominated by a single hue.

In 1987, Caulfield was nominated for the Turner Prize for his show The Artist's Eye at the National Gallery in London.[9] In 1996 he was made a CBE.

On 24 May 2004, a fire in a storage warehouse destroyed many works from the Saatchi collection, including three by Caulfield. In September 2010 Caulfield and five other British artists, Howard Hodgkin, John Walker, Ian Stephenson, John Hoyland, and R.B. Kitaj were included in an exhibition entitled The Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art.[10][11]

He died in London in 2005 and is buried in Highgate Cemetery. His estate is represented by Alan Cristea Gallery and Waddington Custot Galleries in London. His work is held in the private collections of Charles Saatchi and David Bowie.[12]

Patrick Caulfield's grave in Highgate Cemetery, with headstone simply stating "DEAD", designed by Caulfield himself [13]

Commissions

Later in his career, Caulfield worked on several commissions in addition to his painting and printmaking. In 1990 he designed a stained glass window for The Ivy restaurant, it is visible from within the restaurant and on its exterior. In 1992 he designed a 12-metre carpet for the British Council's Manchester headquarters and in 1984 and 1995 set designs for Party Game and Rhapsody (respectively) at the Royal Opera House.[14] Caulfield painted the doors of the Great West Organ at Portsmouth Cathedral in 2001.

Selected solo exhibitions
  • 2013 Tate Britain, London, UK
  • 2009 Prints 1964–1999, Alan Cristea Gallery, London, UK
  • 2006 Royal Academy, London, UK (Special Summer Exhibition Show)
  • 2006 Tate Liverpool, Liverpool, UK
  • 1999 Hayward Gallery, London, UK
  • 1996 Claudine Papillon, Paris, France
  • 1992–93 Retrospective, Serpentine Gallery, London, UK
  • 1989 Waddington Galleries, London
  • 1985 Waddington Galleries, London, UK
  • 1982 Retrospective, Nishimura Gallery, Tokyo, Japan
  • 1981 Patrick Caulfield: Paintings 1963–81, Walker Art Gallery, Liverpool, UK (touring to Tate Britain, London and Waddington Galleries, London, UK)
  • 1978 Tate Gallery, London, UK
  • 1968 Robert Elkon Gallery, New York, UK
  • 1965 Robert Fraser Gallery, Britain, London

Selected public collections

UK

USA

Australia

Notes
  1. Feaver, William (2 October 2005). "Obituary: Patrick Caulfield". The Guardian. London. Retrieved 21 June 2013.
  2. Patrick Caulfield on Telegraph Obituaries
  3. https://www.waddingtoncustot.com/artists/33-patrick-caulfield/biography/
  4. "Patrick Caulfield". The Daily Telegraph. London. 30 September 2005.
  5. Lambirth, Andrew (2009). John Hoyland: Scatter the Devils. Norwich: Unicorn Press. p. 88. ISBN 978-1-906509-07-1.
  6. Caulfield 1992, p. 81.
  7. Burn 2006.
  8. Caulfield 1992, p. 10.
  9. http://www.artnet.com/artists/patrick-caulfield/
  10. Channeling American Abstraction, Karen Wilkin, Wall Street Journal Retrieved 7 October 2010
  11. NY Times, exhibition review Retrieved 15 December 2010
  12. Gleadell, Colin (27 May 2013). "Patrick Caulfield to be honoured with three exhibitions next week". The Telegraph. London.
  13. highgatecemetery.org
  14. "Archived copy". Archived from the original on 8 February 2013. Retrieved 26 November 2012.CS1 maint: archived copy as title (link)
gollark: - alien life does not have to match ours in any way- that isn't true for Earth life either
gollark: How can you possibly know that?
gollark: They will probably be really different to humans in various ways. Why would they care at all?
gollark: Become the manager.
gollark: Nobody has to know.

References
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