Notes on the Cinematographer
Notes on the Cinematographer (French: Notes sur le cinématographe) is a 1975 book by the French filmmaker Robert Bresson. It collects Bresson's reflections on cinema written as short aphorisms.[1] J. M. G. Le Clézio wrote a preface for a new edition in 1988.[2] The book was published in English in 1977, translated by Jonathan Griffin.[3]
Author | Robert Bresson |
---|---|
Original title | Notes sur le cinématographe |
Translator | Jonathan Griffin |
Country | France |
Language | French |
Publisher | Éditions Gallimard |
Publication date | 5 March 1975 |
Published in English | 1977 |
Pages | 139 |
Reception
Publishers Weekly wrote in 1986: "The casual but succinct observations, presented here three or four to a page, consist of short paragraphs or single sentences. ... All demonstrate a scintillating curiosity and quest for perfection."[4]
In a British Film Institute poll, Notes on the Cinematographer was ranked the second greatest book about film.[5]
gollark: They have ridiculously complex manufacturing processes because the transistors are on the scale of a few hundred atoms, it's crazy.
gollark: Also, with your processor comment, you are kind of underselling the complexity involved. It's not separate transistors, they're all just made on large bits of silicon together and wired up. Billions of them per processor.
gollark: In the case of games, which are basically just *information*, though, you can both use it because it can be copied (assuming no DRM meddling).
gollark: Quantum electrodynamics is still an important field of study.
gollark: Information doesn't work like physical objects, QED.
References
- Directory of World Cinema: France. 2013. p. 15. ISBN 978-1-84150-563-3.
- "Notes sur le cinématographe" (in French). Éditions Gallimard. Retrieved 2017-01-05.
- "Notes on cinematography". WorldCat. Retrieved 2017-01-05.
- "Nonfiction Book Review: Notes on the Cinematographer by Robert Bresson". Publishers Weekly. 1986. Retrieved 2017-01-05.
- "Sight & Sound's top five film books". British Film Institute. Retrieved February 28, 2017.
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