Ourselves Alone (film)

Ourselves Alone (released in the US as River of Unrest)[1][2] is a 1936 British film depicting a love story set against the backdrop of the Irish War of Independence. The title is a translation of the Irish slogan Sinn Féin Amháin. It is directed by Brian Desmond Hurst and stars John Lodge, John Loder and Antoinette Cellier.[3][4]

Ourselves Alone
DVD cover
Directed byBrian Desmond Hurst
Written byDudley Lesley
Marjorie Deans
Denis Johnston
Philip MacDonald
StarringJohn Lodge
John Loder
Music byHarry Acres
CinematographyWalter J. Harvey
Brian Langley
Edited byJames Corbett
Distributed byBritish International Pictures
Alliance Films
Release date
27 April 1936
Running time
68 min.
CountryUnited Kingdom
LanguageEnglish

The film was banned in Northern Ireland under the Civil Authorities (Special Powers) Act (Northern Ireland) 1922, but was shown in the Irish Free State and in Great Britain.[5]

Synopsis

The film opens in 1921 with an IRA ambush of a police convoy carrying two captured members of the IRA. Irish Police Inspector Hannay (John Lodge) and British Captain Wiltshire of the Royal Intelligence Corps (John Loder) both turn out to be in love with Maureen Elliot (Antionette Cellier), a sister of the IRA leader. The IRA leader is subsequently shot by Wiltshire. Hannay realises that Maureen is in love with Wiltshire and, as a final gesture, takes the blame for shooting her brother himself. Maureen then helps Captain Wiltshire to escape an IRA trap.

Cast

Reception

One of the earliest reviews (on 10 May 1936) identifies this film as director, Brian Desmond Hurst's breakthrough film, under the banner headline Hitchcock... Capra.... Desmond-Hurst " on B.I.P's "little heard of" 'Ourselves Alone' it states "Remarkably little publicity concerning this production has reached the public, but among those concerned in the business (this time I won't say 'racket') whispers have gone round, like they often do, that it would be worth watching. That whisper should become a shout."

A reviewer in the Irish Times (17 August 1936) under the heading 'Film of the year' stated "If there was any betting on film results I would like to have a little flutter on Ourselves Alone".

Novelist Graham Greene, then film reviewer for The Spectator, noted in July 1936 that this film had been favourably compared to The Informer (1935) by other critics, but dissented from this opinion himself. "One of the silliest pictures which even an English studio has yet managed to turn out", he wrote.[6]

The film was voted the seventh best British movie of 1936.[7]

Books

Theirs is the Glory: Arnhem, Hurst and Conflict on Film takes Hurst's Battle of Arnhem epic as its centrepiece and then chronicles Hurst's life and experiences during the First World War and profiles each of his other nine films on conflict, including Ourselves Alone.[8]

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References

  1. Slide, Anthony (15 December 1998). Banned in the U.S.A.: British Films in the United States and Their Censorship, 1933-1966. I.B.Tauris. ISBN 9781860642548 via Google Books.
  2. "Ourselves Alone (1936)".
  3. Rockett, Kevin; Gibbons, Luke; Hill, John (21 January 2014). Cinema and Ireland. Routledge. ISBN 9781317928584 via Google Books.
  4. McLoone, Martin (7 May 2018). Irish film: the emergence of a contemporary cinema. British Film Institute. ISBN 9780851707921 via Google Books.
  5. Hill, John (2000). "'Purely Sinn Fein Propaganda': The banning of Ourselves Alone (1936)". Historical Journal of Film, Radio and Television. 20 (3): 317–333. doi:10.1080/01439680050127789.
  6. Graham Greene "Stage And Screen: The Cinema", The Spectator, 30 July 1936, p. 15
  7. "BEST FILM PERFORMANCE LAST YEAR". The Examiner (LATE NEWS EDITION and DAILY ed.). Launceston, Tasmania. 9 July 1937. p. 8. Retrieved 4 March 2013 via National Library of Australia.
  8. ISBN 978-1-911096-63-4. Publisher Helion and Company and co-authored by David Truesdale and Allan Esler Smith and a foreword by Sir Roger Moore. Available here: http://www.helion.co.uk/new-and-forthcoming-titles/theirs-is-the-glory-arnhem-hurst-and-conflict-on-film.html%5B%5D
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