Menorah Journal
The Menorah Journal (1915–1962) was a Jewish-American magazine, founded in New York City and "the leading English-language Jewish intellectual and literary journal of its era.[1][2][3][4]
History
1920s: The journal came from the Menorah Society (founded 1906) of Harvard University to explore humanistic values within Judaism and promote secular Jewish culture (in English). An Intercollegiate Menorah Association arose in 1913; membership peaked in the 1920s on 80 US and Canadian colleges and universities.[1][2]
1930s: The Great Depression that started in late October 1929 led the journal to cut publishing from monthly to quarterly. At the same time, Jewish intellectuals moved left, splitting readership. "In 1931, a core of key editors and writers, including Elliot E. Cohen, Herbert Solow, and Felix Morrow joined the Communist Party and its literary journal, the New Masses. Most of these writers had abandoned the Party by 1934 for Trotskyism. Most moved away from Jewish identity (except Cohen, who became editor of Commentary of the American Jewish Committee).[1][2][5][6] (Solow's wife, Tess Slesinger described much of the Menorah scene in the guise of fiction in her book The Unpossessed (1934).)
1940s–1960s: Following World War II, nationalist Zionism become popular, but journal editor Hurwitz aligned the Menorah Journal with the American Council for Judaism (Reform Judaism) and so exclusively religious. More specifically, Hurwitz advocated "Zakkaian Judaism" (Yohanan ben Zakkai). The journal ended shortly after Hurwitz’s death (1961).[1][2]
Founders
- Henry Hurwitz (1886–1961): long-time editor
- Harry Wolfson (1887–1974): historian, philosopher
- Horace Kallen (1882–1972): advocate of "cultural pluralism"[1]
Editors
- Henry Hurwitz
- Herbert Solow
- Elliot E. Cohen[7][8]
Contributors
Writers:
- Mordecai Kaplan
- Fritz Mauthner
- Morris Raphael Cohen
- Salo Baron
- Maurice Samuel
- Lucy Dawidowicz
- I. L. Peretz
- I. B. Singer
- Chaim Bialik
- A. M. Klein
- Nina Salaman
- Randolph Bourne
- Lewis Mumford[1]
- Isidor Schneider[5]
- Lionel Trilling
- Salo Baron
- Cecil Roth
- Harry Wolfson[2]
Artists:
- Marc Chagall
- William Gropper
- William Meyerowitz
- Elie Nadelman
- Lionel S. Reiss
- Max Weber[1]
References
- Muraskin, Bennett (13 July 2016). "The Menorah Journal". Jewish Currents. Retrieved 25 September 2011.
- Alter, Robert (1 May 1965). "Epitaph for a Jewish Magazine:Notes on the Menorah Journal". Commentary. Retrieved 25 September 2011.
- "The Menorah journal". Stanford University. 1 May 1965. Retrieved 25 September 2011.
- Wald, Alan M. (13 July 2016). The New York Intellectuals: The Rise and Decline of the Anti-Stalinist Left from the 1930s to the 1980s. UNC Press. pp. 30–64. Retrieved 25 September 2011.
- Trilling, Diana (1993). The Beginning of the Journey. Harcourt Brace & Co. pp. 137–138 (Menorah Journal), 214 (Isidor Schneider). ISBN 0-15-111685-7.
- Langdon, Jennifer E. (2008). Caught in the Crossfire: Adrian Scott and the Politics of Americanism in 1940s Hollywood. Columbia University Press. ISBN 0-15-111685-7.
- http://www.commentarymagazine.com/viewarticle.cfm/elliot-e--cohen-12135
- Alterman, Eric (26 July 1998). "Inspiring Eggheads". New York Times. Retrieved 25 September 2011.
External sources
- Leo W. Schwarz (ed.). The Menorah Treasury. Jewish Publication Society. p. 963.
- Wald, Alan M. (13 July 2016). The New York Intellectuals: The Rise and Decline of the Anti-Stalinist Left from the 1930s to the 1980s. UNC Press. pp. 30–64. Retrieved 25 September 2011.