Oudenaarde Town Hall

The Town Hall (Dutch: Stadhuis ) of Oudenaarde, Belgium was built by architect Hendrik van Pede in 1526–1537 to replace the medieval Schepenhuis (Aldermen's House) that occupied the same site. Another older structure, the 14th-century Cloth Hall, was retained and now forms a sort of extension at the back of the Town Hall proper.

Town Hall, Oudenaarde

Exterior
Kermesse of Oudenarde, 1617, by Bartholomeus Grondonck

The Oudenaarde Town Hall was a late flowering of secular Brabantine Gothic architecture, carrying on the stylistic tradition of the town halls at Leuven, Brussels, and Middelburg. Above the ground-story arcade with vaulted ceiling, the building displays typical features of its regional forerunners: a richly decorated facade with pointed-arch windows separated by canopied niches, and a steep, dormered roof surrounded by an openwork parapet. The niches, although designed to contain statues, stand empty.

Atop the central belfry tower of six stories with three terraces, a stone crown supports a gilded brass figure of Hanske de Krijger (Hans the Warrior), mythical guardian of the city. The crown on the tower and the double-headed eagles over the attic windows pay homage to a famous visitor to Oudenaarde, Emperor Charles V, who fathered Margaret of Parma here a few years before construction of the Town Hall began.

Interior

The Town Hall initially combined functions of government and commerce, with rooms on the ground floor reserved for traders: the Corn House, Weighhouse and Lower Cloth Hall. Today, this floor accommodates the town's tourism office.

Portal by Pauwel van der Schelden

On the second floor, an elaborate portal crafted by Pauwel van der Schelden opens into the Schepenzaal, where the aldermen of Oudenaarde convened. The People's Hall takes up the front of the same floor, alongside the terrace overlooking the market square. This was the main room for receptions, banquets and entertainment.

The Town Hall boasts a collection of relics from Oudenaarde's past. The tapestries hanging in the Lower Cloth Hall and the adjacent Cloth Hall building represent an art form that brought the city fame between about the 15th–18th centuries. Another specialty of Oudenaarde during that time was the silversmith's trade, whose wares are displayed in the Silver Room on the third floor. The third floor also houses the Municipal Museum with various local art and artifacts.

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