Miss 1917

Miss 1917 is a musical revue with a book by Guy Bolton and P. G. Wodehouse, music by Victor Herbert, Jerome Kern and others, and lyrics by Harry B. Smith, Otto Harbach, Henry Blossom and others. Made up of a string of vignettes, the show features songs from such musicals as The Wizard of Oz, Three Twins, Babes in Toyland, Ziegfeld Follies and The Belle of New York.[1]

Miss 1917
The Musical Comedy
MusicVictor Herbert, Jerome Kern and others
LyricsHarry B. Smith, Otto Harbach, Henry Blossom and others
BookGuy Bolton
P. G. Wodehouse
Productions1917 Broadway

Background

In 1916, Charles Dillingham and Florenz Ziegfeld produced The Century Girl, with music by Irving Berlin. Despite mildly positive reviews, the show closed without recouping its investment.[2] On their next production, which was to be called Miss 1917, they hired Jerome Kern and Victor Herbert to compose the score and Guy Bolton and P.G. Wodehouse to collaborate on the book. Kern and Bolton had collaborated on the Princess Theatre musicals, including Very Good Eddie (1915). British humorist and playwright Wodehouse then joined them for several innovative musicals there, including Oh, Boy! (1917).[3]

Involvement of George Gershwin

The show is mostly known today as George Gershwin's introduction to musical theatre.[4] During rehearsals for Miss 1917, Gershwin conducted the pit orchestra and played the piano.[2] He was hired in October 1917, being paid $35 each week. As the rehearsal period extended, Gershwin earned more money.[5] He would later record Kern's "The Land Where the Good Songs Go", which was used in the revue, as a piano roll in January 1918.[5]

While working for the show, Gershwin and his brother Ira Gershwin befriended Herbert and Kern, keeping "in contact with some of the major figures on Broadway".[5] Sunday night concerts held in New York City by the show's cast introduced Gershwin's "There's More to a Kiss Than the Sound" and "You-oo, Just You", both with lyrics by Irving Caesar.[5] "Gershwin had begun work on Broadway as a rehearsal pianist for the Jerome Kern and Victor Herbert musical Miss 1917. Within months, his talent as a composer was noticed by everyone in the show and he was quickly put under contract by Harms Music.[4] His involvement with Miss 1917 brought him to the attention of music producer Harry Askins, who in turn mentioned him to Max Dreyfus, "one of the giants of music publishing".[4]

1917 Broadway production

The producers of the show "had demanded extremely elaborate staging for the revue", so no out-of-town tryouts were held, and the show premiered directly on Broadway on 5 November 1917, at the Century Theatre.[2][6][7] The production was staged, directed and supervised by Ned Wayburn, with choreography by Adolph Bohm. The creative team also included set designer Joseph Urban, who built a rotating thrust stage for the theatre. Costume design was attributed to eight designers, including Paul Chaflin, Willy Pogany, and Max Weldy.

The original cast starred comedian Lew Fields, Andrew Tombes and Vivienne Segal. it also included George White, Ann Pennington, Charles King, Bessie McCoy Davis, Bert Savoy, Irene Castle, Marion Davies, Lilyan Tashman and the comedic team Van and Schenck.[6] Kern originally wanted Segal to sing "They Didn't Believe Me" in the revue, though Dillingham and Herbert preferred her to sing "Kiss Me Again". Segal's siding with the latter caused tension among the creative team.[6] According to a member of the production crew, technical rehearsals were interrupted several times due to disagreements in staging and choreography; at one point, Kern sought to close the show early, though Ziegfeld wouldn't have it.[8]

The show got rave reviews.[9][10] Although Castle was singled out for praise by reviewers, she was unhappy performing on stage without her husband and usual dance partner Vernon Castle: "I found myself hopelessly lost as a solo number. I had no training for dancing alone and I should never have tried it."[9] Though successful with critics, the revue failed to attract an audience; at least not enough of one to pay for the lavish production.[11][9] Castle, White and others were let go by the producers, but the show still foundered in its out-of-the-way theatre.[9] It closed on 5 January 1918, after only six weeks of performances.[2][12]

Subsequent events

A month after Miss 1917 closed on Broadway, on 21 February 1918, items used in the show were sold in an auction, raising $11,300, according to The New York Times. Most of the items for auction were bought by J. J. Shubert.[13] The following day, Sam Harrison of the New Amsterdam Theatre bought the performing rights to the musical.[14] A London transfer, planned for March 1920, as well as a US national tour were cancelled. According to The New York Times, the creative team would not allow Ziegfeld to stage the show internationally due to planned major staging and plot changes that he hoped would make the humour more accessible to international audiences.[8]

Musical numbers

Recordings

Although no official cast recording was made, brief excerpts from some of the songs used in Miss 1917 can be heard on the compilation album, "Jerome Kern: Silver Linings", which was officially released on 22 July 2008.[15]

gollark: What do YOU think, based on my code?
gollark: Don't try and hold it down!
gollark: Sure it will! It can do anything! It can be anything it wants to be!
gollark: It's U N D E F I N E D, it doesn't have to behave consistently or like actual values.
gollark: Technically uninitialized memory isn't 0 and undefined behavior bees.

See also

References
  1. "Song List of Miss 1917". IBDB: The Official Source for Broadway Information. The Broadway League. Retrieved 13 March 2011.
  2. "Miss 1917, musical revue (collab. with V.Herbert)". Classical Archives. Retrieved 13 March 2011.
  3. Kenrick, John. "History of The Musical Stage 1910–1919: Part I", Musicals 101.com: The Cyber Encyclopedia of Musical Theatre, TV and Film, accessed 27 May 2008
  4. Pollack, Howard (2006). George Gershwin, His Life and Career. California: University of California Publishing. p. 89.
  5. Hyland, William (2003). Gershwin: A Biography. Google Books. Greenwood Publishing Group (2003). ISBN 9780275981112. Retrieved 14 March 2011.
  6. Bordman, Gerard Martin (1978). American musical theatre: a chronicle. New York: Oxford University. pp. 373–374.
  7. Viagas, Robert (5 November 2010). "Today in Theatre History: November 5". Playbill. Archived from the original on 29 June 2011. Retrieved 13 March 2011.
  8. "'Miss 1917' Musical Cancels International Stagings". The New York Times. 12 June 1918.
  9. Golden, Eve. Chapter Thirty-One, "Vernon and Irene Castle's Ragtime Revolution", p. 191, University Press of Kentucky, 2007 ISBN 081312459X
  10. "'Miss 1917' A Hit at the Century". The New York Times. 6 November 1917.
  11. Jasen, David A (2002). P.G. Wodehouse: A Portrait of a Master. Music Sales Group: Music Sales Group. pp. 71–72. ISBN 9780857127549.
  12. "Miss 1917". Broadwayworld.com. Retrieved 13 March 2011.
  13. ""Miss 1917" Brings $11,300 at Sale". The New York Times. 21 February 1918.
  14. "Boys Century Plays". The New York Times. 22 February 1918.
  15. Kern, Jerome. "Silver Linings". Classical Archives. Retrieved 13 March 2011.
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