Pamela Rooke

Pamela Rooke (born 23 June 1955 in Seaford, East Sussex, England), also known as Jordan and Jordan Mooney, is an English model and actress noted for her work with Vivienne Westwood and the Sex boutique in the Kings Road area of London in the mid-1970s, and for attending many of the early Sex Pistols performances. Her style and dress sense—a bleached platinum-blonde bouffant hairdo with dark raccoon-like eye make-up—made her a highly visible icon of the London punk subculture.[1] Along with Johnny Rotten, Soo Catwoman and Siouxsie Sioux, she is credited with creating the W10 London punk look.

For the 1990s model known as Jordan, see Katie Price.
Not to be confused with Pamela Rooks.

She took the single name Jordan at age 14 in Seaford.[2] When Jordan first walked into 430 King's Road, London,[3] wearing gold stilettos, a see-through net skirt, with a white bouffant hairstyle,[4] it had just changed to SEX,[2] "but there wasn't a position at the time so I got a job in Harrods, on the third floor in a place called Way In. ... A few weeks later I then got a call from Michael [Collins, the manager] asking if I could come in... Malcolm [Maclaren] had been in New York with The New York Dolls when I was hired".[2]

Rooke commuted for two hours[5] each day to London from Seaford, East Sussex, on the south coast.[6] She recalled that her punk image caused problems for her:

I commuted for about two years. I had some real bad dos on the train. I had tourists trying to pay me for my photo…worse than that, mothers saying that I'm upsetting their children and debauching them and how dare I get on a train looking like that. Somebody tried to throw me off the train one day, literally out the door, so British Rail told me to go sit in first class, get out of trouble.[7]

In the late 1970s, she served as an early manager for Adam and the Ants. She recorded the track "Lou" (about Lou Reed) as a guest lead vocalist with the band for BBC Radio 1 DJ John Peel's Peel Sessions and often performed the song live with them from mid-1977 up to May 1978 when she left the band.[2] In the 1980s, she managed the band Wide Boy Awake, in which her then-husband Kevin Mooney was a guitarist. Mooney had previously been a bassist of Adam and the Ants.[8]

She made a cameo appearance in Derek Jarman's debut film Sebastiane, and played the lead role in his follow-up film Jubilee as the punk "anti-historian" Amyl Nitrate (named after the drug amyl nitrite). She can also be seen in Julien Temple's The Great Rock and Roll Swindle wearing an "Only anarchists are pretty" t-shirt and appearing on stage with the Sex Pistols during their first live television performance of "Anarchy in the U.K." in August 1976.

In 1984, after divorcing Mooney, she returned to Seaford, now breeding Burmese cats and working as a veterinary nurse. Rooke's autobiography, published by Omnibus Press: "Defying Gravity: Jordan's Story" with Cathi Unsworth was published in 2019.[9][10]

Notes
  1. JP (7 October 2010). "THE FILTH & THE FASHION - VIVIENNE WESTWOOD'S '70s SEX RAG REVOLUTION".
  2. Baron, Katie (17 August 2016). "A rare interview with Jordan, punk's enigmatic frontwoman". Dazed. Retrieved 23 November 2017.
  3. Claire, Marie (26 October 2015). "Anarchy In The UK: A Brief History Of Punk Fashion". Marie Claire.
  4. Oliver, Mark (6 February 2004). "Jordan: exclusive interview" – via www.theguardian.com.
  5. "Seaford, UK to The Clockhouse". Google Maps.
  6. "Fury's fashion people: The sartorial genius of Jordan (no, not that one)". The Independent. 30 November 2013.
  7. Colegrave & Sullivan, Punk: A Life Apart, Cassell & Co, 2004, p.127.
  8. 3:AM Magazine. The World's Forgotten Boy
  9. "Jordan Mooney autobiography - Defying Gravity". www.facebook.com.
  10. Paul Tierney (23 April 2019). "Interview - Jordan, the face of punk: 'The things I wore made people apoplectic'". The Guardian.
gollark: Yes, I am in fact Olivia too.
gollark: Perhaps they're semirandom. Perhaps I devise bespoke bluffs by myself and then share them. Perhaps my bluffs are optimized automatically via testing against high-fidelity computer simulations of all other participants. Perhaps I don't make bluffs but merely disseminate cognitohazards causing perception of bluffs. Perhaps my every word and bluff is meticulously generated to produce minimum guessing of me. Perhaps I never bluff and every word I say is accurate.
gollark: I generate my bluffs via RNG now to avoid the terribleness of human random number generation (heavpoot has data on this), unless I don't and am trying to trick you into not making inferences from them.
gollark: Unless I didn't but am *not* trying to fool you all.
gollark: Unless I didn't and am trying to fool you all, of course.
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