Musical hoax

A musical hoax (also musical forgery and musical mystification) is a piece of music composed by an individual who intentionally misattributes it to someone else.[1]

Ascribed to historical figures

Ascribed to non-existent or purported historical individuals

gollark: SetTIMEOUT.
gollark: Lua is *bad*, but not *PHP-bad*.
gollark: And somehow syntax you're not used to makes it worse than ***PHP***?
gollark: <@!312893288602533888> So why exactly is F# horrible?
gollark: Also, popularity is not equal to quality.

References

  1. Dan Hill. "Musical Crimes: Forgery, Deceit, and Socio-Hermeneutics". Archived from the original on September 18, 2008. Retrieved February 28, 2013.
  2. Lebermann W. Apokryph, "Plagiat, Korruptel oder Falsifikat?" Musikforschung 20 (1967): 413–25.
  3. Arthur Hutchings, "Personal View: 2. Du Côté de chez Zak", Musical Times 102, no. 1424 (October 1961): 623–24. Citation on p. 623.
  4. Library of Congress Fritz Kreisler Collection
  5. Rodney Slatford, "Review: Domenico Dragonetti in England (1794-1846): The Career of a Double Bass Virtuoso" Music & Letters 80, no. 2 (May 1999): 297–99
  6. Andrew Porter, "Zak's 'Mobile'", The Musical Times 123, no. 1671 (May 1982): 319.
  7. "Кажется, это не Бах: краткая история музыкальных мистификаций". Нож.
  8. "INTERVISTA".
  9. "British Author Espies a Funerary Violin Vacuum and So Fills It". The New York Times. 4 October 2006.
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