Os Mutantes

Os Mutantes (meaning the mutants; Brazilian Portuguese: [uz muˈtɐ̃tʃis]) are an influential Brazilian rock band that were linked with the Tropicália movement, a dissident musical movement during the Brazilian dictatorship of the late 1960s. They released their acclaimed self-titled debut album in 1968.

This article is about Brazilian psychedelic rock band. For their debut album, see Os Mutantes (album). For their second album, see Mutantes (album). For the 1998 Portuguese film, see The Mutants (film).
Os Mutantes
Os Mutantes perform in 2010
Background information
OriginSão Paulo, Brazil
Genres
Years active1966–1978
2006–present
LabelsPolydor/Universal, Som Livre, Sony BMG (Brazil)
Omplatten/Polydor/Universal, Luaka Bop, ANTI-, Krian Music Group (US)
MembersSérgio Dias
Esmeria Bulgari
Vinicius Junqueira
Carly Bryant
Henrique Peters
Cláudio Tchernev[4]
Past membersCláudio César Dias Baptista
Arnaldo Baptista
Rita Lee
Liminha
Dinho Leme
Manito
Rui Motta
Túlio Mourão
Antônio Pedro
Luciano Alves
Paulo de Castro
Fernando Gama
Zélia Duncan
Bia Mendes
Fabio Recco
Ani Cordero
Amy Crawford

Although the original line-up (Rita Lee, Arnaldo Baptista and Sérgio Dias; and later with Liminha and Dinho Leme) made the most notable breakthrough for the group, it has gone through numerous personnel changes throughout its existence. After a hiatus from the late 1970s to the early 2000s, the band reunited in 2006, touring and recording new material.

History

Origins

Os Mutantes was formed in São Paulo in 1966 by two brothers: Arnaldo Baptista (bass, keyboards and vocals) and Sérgio Dias Baptista (guitar and vocals), and lead singer Rita Lee. They were originally named Six Sided Rockers.[5] The Baptistas' father was a poet and mother a pianist,[6] and the two had previously had an all-male band called The Wooden Faces, while Lee was on an all-female band called The Teenage Singers. Sérgio Dias' guitar, the Golden Guitar (Guitarra de Ouro), was created by Arnaldo and Sérgio's brother, Cláudio César Dias Baptista, who built many of their instruments and electronic effects.[7][8] Their current name was settled upon immediately before a performance on a Brazilian television program.[9]

Tropicália
See also: Tropicalismo

Through other TV performances, the band was able to meet Gilberto Gil, an influential musician in the Tropicália movement, who brought them into the movement's circle.[9] Os Mutantes released two albums heavily influenced by Tropicália, which blended psychedelic rock with other forms of art. They performed and recorded with many artists of this period, including Caetano Veloso and Gilberto Gil, before Veloso and Gil were arrested and subsequently exiled by the military government of Brazil in early 1969. During this period, Os Mutantes was also threatened by the military government of Brazil of that time.[10]

Os Mutantes, 1969.

In 1967 Os Mutantes backed Gilberto Gil when he competed in the third annual Festival of Brazilian Popular Music, making Brazilian music history by being one of the first two rock groups to participate, and Gil won second prize in the song competition with his song "Domingo no Parque" ("Sunday in the Park"). Gil's friend Caetano Veloso also performed with a rock group, São Paulo band Beat Boys, and although his unorthodox performance met with some initial resistance, he eventually won over the crowd with his song "Alegria, Alegria", which was awarded fourth place in the competition. The next year Os Mutantes collaborated with Gilberto Gil on his second solo album, and they also contributed to the manifesto work of the Tropicália movement, the landmark 1968 album Tropicália: ou Panis et Circencis (Tropicália: or Bread and Circuses) a collaborative album recorded by all the major figures in the movement, including Os Mutantes, Gilberto Gll, Caetano Veloso, Gal Costa, and Tom Zé, with orchestrations by Rogerio Duprat and lyrical contributions from Torquato Neto.

In sharp contrast to their well-received festival appearance in 1967, the group famously met with intense hostility when they backed Caetano Veloso for his two now-legendary performances at the third International Song Festival in Rio, which caused a near-riot. In the first round of the festival's song competition on 12 September 1968, Veloso and Os Mutantes were loudly jeered, booed and insulted by a large group of students in the audience, who were vehemently opposed to the Tropicalists' musical experiments, and who were further infuriated by Veloso's outlandish costume, and his provocatively sexual stage movements. In the second round of the competition on 15 September, Veloso and Os Mutantes performed a wild new psychedelic piece that Veloso had written for the occasion, called "É proibido proibir" ("It Is Forbidden to Forbid"); this was recorded live and an excerpt was later released as the b-side of the studio recording of the single. The students began heckling even before the ensemble took the stage, and throughout the song, the anti-Tropicalist faction in the audience jeered and booed so loudly that the performers could barely be heard. The students also began throwing eggs, fruit, vegetables and paper balls and a section of the audience stood up and turned their backs on the performers, to which Os Mutantes responded by turning their backs to the audience. Os Mutantes continued playing, but Veloso stopped singing and spontaneously launched into an impassioned diatribe, denouncing the student faction for their conservatism, which provoked even louder howls of disapproval from the audience. Although the ensemble was joined on stage by Gilberto Gil, who came out to show his support, the jeering continued unabated, so Veloso angrily declared that he would no longer participate in the competition; he then finished the song deliberately out of tune, and he, Gilberto and Os Mutantes left the stage arm-in-arm.[11]

Mid seventies

In 1971, bassist Arnolpho Lima Filho ("Liminha") and drummer Ronaldo Leme ("Dinho") officially joined the band. They released five albums together before Lee departed in 1972 to start a solo career.[10] Rita Lee's 1972 album Hoje É o Primeiro Dia do Resto da Sua Vida was actually recorded with Os Mutantes but credited to Rita Lee due to record company disagreements. Subsequently, the band moved in a progressive rock direction with the album O A e o Z, recorded in 1973 but released only in 1992 due to disagreement with the record company. Arnaldo left the band in that year to pursue a solo career due to differences with other band members and problems with the abuse of LSD, followed by Dinho and, a year later, Liminha. Arnaldo subsequently was institutionalized and jumped from the building's window, causing a six-week coma.[6] Sérgio Dias, the only remaining original member, led the band until its dissolution in 1978. During this time, they released one more studio album, a live album and an EP. Two unreleased albums were released many years later, the aforementioned O A e o Z and Tecnicolor recorded in 1970 and released in 2000.

Reunion

Os Mutantes (Arnaldo, Sérgio and Dinho, sans Rita Lee and Liminha—Lee was replaced with Zélia Duncan on vocals) played live for the first time since 1978 at the Tropicalia exhibition at London's Barbican Arts Centre on May 22, 2006. This performance was followed by shows in New York City, Los Angeles (with the Flaming Lips), San Francisco, Seattle, Denver, Chicago, and Miami. Was the first concert of drummer Dinho Leme since the end of Mutantes.

They have also collaborated with British DJ JD Twitch, in a Britain/Brazil culture project in 2007, called Trocabrahma. In September 2007, both Arnaldo Baptista and Zélia Duncan left the band.[12] Both expressed wishes to continue with their respective solo projects. Sérgio Dias, however, vowed to keep the reformed band alive, not wanting to let "the giant sleep again", as he put it.

In November, it was reported that Liminha would return to the fold, while Karina Zeviani was said to replace Duncan as the band's female vocalist.[13] Neither is part of the new band lineup. Sérgio Dias announced in late 2007 the recording of a new studio album, with some collaboration by Tom Zé and Devendra Banhart.[14] In April 2008, Os Mutantes released their first song in more than 30 years, called "Mutantes Depois", with new female vocalist Bia Mendes and male vocalist Fabio Recco, available for digital download and online stream.[15]

In June 2008, "A Minha Menina" was the featured audio track for the McDonald's commercial "Victory."

In 2009, the band announced their first new release in 35 years, Haih Or Amortecedor, which was released on September 8, by ANTI- Records.[16] They did an extensive North American tour in support of the album in the fall of 2009[17] and played at the Glastonbury Festival in June 2010. The band also toured North America in the fall of 2010.

In 2011, they collaborated with Of Montreal on the song "Bat Macumba" for the Red Hot Organization's most recent charitable album "Red Hot+Rio 2." The album is a follow-up to the 1996 "Red Hot + Rio." Proceeds from the sales will be donated to raise awareness and money to fight AIDS/HIV and related health and social issues.

On April 30, 2013, Fool Metal Jack was released. Unlike Haih Or Amortecedor, the album's lyrics are mostly in English. The album features a slightly different lineup than Haih, with Ani Cordero replacing Dinho Leme on drums and Amy Crawford replacing Henrique Peters on keyboards.[18] The band toured North America in support of the album.[19]

Legacy

When Os Mutantes was formed, it combined influences from psychedelic acts from the English-speaking world like The Beatles, Jimi Hendrix, and Sly & the Family Stone[20] with bossa nova, tropicália, samba and the cultural legacy of the Brazilian art vanguards from the modernist movement.

Os Mutantes is one of the most well-known and influential rock bands in Brazil. In addition, many contemporary underground or independent bands in the United States and Europe cite Os Mutantes as a major influence. Kurt Cobain publicly requested a reunion tour from the trio in 1993, writing a letter to Arnaldo Baptista.[21] Cobain was introduced to them by Pat Fear from White Flag (whose collaboration with Redd Kross and other friends under the name The Tater Totz was the first American band to cover or even cite Os Mutantes on their 1988 LP Alien Sleestaks from Brazil). Beck paid tribute to the group with his single "Tropicália" from the album Mutations. The Bees covered "A Minha Menina" on their first album, Sunshine Hit Me. Red Hot Chili Peppers bass player Flea has stated on his Twitter account that "Os Mutantes the brazilian band is so great".[22] Kevin Barnes of Of Montreal cites Os Mutantes as an important influence.[23][24] Talking Heads frontman David Byrne has worked to publish and promote the group's music through his Luaka Bop label.[5]

Their song Ave Lucifer has been sampled on Captain Murphy's song "The Killing Joke" (produced by Flying Lotus).

Discography

The discography of Os Mutantes consists of ten studio albums, two live albums, ten compilation albums, four extended plays, ten singles and one video album[25][26][27]

Albums

Box set
Year Title Album Details
2014 Os Mutantes
  • Label: Universal Music
  • Includes the albums:
    • Os Mutantes
    • Mutantes
    • A Divina Comédia Ou Ando Meio Desligado
    • Jardim Elétrico
    • Mutantes e Seus Cometas no País do Baurets
    • Tecnicolor
    • Mande Um Abraço Pra Velha

Singles
Year Single Album Label
1966 "Suicida" / "Apocalipse" Non-album single (As O'Seis) Continental (Brazil)
1968 "A Minha Menina" / "Adeus, Maria Fulô" Os Mutantes Polydor (Brazil)
1968 "É Proibido Proibir" / "Ambiente de Festival (É Proibido Proibir)" Non-album single (with Caetano Veloso) Philips (Brazil)
1968 "Caminhante Noturno" Mutantes (A-side is a non-Os Mutantes track from group MPB-4) Philips (Brazil)
1969 "Caminhante Noturno" / "Baby" Mutantes/Os Mutantes Polydor (France)
1969 "Dois Mil e Um" / "Dom Quixote" Mutantes Polydor (Brazil)
1969 "Ando Meio Desligado" / "Não Vá Se Perder Por Aí" A Divina Comédia Ou Ando Meio Desligado/Mutantes Polydor (Brazil)
1971 "Top Top" / "It's Very Nice Pra Xuxu" Jardim Elétrico Polydor (Brazil)
1972 "Mande Um Abraço Pra Velha" Non-album single (B-side is a non-Os Mutantes track from singer Fabio) Polydor (Brazil)
2008 "Mutantes Depois" Non-album single Digital release
2015 "Esos Ojos verdes" Non-album single Digital release

Video
Year Video Details Note
2006 Mutantes Ao Vivo – Barbican Theatre, Londres 2006 DVD release

Other recordings featuring Os Mutantes
Year Artist Album/Single Format Label Notes
1966 Gemini II "Lindo (Groovin')" / "Tchau Mug" Single Continental O'Seis as backing vocalists
1967 Nana Caymmi "Bom Dia" Single RGE Backing band
1967 Ronnie Von Ronnie Von Nº 3 LP Polydor Backing band in 8 tracks
1967 Gilberto Gil Gilberto Gil LP Philips Backing band in 8 tracks
1968 Caetano Veloso Caetano Veloso LP Philips Backing band in the track "Eles"
1968 Various Tropicalia ou Panis et Circenses LP Philips Features the Mutantes track "Panis et Circenses" plus other 4 tracks with the group as a backing band
1968 Rogério Duprat A Banda Tropicalista do Duprat LP Philips Backing band in 4 tracks
1968 Various II Festival Estudantil da Música Popular Brasileira LP Philips Features the Mutantes non-album track "Glória ao Rei dos Confins do Além"
1968 Gilberto Gil "A Luta Contra a Lata ou a Falência do Café" Single Philips Backing band
1969 Various IV Festival Internacional da Canção Popular LP Philips Features a live version of "Ando Meio Desligado"
1970 Rita Lee Build Up LP Polydor Arnaldo Baptista as musical director, songwriter and performer
1972 Rita Lee Hoje É o Primeiro Dia do Resto da Sua Vida LP Polydor A Mutantes de facto album credited to solo Rita Lee
1974 Arnaldo Baptista Lóki? LP Philips With Rita Lee (backing vocals), Liminha (bass) and Dinho Leme (drums)

Personnel
Years Members
1967–1969
  • Cláudio César Dias Baptista - audio generator
  • Arnaldo Baptista – bass, keyboards, vocals
  • Rita Lee – vocals, percussion, recorder, autoharp, theremin
  • Sérgio Dias – guitars, vocals, bass
1969–1972
  • Arnaldo Baptista – keyboards, vocals
  • Rita Lee – vocals, percussion, keyboards
  • Sérgio Dias – guitars, vocals, sitar
  • Liminha – bass, vocals
  • Dinho Leme – drums, percussion
1972-1973
  • Arnaldo Baptista – keyboards, vocals, cello
  • Sérgio Dias – guitars, vocals, sitar
  • Liminha – bass, acoustic guitar, vocals
  • Dinho Leme – drums, percussion, tabla
1973
  • Sérgio Dias – guitar, vocals, sitar
  • Liminha – bass, vocals
  • Dinho Leme – drums, percussion
  • Manito – keyboards, saxophone, flute
1973–1974
  • Sérgio Dias – guitar, vocals, sitar
  • Liminha – bass, vocals
  • Rui Motta – drums, percussion
  • Túlio Mourão – keyboards, vocals
1974–1976
(single reunions in 2012 and 2013)
  • Sérgio Dias – guitar, vocals, sitar
  • Rui Motta – drums, percussion
  • Túlio Mourão – keyboards, vocals
  • Antônio Pedro – bass, vocals
1976–1978
  • Sérgio Dias – guitar, vocals
  • Rui Motta – drums, percussion
  • Luciano Alves – keyboards, vocals
  • Paulo de Castro – bass, vocals
1978
  • Sérgio Dias – guitar, vocals
  • Rui Motta – drums, percussion
  • Luciano Alves – keyboards, vocals
  • Fernando Gama – bass, vocals
1978–2006 Band split
2006–2007
  • Sérgio Dias – vocals & guitars
  • Arnaldo Baptista – vocals & keyboards
  • Dinho Leme – drums, percussion
  • Zélia Duncan – vocals
2008–2012
  • Sérgio Dias – vocals, guitars, organ, cello, oud, percussion & harmonica
  • Dinho Leme – drums, percussion & vocals
  • Bia Mendes - vocals, percussion
  • Fábio Recco - vocals, piano
  • Vinícius Junqueira - bass, piano bass
  • Henrique Peters - vocals, keyboards, piano & organ
  • Vitor Trida - vocals, guitars, keyboards, viola caipira, flute, cello & violin
2012-2013
  • Sergio Dias - vocals, guitars
  • Ani Cordero - drums, percussion
  • Esmeria Bulgari - vocals, percussion
  • Vinicius Junqueira - bass, piano bass
  • Amy Crawford - keyboards, piano, organ
  • Vitor Trida - vocals, guitars, keyboards
2013–present
  • Sergio Dias - vocals, guitars
  • Esmeria Bulgari - vocals, percussion
  • Vinicius Junqueira - bass, piano bass
  • Vitor Trida - vocals, guitars, keyboards
  • Henrique Peters - vocals, keyboards, piano & organ
  • Cláudio Tchernev - drums, percussion

Timeline
gollark: It's probably better than having people running around being unsafe.
gollark: There are quite a lot of them.
gollark: Except people who want gun control.
gollark: The UN one?
gollark: The rights *which countries grant you* are defined by laws, the general ideas of the rights less so.

References
  1. Appiah, Anthony; Gates, Henry Louis (2005). Africana: The Encyclopedia of the African and African American Experience. Oxford University Press. p. 222. ISBN 978-0-19522-329-3.
  2. Balderston, Daniel; Gonzalez, Mike; Lopez, Ana M. (2000). Encyclopedia of Contemporary Latin American and Caribbean Cultures. Routledge. p. 845. ISBN 978-1-13478-852-1.
  3. Hernandez, Deborah Pacini; l'Hoeste, Héctor D. Fernández; Zolov, Eric (2004). Rockin' Las Américas: The Global Politics of Rock in Latin/o America. University of Pittsburgh Press. p. 354. ISBN 978-0-82297-255-6.
  4. Nunes, Samuel (2013-08-09). "'Nossa internet era o rádio amador', lembra Sérgio Dias, dos Mutantes". G1 (in Portuguese). Retrieved 2013-10-29.
  5. Bush, John. "Biography". AllMusic. All Media Guide. Retrieved 2008-03-29.
  6. Hodgkinson, Will (2006-05-18). "'Why be normal?'". The Guardian. Guardian Media Group. Retrieved 2008-03-29.
  7. Interview with Os Mutantes guitarist Sérgio Dias, Luakabop.com
  8. Interview with Os Mutantes singer Rita Lee, Luakabop.com
  9. "Mutantes". AllBrazilianMusic. CliqueMusic Editora. Retrieved 2008-03-29.
  10. Rohter, Larry (2007-07-15). "Brazil's Musical Mutants Resume Their Strange Trip". The New York Times. São Paulo, Brazil: The New York Times Company. Retrieved 2008-03-29.
  11. Victoria Langland, "Il est Interdit d’Interdire: The Transnational Experience of 1968 in Brazil", Estudios Interdisciplinarios de América Latina y el Caribe, Vol. 17, No. 1 (2006)
  12. G1 (2007-09-21). "Arnaldo Baptista e Zélia Duncan saem dos Mutantes". G1 (in Portuguese). São Paulo, Brazil. Retrieved 2008-03-29.
  13. iG (2007-11-13). "Baixista Liminha volta a integrar os Mutantes". iG (in Portuguese). Archived from the original on 2008-05-17. Retrieved 2008-04-28.
  14. Ayers, Michael (2007-10-25). "Os Mutantes Busy With Live Album, Studio Work". Billboard.com. Retrieved 2008-04-28.
  15. Richardson, Mark (2008-04-24). "Premiere: Os Mutantes: "Mutantes Depois" (New Song)". Pitchfork Media. Archived from the original on 2008-04-29. Retrieved 2008-04-28.
  16. "Os Mutantes Sign to Anti- | News". Pitchfork. 2009-06-16. Retrieved 2014-08-22.
  17. Archived August 2, 2009, at the Wayback Machine
  18. Archived March 31, 2013, at the Wayback Machine
  19. "Hear Os Mutantes' New, Anguished 'Fool Metal Jack' | SPIN | Premieres". SPIN. 2013-04-02. Retrieved 2014-08-22.
  20. Cross, Dave (April 2000). "Os Mutantes - Dois Mil e Um". Perfect Sound Forever. Retrieved 2008-03-29.
  21. Rohter, Larry (2001-04-15). "Ignored for Decades, They're Suddenly a Hot Band". The New York Times. The New York Times Company. Retrieved 2008-03-29.
  22. "Flea on Twitter: os mutantes the brazilian band is so great". Twitter.com. Retrieved 2014-08-22.
  23. Brown, Shane (2000-03-10). "Of Montreal Interview". Excellent Online. Archived from the original on 2008-06-09. Retrieved 2008-03-29.
  24. Akers, Sarah (2004-09-03). "Interview : Of Montreal". CrownDozen.com. Archived from the original on 2008-02-22. Retrieved 2008-03-29.
  25. "Discografia - Os Mutantes" (in Portuguese). JovemGuarda.com.br. Retrieved 2016-06-26.
  26. "Os Mutantes Discography at Discogs". Discogs.com. Retrieved 2016-06-26.
  27. Carlos Calado (1996). A divina comédia dos Mutantes (in Portuguese). Editora 34. pp. 339–347. ISBN 978-85-7326-009-0. Retrieved 2016-06-26.
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