Roman Turovsky-Savchuk

Roman Turovsky-Savchuk (Ukrainian: Роман Туровський-Савчук) is an American artist-painter, photographer and videoinstallation artist,[1] as well as a lutenist-composer,[2][3] born in Ukraine. His musical works were published under various pseudonyms, including Johann Joachim Sautscheck.

Roman Turovsky-Savchuk

Biography

Turovsky was born in Kiev, Ukraine in 1961, when it was part of the Soviet Union. He studied art from an early age under his father, the painter Mikhail Turovsky and at the Shevchenko State Art School in Kiev. He also began to be interested in music in his teens. The family emigrated to New York City in 1979. They first lived in the Bronx.[4] Turovsky continued his art studies in New York at the Parsons School of Design,[5] studying concurrently Historical Performance (Baroque Lute) and Composition, under Patrick O'Brien,[6] Pier Luigi Cimma, Leonid Hrabovsky and Davide Zannoni.

During the early 1990s, he worked at NYANA, a refugee resettlement agency in New York City (his co-workers there included people now prominent in the arts: theatre director Alexander Gelman, writer and director Todd Solondz, and writers Alex Halberstadt and Gary Shteyngart).

Art

Turovsky began composing seriously in the early 1990s, simultaneously embarking on a career as a prolific artist-painter. He participated in many exhibitions. His first one-man show was held in June 2006 in New York, and the second in February 2013. Eight of his paintings are in the permanent collection of the International Marian Institute at the University of Dayton.[7][8]

Cinema and television

Turovsky worked as a scenic artist in the production of Jim Jarmusch's film "Ghost Dog", Paul Schrader's "First Reformed"[9] as well as in Tom DiCillo's "Double Whammy" and other films.[10] He is a member of United Scenic Artists.

Music

As a composer, Turovsky concentrated on the instrumental idiom of the Baroque lute[11] and the torban,[12] as well as viola da gamba and carillon. He composed over 1100[13] instrumental and vocal[14] works influenced by his Ukrainian heritage and the baroque.[15] Many of these were premiered by Luca Pianca [16] at several international festivals (Salamanca, Lisbon, Schwetzingen, Vilnius, Vicenza,[17] Urbino,[18] Metz and Paris), Roland Ferrandi in Corte, Simon Paulus at Wolfenbüttel and Jindřich Macek in Přibyslav, Kraty, Prague and Hvar.[19] He also collaborated with Paulo Galvão and Hans Kockelmans in a series of experimental works which they jointly composed. His works have been performed/recorded by Robert Barto,[20][21] Robert MacKillop,[22] Oleg Timofeyev, Massimo Marchese,[23] John Schneiderman,[24] Thomas Schall,[25] Trond Bengtson, Terrell Stone, Christopher Wilke and Bernhard Hofstötter [26] on lute, Angelo Barricelli[27] and Fernando Lewis de Mattos on guitar,[28] Ernst Stolz on viola da gamba,[29] as well as Hans Kockelmans and Olesya Rostovskaya on carillon. In 2011 and 2013 Turovsky was profiled in two 1 hour-long programs on the Dutch Classical radio-station Concertzender.[24][30] He also composed over 40 tombeaux dedicated to various cultural figures. These were described by Pablo del Pozo as being of "unquestionable musical quality".[31]

As a performer, Turovsky-Savchuk appeared as a lute soloist and continuo player in the Early Music line-up of Julian Kytasty's "New York Bandura Ensemble" and "Radio Banduristan".[32] Roman Turovsky was a recipient of the 2008 NYSCA grant for the purpose of study of kobzar art with Julian Kytasty.[33]

Roman Turovsky-Savchuk is a founding member of Vox Saeculorum[34][35] and The Delian Society,[36] two international groups devoted to preservation and perpetuation of tonal music. He was described as composer-extraordinaire[3] by the British author Suhayl Saadi.

In 2011 Turovsky-Savchuk contributed the soundtrack to the Iryna Korpan's documentary "She Paid The Ultimate Price", and in 2013 to the Marko Robert Stech's Georgy Narbut episode in the KontaktTV Toronto (OMNI TV (Canada)) series "Eyes on Culture" №55.[37]

Discography
  • Massimo Marchese - "Dialogues with Time" (daVinci Edition C00028, 2017)[38]
  • Christopher Wilke "De Temporum Fine Postludia II" (Polyhymnion CD002, USA 2019)[39]
  • Christopher Wilke "De Temporum Fine Postludia" (Polyhymnion CD001, USA 2016)[39][2]
  • Daniel Shoskes "Weiss Undercover" (USA, 2016)[40]
  • Daniel Shoskes "Lautenschmaus" CD (USA, 2011)[41]
  • Angelo Barricelli "From Borderlands" (Lira Classica, Italy, 2008)
  • Thomas Schall "Die Laute im Barock" LCCD 0202 (The Lute Corner, Switzerland, 2002)

Allonyms and pseudonyms

Since 1996 Turovsky has signed his musical works as Sautscheck, a German transliteration of the second part of his surname as an allonym. Turovsky used a variety of constructions, such as Joachim Peter,[42] Johann Joachim, and Konradin Aemilius, for first names attached to Sautscheck. He represented the works as newly discovered manuscripts by supposed 17th-, 18th- and 19th-century composers from several generations of the same family.

His works for lute achieved wide circulation under the allonym of Sautscheck and the pseudonyms "Ioannes Leopolita" and "Jacobus Olevsiensis". Musicologist Douglas Alton Smith perceived these works as malicious hoaxes and forgeries because of their ostensibly baroque or earlier styles.[43] The controversy in 2000 over what some considered an outright hoax led to coinage of a new German word, Sautscheckerei, which denoted a musical or literary hoax.[44]

Turovsky published Mikrokosmos, a collection of nearly 800 Renaissance-styled pieces based on Ukrainian folk melodies under the pseudonyms "Ioannes Leopolita" and "Jacobus Olevsiensis"..

Literary activities

Turovsky's poetry translations (from Russian, Ukrainian, Polish and other languages) have appeared in the literary almanacs Cardinal Points,[45] The Germ,[46] and various web publications.

He also undertook research into the history of Torban, a Ukrainian musical instrument of the lute family, and wrote the chapter on it for the 2011 edition of "Die Laute in Europa".[47][48]

gollark: Consistently increasing RAM use and memory allocation per second?
gollark: Mostly game internals, and they somehow manage to consistently worsen things.
gollark: Vanilla is, by design, absolutely not at feature parity with modded.
gollark: I guess so.
gollark: And distributes the currency according to available GPU power.

References
  1. http://culturecatch.com/art/head-show
  2. "Kairos, een meditatie op hedendaagse muziek".
  3. Suhayl Saadi Uncensored « Kitaab. Kitaabonline.wordpress.com. Retrieved on 18 October 2011.
  4. "Roman Turovsky", accessed 12 Nov 2009
  5. "Which New Schooler Are You Most Like?".
  6. "Dialogues with Time". nyfolklore.org. Retrieved 12 August 2015.
  7. Lenten Meditation. Campus.udayton.edu (31 March 2011). Retrieved on 18 October 2011.
  8. "Mary in the News: Nov. 9, 2017 : University of Dayton, Ohio".
  9. "Roman Turovsky", IMDB
  10. Roman Turovsky – Filmography – Movies & TV – NYTimes.com. Movies.nytimes.com (30 September 2011). Retrieved on 18 October 2011.
  11. Orest Kuprij, The Index of Contemporary Music for Lutes, Vihuela and Baroque Guitar <http://www.polyhymnion.org/kuprij/index.html>
  12. De Tabulatuur, No. 89, July 2007, p.12-13
  13. "Alphabetical by Composer N - Z".
  14. Turovsky, Roman. Modernlutesongs.com. Retrieved on 18 October 2011.
  15. Interview with Joseph Dillon Ford – Founder of The Delian Society. Creativity-portal.com. Retrieved on 18 October 2011.
  16. "Luca Pianca". BBC Music. Retrieved 12 August 2015.
  17. Spazio e Musica Palazzo Barbaran da Porto – CISA Palladio Vicenza. Undo.net. Retrieved on 18 October 2011.
  18. Le notizie di classica, lirica e balletto di: 20 giugno 2001 Archived 20 July 2011 at the Wayback Machine. Fenice.org. Retrieved on 18 October 2011.
  19. stránky loutnisty Jindřicha Macka Archived 9 December 2008 at the Wayback Machine. Www. Loutna.Cz. Retrieved on 18 October 2011.
  20. Roman Turovsky "Dialogues with Time", VOICES (The Journal of New York Folklore), Fall-Winter 2011, volume 37: 3–4, p.11
  21. polyhymnion.org http://polyhymnion.org/tombeau/tombeau/tombeau.html. Retrieved 12 August 2015. Missing or empty |title= (help)
  22. free mp3 recordings Archived 3 October 2011 at the Wayback Machine. Song of the Rose. Retrieved on 18 October 2011.
  23. "Massimo Marchese: "Ad Alessandria la cultura continua ad essere un optional: Speriamo che dopo le elezioni…." | | CorriereAl".
  24. "Concertzender". Retrieved 19 December 2011.
  25. The Lute Corner, Andreas Schlegel – Label, CDs. Lutecorner.ch. Retrieved on 18 October 2011.
  26. "Bio".
  27. Angelo Barricelli Home Page. Angelobarricelli.com. Retrieved on 18 October 2011.
  28. Archived 24 March 2012 at the Wayback Machine
  29. Tombeau pour Mr. Telemann by Roman Turovsky-Savchuk played on viola da gamba on Vimeo. Vimeo.com. Retrieved on 18 October 2011.
  30. "programmagids". Concertzender. Retrieved 12 August 2015.
  31. "Tombeaux y lamenti (II)". sineris.es. Retrieved 12 August 2015.
  32. Bios » Radio Banduristan International. Radiobanduristan.com. Retrieved on 18 October 2011.
  33. "News from Center for Traditional Music and Dance". constantcontact.com. Retrieved 12 August 2015.
  34. "La Lunatique - Sala del Cembalo - a2013_09". saladelcembalo.org. Retrieved 12 August 2015.
  35. "Thirsty : 2015 Summer : A Conversation with Composer Grant Colburn". staythirstymedia.com. Retrieved 12 August 2015.
  36. Roman Turovsky-Sautscheck Archived 3 March 2016 at the Wayback Machine. Deliansociety.org. Retrieved on 18 October 2011.
  37. "Archived copy". Archived from the original on 5 October 2013. Retrieved 14 March 2013.CS1 maint: archived copy as title (link)
  38. "Archived copy". Archived from the original on 5 March 2017. Retrieved 4 March 2017.CS1 maint: archived copy as title (link)
  39. "Christopher Wilke CD release!".
  40. "Weiss Undercover : Daniel Shoskes".
  41. "Archived copy". Archived from the original on 27 November 2016. Retrieved 26 November 2016.CS1 maint: archived copy as title (link)
  42. Musica Viva Encyclopedia: Sautscheck, Joachim Peter. Musicaviva.com. Retrieved on 18 October 2011.
  43. "Musical Crimes: Forgery, Deceit, and Socio-Hermeneutics" Archived 18 September 2008 at the Wayback Machine, Serene Studios, accessed 13 Nov 2009
  44. "Музыкальные мистификации". 6 June 2013.
  45. Cardinal Points, vol.7 (September 2017)
  46. The Germ: Germ #6/7. Germspot.blogspot.com (18 May 2005). Retrieved on 18 October 2011.
  47. "Geluit-Luthinerie" (The Belgian Lute Society Journal) No. 54, p.5
  48. "Die Laute in Europa 2" A.Schlegel & J.Lüdtke
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