Nikolaus Lehnhoff

Nikolaus Lehnhoff (20 May 1939 in Hanover – 29 August 2015 in Berlin) was a German opera director.

Life and career

Born in Hanover to Erika (née Fiediger) and Friedrich Lehnhoff, Lehnhoff studied at the University of Munich and the University of Vienna.[1] Lehnhoff began his career working as a stage director at the Deutsche Oper Berlin and as an assistant to Wieland Wagner at the Bayreuth Festival in the 1960s. He then became a stage director for the Metropolitan Opera, beginning with the 1967 revival of Mozart's The Marriage of Figaro. He served as stage director for several more Met productions through 1970, including Ariadne auf Naxos, La bohème, The Flying Dutchman, and Simon Boccanegra.[2]

In 1972 Lehnhoff directed his first opera; a production of Strauss' Die Frau ohne Schatten at the Paris Opera with Christa Ludwig and Walter Berry. He directed that same work for his directorial debut at the San Francisco Opera (SFO) with Leonie Rysanek as the Empress in 1976. He returned many times to direct for the SFO over the next three decades, including Salome (1982 & 1987), The Ring Cycle (1983-1985, 1990, & 1999), Die Walküre (1995), Parsifal (1999-2000), and The Flying Dutchman (2004-2005).[3] His production of The Ring Cycle for the SFO was adopted by the National Theatre Munich in 1987.[1]

Lehnhoff directed several works for the Glyndebourne Festival Opera, including Tristan und Isolde (2003); the company's first staging of an opera by Richard Wagner. Other operas he directed for Glyndebourne included Káťa Kabanová (1988), Jenůfa (1989), and The Makropulos Affair (1995).[2]

In 1988 Lehnhoff directed Berlioz's La damnation de Faust at the Hamburg State Opera in a production that utilized pop video art by Suzan Pitt.[4] In 1989 he made his debut at the Santa Fe Opera directing The Flying Dutchman with James Morris in the title role.[5] That same year he made his directorial debut at the Metropolitan Opera with Eva Marton as his Salome.[2] He directed that same work three more times at the Met; in 1990, 1996, and 2004. In 2000-2001 he directed Parsifal and The Flying Dutchman at the Lyric Opera of Chicago.[6] In 2006 he directed the European debut of Jake Heggie's Dead Man Walking at the Semperoper in Dresden.[7] In 2013 he directed The Flying Dutchman at the Los Angeles Opera.[2] The last production he directed was Puccini's Turandot at La Scala in May 2015.[8]

gollark: (It has an e)
gollark: You should make Minoteaur.
gollark: Hmm. I suspect this is a language model from somewhere finetuned a bit for code. If only this actually worked so I could test things.
gollark: Depends how it works, but maybe.
gollark: Think of it as a swarm of bees, but unintelligent.

References
  1. Barry Millington (2 September 2015). "Nikolaus Lehnhoff obituary: Opera director who was best known in Britain for his association with Glyndebourne". The Guardian.
  2. "Obituaries: Nikolaus Lehnhoff". Opera News. 80 (5). November 2015.
  3. "Nikolaus Lenhoff". San Francisco Opera Performance Archives.
  4. Julia Spinola (28 August 2015). "Zum Tod des Regisseurs Nikolaus Lehnhoff: Der Seelenerkunder". Neue Zürcher Zeitung.
  5. "Flying Dutchman, The". Santa Fe Opera Performance Archives. Retrieved December 4, 2015.
  6. "2000/01 Season". Lyric Opera of Chicago Performance Archives. Retrieved December 4, 2015.
  7. Sam Roberts (September 1, 2015). "Nikolaus Lehnhoff, German Opera Director, Dies at 76". The New York Times.
  8. "Nikolaus Lehnhoff, stage director - obituary". The Daily Telegraph. September 2, 2015.
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