Message for the Masses
Message for the Masses is the second independent album recorded by Sanctus Real. The tracks "Message for the Masses", and "After Today" were re-recorded for the album Nothing to Lose. "Message for the Masses" was re-titled "Message". Both tracks were redone again for later albums. The track "After Today" was ultimately re-recorded for the album Say it Loud, and the track "Message" was ultimately re-recorded for the album Fight the Tide. This album is now out of print.
| Message For the Masses | ||||
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| Studio album by | ||||
| Released | 1999 | |||
| Genre | Christian Rock | |||
| Length | 49:05 | |||
| Label | Independent | |||
| Producer | Sanctus Real | |||
| Sanctus Real chronology | ||||
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Track listing
- "One of the Best" – 3:01
- "Waiver" – 4:14
- "Never Leave" – 2:44
- "Free to Be" – 4:43
- "Forever and a Day" – 4:01
- "Remedy" – 4:49
- "After Today" – 5:46
- "Message for the Masses" – 4:18 – (An early version of "Message")
- "S.O.S." – 3:04
- "Recognized" – 4:11
- "So Long" – 5:45
- "Coffee of Life" – 2:37
Personnel
- Matt Hammit – Lead vocals, Rhythm guitar
- Chris Rohman – Lead guitars
- Mark Graalman – Drums and Percussion
- Matt Kollar – Bass
Production
- Recorded at Waveburner Studio
- Engineered & Mastered by Dalton Brand
- Produced by Sanctus Real
- Photography – Jim Rohman
- Graphic Art – Jeff Frye
- Cover – Matt Hammit
- Management – Jessica Lardinais
gollark: And reactions and such.
gollark: My ideal chat thing would probably be IRC with emailish global accounts, and server-integrated history/bouncer features.
gollark: Message IDs, at least, are a fairly basic and critical feature. If you offload important things to modules you can't rely on them and clients which don't support them might randomly break things.
gollark: And XMPP has modules for things as stupidly basic as message IDs and I think server stored message history.
gollark: You have to deal with the interactions between modules, what happens if something is missing support, possible other incompatible modules, etc.
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